GRUNGECAKE

Tag: Apple Music

  • Cardi B tells Apple Music about making ‘Imaginary Playerz’ and ‘Am I the Drama?’

    Cardi B joins Apple Music’s Zane Lowe for an in-depth conversation about her highly-anticipated second studio album, ‘Am I the Drama?’. In the conversation, Cardi B reveals what exact time JAY Z approved ‘Imaginary Playerz’, and opens up about overcoming writer’s block, the pressure of following her chart-topping debut, personal challenges over the past few years, and more.

    Video | Cardi B tells Apple Music about making ‘Imaginary Playerz’ and ‘Am I The Drama?’

    [youtube=https://www.youtube.com/watch?v=7QkmgCjW2XY&h=315]

    Video | Cardi B gives advice to fans via her 1-800-DRAMA Hotline

    [youtube=https://www.youtube.com/watch?v=TM2jANLp4CY&h=315]

    Video | Full interview

    [youtube=https://www.youtube.com/watch?v=7QkmgCjW2XY&h=315]


    Cardi B tells Apple Music about having writers block while creating ‘Am I the Drama?’

    Zane Lowe: There’s a lot of life going on around this time as well. It wasn’t just like you were sitting on music, you were trying to find balance, I’d imagine that was what was going on.

    Cardi B: Yeah. It was just trying to find balance in life. And not only that, but it’s just like I don’t know, it got to the point for me that it’s like nothing was pleasing me. And it’s so funny because even when I get dressed up, when I wear clothes and stuff, there’s sometimes I’d be like, “Oh my gosh, I feel like I already did this. Oh my God, I feel like somebody already wore something similar to this.” And that is the same way that I feel about music. And it’s just, you’ll be surprised. I got 80 songs that I did probably these past seven years. And it’s just like I just be like three weeks later, it’s like I don’t love it, I don’t want it, I feel stupid, it sounds dumb, it’s sounds this. And even when people come and try to help me, it’s like I still don’t like it. It’s like I really went through a crash that nothing was pleasing me, nothing.

    Cardi B tells Apple Music about matching the success of her debut album ‘Invasion of Privacy’

    Zane Lowe: How much was the success that you achieved with ‘Invasion of Privacy’ and the songs that came from that? And then of course the world opens up and people fall in love with you. So music is the key. And then they’re like, yeah, we love the music, but we love her. How much of that got inside your head as well a little bit?

    Cardi B: It’s not really much. It’s just like I don’t go with the pressure of ‘Invasion of Privacy.’ Because what’s funny, when it came to ‘Invasion of Privacy,’ I wasn’t really thinking of like, oh, I need to make these numbers. I need to make these things. I just really felt like it’s like I have to keep my career. Because it was the first time I got pregnant and people were saying it’s like, oh, this never happened before. We never had an artist in the label that got pregnant right at the beginning of their career. So I just was in a rush to do my deadline and deliver my album. So that was on my mind.

    Now things have changed because people criticize me a little bit harder more than I feel like any other artist, which I feel like is not fair to me. But it’s like, you know what? They don’t do it to the people they don’t think that they’re great or they don’t whatever. And it’s like one of the key that I feel confidence that I’m going to be okay because it’s like no matter what I do, it’s like sometimes I could put this fire-ass outfit and I could kill Fashion Week, and it’s like people would be cool, but where’s the music? I could drop a product and people be like, okay, but where’s the album? I could be in a drama, some controversial shit, and people are like, we don’t give a fuck. We want the album.

    Cardi B tells Apple Music about other female rappers not liking her

    In the industry, there is a lot of different female rappers, but for some reason, it’s something about me that these bitches can’t stand. They can’t fuck with me. Some bitches, I feel like they’re on this class right now, they’re sophomores, and I’m a senior. And it’s like you want to fuck with the senior so bad. You think you’re here with the senior. You’re not even a junior. And it’s like you need to worry about them other sophomores before you start worrying about here, the fucking senior. But it’s something about it that it’s like they can’t even focus on them. They got to focus on me. And they always got to focus on throwing me shots and throwing me slings. No matter if you’re a fucking sophomore or in motherfucking college, it’s me.

    Cardi B tells Apple Music about the start of ‘Imaginary Playerz’

    I was in the studio last year in the Summertime and I was really caught in a funk. I ain’t got my hair done, I ain’t got my makeup done in weeks. I’m sleeping on the couch. It was the fourth, third day that I’m sleeping on the couch in the studio. And I just feel so down, not down, but I just don’t feel like my best.

    I’m exhausted, I’m pregnant as fuck. And I was just going through some drama in my life and I just was so tired, so over it. And then my engineer was like, “Cheer up.” He’s like, “Come on, come on. We got to wake up, we got to get up.” And I was like, “All right. All right.” Then he started playing [Jay-Z’s] ‘Imaginary Players’. And I just started laughing because it was so random for him to play that. And I was like, yeah. I’m like, yo, imagine if I flip this but my way because it’s like my life. Because it’s like I got a lot of shit to brag about. I really do live a different lifestyle than a lot of people.

    Cardi B tells Apple Music about making ‘Imaginary Playerz’

    Cardi B: It’s like I’m practically rapping about what I’m living. Everything that I’m talking about is the things that I live or the things that my fly friends… Because I be looking like, it’s like what this bitch wearing? What this bitch talking about? What this and that? And it’s like I literally just have to make it rhyme, make it sound good, but it’s like this is my life. And I just took notes of everything that I was doing. It’s like even in the music video, I was really having a fitting. I just had my hair done and my makeup done and the people that were fitting me, they’re really the fashion houses fitting me for a show. All those outfits that I wore, I wore them for a show.

    Zane Lowe: That’s not a set.

    Cardi B: It’s not a set. And it’s like they’re really fitting me couture pieces while I’m doing a music video. This is my life. This is really my life. It’s like I’m wearing couture, but I’m not wearing it for a music video. I’m wearing it because I’m about to wear this to a show this week.

    Cardi B tells Apple Music about feeling like she was dying the past year

    Cardi B: I really like to do my things very colourful. I’m a very colorful person. But it’s just like this past year, I feel like something kind of was dying in me. My humbleness, me trying so much to be unproblematic, me trying to avoid drama, avoid the disses, avoid the bitches, avoid the talks, it’s like that shit is dying, that’s dying out in me. It is like that’s really dying in me. Because I’m really about to show you, bitch, that you are not fucking with me. The cockiness is being born again. And not only that, but it’s like my life, my relationships, everything, it’s like that shit is dying now too. It is giving chances, giving chances to men, giving chances to women, giving chances to people that it’s like just want to see the nice shorty shorty. It’s like, oh, just ignore it, be the bigger person. That shit is dying. Now it’s like I feel like I gave y’all too much grace to think that y’all could fuck with me. And it’s like that shit is dead, bitch. Now I’m going to embrace that. You wanted that, bitch. Now I’m going to give it to you. And I hope you could take it when I motherfucking give it to y’all. That’s how I feel, for real. You see that I’m getting kind of angry?

    Zane Lowe: It’s a real emotion though. It’s a real human energy.
    Cardi B: Yes, yes. Because imagine being in your crib. You’re going through so much, so much drama. You probably got into an argument with your aunt and your cousins and shit. Then your fucking husband doing some bullshit. Then in your music career in the studio, you got fucking writer’s block. You have all these problems going on. Then a bitch starts fucking with you. And it’s like while all this is happening, you got a bitch fucking with me. And it’s like all right, bitch, I can’t get to you at that moment, but I’m going to get to you now. And you’re going to get it on my time as well.

    Cardi B tells Apple Music about JAY-Z approving ‘Imaginary Playerz’ at 4:44 PM

    Cardi B: Life, it just changed for me and I just needed to be outside. So I was just writing fly shit down. Then when it was time to submit it to get approved, I was a little scared. I was a little shaky. Wait a minute, Jay-Z got to approve it. I mean, I always knew that he got to approve it, but it was like, how about if he don’t approve it? How about if he fucking likes it? And he did like it. And it’s so crazy, the text message of him approving it, it was at 4:44 PM.

    Zane Lowe: Are you kidding me? Is he living like that or is that just some crazy universe fucking spiritual shit? Because I don’t really think he’s sitting there waiting till 4, 4, 4.
    Cardi B: No, nobody does.

    Cardi B tells Apple Music how she is processing life after getting divorced

    Zane Lowe: You’re still going through it though? Does it feel like you’re still processing? You talked about life changing.
    Cardi B: Yes. Yes. You know when you graduate high school and now you’re about to go to college, you don’t know what you expecting. Well, not only do you got to go to college, it’s like I had to move out. So it’s like now you really in the real world. And it’s like I feel like I’m getting that reset again, but it doesn’t feel as good because I’m in my 30s and I shouldn’t be having a reset at my 30s. It should just be almost planned out, almost like this is what is coming for the rest of my life. It’s like sometimes I feel like I’m in my 20s and I don’t really want to feel like I’m in my 20s. I want to feel like I’m in my grown 30s because I got three kids. And it’s like I’m not a… I like to be outside. I like to have fun. But it’s like I like to have my things planned out. I’m always a person that thinking about five years from now. You know what I’m saying? I like to think about family. That’s just the type of person that I just am. So experiencing that, experiencing the streets and stuff like that, it’s just a little weird. And then it’s like going through a divorce is very, very tough because you marry somebody and the person that you divorcing is not that person that you married. It’s like you really ask yourself like who the fuck did I marry? Who did I marry? There is no love there. There is no love. There is no love. But to me, I always felt like if I ever walk away from something, I get along with all my exes. Even if we don’t talk, we never ended it on some nasty, nasty stuff. So I never wish them bad. I don’t wish them bad or nothing like that. It has gotten to the point that it’s like, oh my gosh, I feel like I really hate you. I think I hate you. And I never wanted that. I always be wondering, it’s like why do women hate their baby daddy so much? Why do people say that divorce is so tough? I feel like if the love is dead, people should just go their separate way.


  • Apple Music to exclusively release DJ mix curated by DJ Green Lantern and DJ Snoopadelic (also known as Snoop Dogg)

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    Two days ago, Apple Music announced an exclusive new Apple Music DJ Mix courtesy of DJ Green Lantern and DJ Snoopadelic (also known as Snoop Dogg), scheduled for release on Friday, July 25.

    “The world is in need of good vibrations. The Mothership Connection is making an Emergency Landing. Me and Green Lantern… taking you from P Funk to G Funk and everything in between, Death Row style!”, Snoop Dogg tells Apple Music.

    “The Mothership project is all about raising the vibration, taking you higher musically!”, says DJ Green Lantern. “Imagine a cool-ass house party in outer space… that’s us!”

    On the DJ mix highlights, DJ Green Lantern reveals listeners can expect: “tracks like October London ‘Make Me Wanna’ mixed with The O’Jays ‘Darlin’ Darlin’ Baby’, which Snoop makes a cameo on… We celebrate Roy Ayers with a new rework of ‘Everybody Loves the Sunshine’ featuring Jane Handcock on guest vocals… Maze’s ‘We Are One’ was chosen for its universal message of unity and togetherness. That’s what the Mothership is all about, Baby!”

    DJ Green Lantern’s and DJ Snoopadelic’s ‘Live From the Mothership II: Emergency Landing’ is the long-awaited sequel to the duo’s original 2018 mixtape classic, which became available to stream exclusively on Apple Music in December of 2024. Mothership II is the perfect Summer soundtrack—a blend of classic Soul, Funk, and R&B with special cameos from Snoop Dogg himself.

    Tune in and listen to DJ Green Lantern & DJ Snoopadelic’s ‘Live From the Mothership II: Emergency Landing’ DJ Mix live for free on Apple Music 1 and Apple Music Hits this Friday, July 25 at 12 PM PT/3 PM EST.

    The DJ Green Lantern and DJ Snoopadelic (Snoop Dogg) DJ Mix will be exclusively available to stream on Apple Music from next Friday, July 25.

  • Don Toliver talks to Apple Music about working with Doja Cat, upcoming Apple original film ‘F1’, and more

    Don Toliver joins Zane Lowe on Apple Music 1 to speak about the new music from the upcoming Apple original film ‘F1’ and working with Doja Cat.

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    Don Toliver talks to Apple Music about working with Doja Cat

    Zane Lowe: You and Doja, man. This whole idea of getting her on a song and just hearing it back and knowing that you’ve got this collaboration, how’d that feel?

    Don Toliver: Crazy, honestly. Doja’s very talented, it was very … It was like we got in there and got it done, man. We both love the ‘F1’, so it was really a no-brainer. It was so crazy.

    Zane Lowe: It must be nice as well to work in soundtrack land and not be so focused on, just for a second, on 12, 15, 20 songs that have to be a cohesive body of work for you. But just to be able to single in on one song and just make it as great as possible.

    Don Toliver: Exactly. It makes the whole thing way more locked in, tunnel vision to the whole idea, the vision. It just made everything so fun. It’s crazy.

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    Don Toliver talks to Apple Music about what he is working on right now

    Zane Lowe: What are you working on, man? Can I be cheeky and ask you how music is for you right now?

    Don Toliver: Music is doing me well, man. I’m just being creative. I’m having fun. I’m producing more of my records. It’s like I’ve been recording for so long and just figuring out all these different melodies, and just starting to get deeper and deeper into just the whole production behind all my music. It’s getting crazy, honestly.

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    Don Toliver talks to Apple Music about playing piano more

    Zane Lowe: I hope I’m not betraying trust, but I’m sure it’s pretty cool because you know how much I appreciate both you and your better half, man, and the family that you’ve built. It’s always great catching up with Kali and we had a really good conversation as always, and she mentioned that you’ve been on the piano and taking yourself even deeper into your craft.

    Don Toliver: Yeah. No, I have. I’ve been playing the piano, man. Just playing all types of different keyboards, honestly. And it’s just like I got a feel for certain melodies and things, so I’m just exploring. It’s fun. It’s amazing. Playing the piano with my son, it’s fun.

    [youtube=https://www.youtube.com/watch?v=WWEs82u37Mw&h=315]

  • Mariah the Scientist joins Summer Walker to discuss touring, mental health, and more on Apple Music

    Mariah the Scientist joins Summer Walker for Episode 6 of Over It Radio, where the two discuss their songwriting process, touring and mental health.

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    Video | Summer Walker and Mariah the Scientist: Biology, heartbreak and touring | Over It Radio

    [youtube=https://www.youtube.com/watch?v=FghRBq_rc7o&h=315]

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    Mariah the Scientist talks to Summer Walker about going on tour with friends

    Summer Walker: How was the tour when you was on it?

    Maria the Scientist: I feel like sometimes when you make friends with somebody who also makes music, you like to assume that it’s like, “Okay cool…” And it is different for the boys. Maybe I’m always assuming this because all the rappers who are friends, the lines between working and playing have totally been blurred. They don’t even exist. They’re not insistent. With the girls, obviously we work, we play. All those things, but you assume, “Okay, cool. I’m going on tour with my friend. We’re going to be partying hard. We’re on the town.”

    Summer Walker: What y’all do? Y’all just went to sleep?

    Mariah the Scientist: We didn’t do a damn thing.

    Summer Walker: It be like that.

    Summer Walker: Where is your favorite place to perform, if you have one?

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    Mariah the Scientist talks to Summer Walker about her favorite place to perform

    Mariah the Scientist: My favourite place that I did was a tabernacle in Atlanta. I just love the Tabernacle. It’s just such a classic venue. I just always wanted to play that and they tried to ask me did I want to play another venue instead of doing two days there, and it was just like, “No, it’s the Tabernacle.” I just felt like it was so lit. I just loved everything about it.

    Summer Walker: What do you love about it specifically?

    Mariah the Scientist: I just love the architecture. I felt like when I was a child I used to, I probably wasn’t supposed to be in there, but there were sometimes I was in there breathing in the Zaza and the air and just seeing the lights come through, the smoke and just all those things.

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    Mariah the Scientist talks to Summer Walker about what she is over

    Mariah the Scientist: Feeling like I need to pull the receipts out, or I need to show the evidence or the proof that the other person is wrong. It’s like, let’s just let them be wrong. It’s okay. It’s okay. They wrong. So, I’m really over that. I’m saying I’m over it, but it’s a work in progress. You tell me what you’re over then I’m going to dig into my Rolodex and try to match your energy.

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    Mariah the Scientist talks to Summer Walker about what she should be over but is not

    Summer Walker: What is something that you should be over but you’re not?

    Mariah the Scientist: I am a firm believer, give from the heart, not of the pocket or… Obviously that’s a little metaphorical but something like that. But I just feel like sometimes when you are giving it up, you’re giving it up. And you can’t wait on somebody to reciprocate it or you can’t expect something in return when you’re giving anything away. Whether it be like maybe it’s not necessarily something tangible, maybe it’s more internal thing or whatever the case may be. But I feel like once you do it so much, you’re doing it so much now it’s like you don’t even have… They’re not giving anything back for one and for two, you don’t even have anything to give yourself anymore.

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    Mariah the Scientist talks to Summer Walker about the concept behind her next album

    Mariah the Scientist: I will tell you. I’m going to tell you the concept.

    Summer Walker: Okay.

    Mariah the Scientist: The concept is a little green toy soldier. It represents being dedicated to a cause that you’re willing to die for, but you’re small and you’re a toy, and you’re not really taken seriously. I’m not going to sleep with a toy soldier in my room thinking it’s going to kill me tonight. It’s a joke, almost. And I feel like it’s a metaphor for the women. That’s how men see us.

    Summer Walker: That’s really deep.

    Mariah the Scientist: They see us like we’re going so hard for all of this shit, and it’s just like they’re just-

    Summer Walker: You’re a fucking joke.

    Mariah, the Scientist: They’re just doing it and we’re just like, “It’s nothing.” It’s a modern man’s war on love.

  • Vybz Kartel tells Apple Music about making music whilst in prison, feuding with Movado, collaborating with Buju Banton and more

    Vybz Kartel sits down with Ebro Darden to discuss performing in America for the first time in twenty years, recording music whilst incarcerated, the impact and influence of Caribbean culture on music and more.

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    Video | Vybz Kartel: Freedom, Faith & Viking (Vybz Is King): 10th Year Anniversary | The Ebro Show

    [youtube=https://www.youtube.com/watch?v=JUdk8srPCFI&h=315]

    Vybz Kartel tells Apple Music about being diagnosed with Graves Disease

    Ebro: Was that [Graves Disease] something that you always known you had? Did you learn that you had this when you were locked away?

    Vybz Kartel: I didn’t know I had it, but apparently it’s genetic. So, when I was diagnosed with Graves Disease in 2014, whilst I was incarcerated, the doctor said to me, these illnesses are hereditary, “Has anyone in your family ever suffered from it?” I didn’t know. So, I asked my dad and he was like, “Yes, your aunt”, which would be his sister. And I was like, “Oh, I didn’t know that.” So, yeah. Yeah, apparently it’s hereditary.

    Ebro: And now that you’re aware of this, I know you have children, other brothers and sisters and family, is this something that now everyone is making sure that they’re getting checked about? Is that something that, because being proactive, I’m sure is a key here, right?

    Vybz Kartel: I teach it to my kids, especially my daughter, because they say it affects women more than men, slightly more than men. So, I talk to her about her eating habits and what to eat, what not to eat. So, I mean, stuck up upon that good salt.

    Vybz Kartel tells Apple Music about song ‘God Is The Greatest’

    Ebro: Bringing more spirituality into some of your songs at this stage of your careers is very important to you.

    Vybz Kartel: It is very important to me. But I mean, I’ve always been doing songs like this. But now I take it more personally. For me, this part of my life and me singing about God and singing about positivity and it’s blessing. There ain’t no capping in this. I’m doing it for real. I always had songs like, “Thank you Jah”, classics and dance, so on and so on. But yeah, man, God is the greatest for me. That’s my mantra right now. That’s what I’m living by. So, it means a lot. And the fans, they accepted because it’s actually the biggest of the new songs of the album in terms of views, in terms of streaming and so.

    Ebro: I think people obviously saw what you went through, right? And locked away in Jamaica, 14 years and maintaining your innocence, even though the world was accusing you and everybody was accusing you of things that you said, “No, that’s not what I did. That’s not what happened.” So, I think to some regard, people like yourself see how much God has brought you through.

    Vybz Kartel: Because if it was left up to mankind, I wouldn’t even be here. I mean, I think divine intervention took place. Even when the case went back to England and the British Privy Council said, “Okay, we squash the conviction, but we’re sending it back to Jamaica to let them decide.” So, you can imagine how nerve wracking that is, not just for me, but for my family and everyone involved, because closure is a part of being a human being. So, regardless of how it was going to go, we didn’t want to drag it out for another two years, three years. And I was so blessed that it took two months, I think less than three months. Yeah. And I got out…God is the greatest man.

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    Vybz Kartel tells Apple Music about most requested songs from fans and his popularity with the new generation

    Vybz Kartel: Summertime, those classics, the Clarks, the Romping Shop, I mean, the Fever and all those songs, they liked the songs that I did in the era with me and Movado when we were feuding, the original Vybz Kartel fans, that’s what they request. Now, the kids, they’re logging onto it basically because of social media. TikTok, a lot of them have been introduced to Kartel over the last decade, and they love it. So, they have their own special requests that they want as well. So, it’s a blessing. I always tell my manager, I have the biggest youngest catalogue in Dancehall because my catalogue is like 23 years old and it’s huge. You know what I mean? So, it is crazy, man. It’s a blessing to just be here at the right time when all of that has manifested itself.

    Vybz Kartel tells Apple Music about his old conflict with Movado and how it contributed to the culture of Dancehall

    Ebro: So, as long as I’ve known you throughout the years, you’ve always been a positive person. You’ve always been about having a good time, cracking jokes, talking shit…but then you and Movado–did that start as more of a competition? Or were there street politics that unless you were really, really in it, you would know? Was it more competitive at first?

    Vybz Kartel: Movado as a young artist at the time, was defending Bounty Killer. Because remember, we were in the Alliance with Bounty Killer, the great Rodney Price. So, when me and Bounty Killer had that altercation over the Beenie Man situation, going to the wedding, I left the alliance…Movado, you know how Dancehall is. I left the alliance, turned around, fired some shots and F that. So, he was young and upcoming, ego and energy, and he replied to me, so that’s when it started, man. But I always respected the fact that he was brave though. You know what I mean? So, especially then, not many people would want to feud with Kartel then. He was brave. And I mean, I liked it for Dancehall. Now looking back in hindsight, I think it was good for the culture of Dancehall, that hardcore culture. But on the flip side of it, the feud was so big. That’s when we even found out we had so many fans in Africa, because remember we’re talking about 2005, 2006. So when the little internet that we were getting off the YouTube and the MySpace and so on, it was like, whoa, Africa, they love us. You know what I mean? So for me, on the musical side of it and the cultural side of it, I think it was a good thing.

    Ebro: I’m sure there’s some business ramifications though, because when you talk about not having a Visa and these things now you see these fans around the world, the Jamaican government and Visas and all that. They seeing the streets activate. And that’s not enabling you guys to go touch the fans.

    Vybz Kartel: The feud was so big that even the government got involved. Twice. Even they actually thought Movado and I were selling the buttons. Because in those days, even Masicka said it, he had his Vybz Kartel button because at the time he was going to school. And it was a big thing. They were graffitiing all over the country. Gaza or Gully on the walls, on the road, on the pavement. So, it was crazy, man.

    Vybz Kartel tells Apple Music about the Beenie and Bounty Verzuz

    Ebro: Beenie and Bounty Verzuz. Did you see that?

    Vybz Kartel: Yes, sir. Which is, to us in Jamaica, that’s the biggest Verzuz. Yeah, I watched it.

    Ebro: How did that feel for you, knowing everything you know from them and coming up and everything you went through? How did that feel to see them two having fun together?

    Vybz Kartel: I mean, it was like, oh, it’s a good thing. When they were in their feud, I didn’t act a fool because you see now they friends. You understand? So, I did the right thing is what I’m saying. But yeah, for me to see that is amazing. It actually gave me flashbacks on the me and the Movado situation because we had our moment like that too. Not so big, but in a more personal setting. When we went to King’s House where the politicians are and we was talking, I was like, “Oh, look where our music brought us. These people have to talk to us now.”

    Ebro: That’s right.

    Vybz Kartel: You know what I mean? So, we had that moment and after that, that was the second time. The second and the last time they had to call us in because after that we started, you know what, let’s plan this now. You know what I mean? So, he would do a song and then I would do it. So, we did it on a more organised level. So, that’s why that organisation culminated with us being on the West Kingston show. That’s when the public saw now that we was like, oh, these guys cool. So it was crazy. But yeah, that moment of Bounty and Beenie on that big world stage, it was amazing.

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    Vybz Kartel tells Apple Music about song ‘AmOut’ and teaches Ebro Jamaican slang

    Ebro: Now what is amout? How do you use amout?

    Vybz Kartel: ‘AmOut’, this is also another slang. In Jamaica, we speak broken English. So, sometimes we would disregard certain letters. So, we would say for our mouth, we would say it’s amout. But also if you’re leaving, you can say, yo, I’m out. So, I always say, “What is under me nose?”

    Ebro: Amout.

    Vybz Kartel: Thank you. And everybody was like, they love it. You know what I mean? Because the vibes, the energy.

    Ebro: Well, you’re Vybz Kartel.

    Vybz Kartel: Exactly. So anywhere we go, we like to light up the room and I mean, hold the vibe. So that slang actually became more popular than the, it’s a tape, but I mean their both crazy. The people vibe off the stuff I do. You know what I mean? Even people tell me, going on your Instagram, it’s like my daily bread. I mean, yeah, because we bring that vibe and that energy.

    Vybz Kartel tells Apple Music about potentially collaborating with Buju Banton

    Ebro: Do you see yourself collaborating with any of other legends or where is it at in the music that’s being planned and recorded from Vybz Kartel? What can we expect to see?

    Vybz Kartel: I would like to collaborate with Madonna.

    Ebro: Musically, we speak.

    Vybz Kartel: Oh, I mean like legends in Dancehall or just legends, period.

    Ebro: Dancehall, whatever you want to do for Jamaica, music…

    Vybz Kartel: You know Buju Banton is my favorite DJ of all time.

    Ebro: Many of us. Well, because he took it to another place.

    Vybz Kartel: Yes. He literally took it to another place. Because remember before Ninjaman, he 
had the Super Cat, the Josey Wales…Nice music. But then this kid called Ninjaman came and he was like…Mind-blowing to us as kids. We were like, bro, who is that? And then Buju Banton came out, blew my mind again, because I’m like, what?

    Ebro: It sounded like a tuba.

    Vybz Kartel: Bro. I’m telling you.

    Ebro: He coming through.

    Vybz Kartel: Coming through and when you see him. Because like I said, those days in the nineties, Jamaica, not much. No internet stuff.

    Ebro: Not a lot of cameras.

    Vybz Kartel: So when you heard the artist first, you had to imagine how they look by how they sound. Boy was waiting for a trick because Buju Banton sounded like a giant, but he was just a tall, skinny kid. And he could move too. Yeah. I love Buju Banton. Right? We were talking about this yesterday.

    Ebro: Yeah. Still get them knees up.

    Vybz Kartel: Man, that’s my all time favorite DJ, Mark Myrie.

    Ebro: Yeah.

    Vybz Kartel: Yeah, man. Buju. Influencing.

    Ebro: And even his spiritual journey as well. I mean, obviously from what he was doing when he was young to becoming Rasta to, you know what I mean? His spiritual journey has been there.

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    Vybz Kartel: Well, hold on. That’s crazy because think about this. Now that you brought that up, he was in prison.

    Ebro: That’s right.

    Vybz Kartel: I was in prison. Ninjaman is still in prison. That’s crazy. Those are my guys I looked up to, maybe I looked up to them too much. I’m joking.

    Ebro: Yeah. Trying to follow in their footstep.

    Vybz Kartel: Yeah, trying to follow, a little too much, is what I’m saying. Yeah. But it’s crazy, man. Yeah. But big up Buju Banton. Free Ninjaman. Yes.

    Ebro: Is there a collab with you Buju?

    Vybz Kartel: I’m not at liberty to say.

    Ebro: Okay. I like that answer. Can’t confirm nor deny.

    Vybz Kartel: I cannot confirm nor deny these allegations, sir. Yes.

    Vybz Kartel tells Apple Music about being incarcerated and how making music helped him survive

    Ebro: I’ve heard you talk about being incarcerated and how much privilege you had because of who you are when you were incarcerated and you said the one thing I could not do was walk out the door. Did that give you any perspective of having access to so much whilst incarcerated, but still not having your freedom? What did that do to how you perceive freedom and things that money can’t buy?

    Vybz Kartel: Exactly. That was, I was going to say, there are certain things that money really can’t buy because even people with no money still could have access to certain things because they weren’t famous. So it wouldn’t be an issue with the society. But if Vybz Kartel were to get those privileges, it would look like, oh, he’s only getting it because his Vybz Kartel. You know what I mean? Because remember back in the day too, they also had those programs back in the day where prisoners could go out for a weekend. Fully monitored and everything.

    Ebro: Weekend passed.

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    Vybz Kartel: Yeah, weekend pass. Especially if you were married or you had a common law relationship. But so certain things I couldn’t get simply because I was me. But everything else I got because I was me. So, it was bittersweet.

    Ebro: How did that hit right here though? How did that feel?

    Vybz Kartel: I never gave it much thought, because from the moment I got locked up, I was scheming on how to get out. I mean, during that time, yes, I had to, I wouldn’t say survive, but I had to, my version of surviving is being able to do music and I figured out how to do that. So, I was halfway chill. So, now I’m like, the next thing I’m working on getting out. But whilst I’m working on getting out, I’m going to drop these bangers. The Viking album was done in prison…I mean the album with King of the Dancehall with ‘Fever’ on it. It’s also done in Prison… The album that’s nominated for a GRAMMY was done in prison…The To Tanesha album was done in prison. That’s the album that dedicated to my baby mom’s, my kid’s mom. So, yeah, I was putting in that work still. So, I didn’t give much thought to what you said. I’m focused man. I was sick as hell too, recording these songs. I was sick. Literally suffering from a life-threatening illness. But what am I going to do? Yeah, man. Man up. So, that’s it.

    Vybz Kartel and Ebro talk about the influence of Caribbean culture on music globally

    Ebro: Well, and I also too, while I have you, you’ve expressed to me how important Dancehall, reggae music, and Jamaican culture is to you. And we all know, I think this tiny island in the Caribbean has impacted the globe.

    Vybz Kartel: True.

    Ebro: Bob Marley.

    Vybz Kartel: Immensely. Right?

    Ebro: Like you said, Super Cat, Buju.

    Vybz Kartel: Jimmy Cliff… And even outside of music, because we’re still talking about the culture. We gave the world Marcus Garvey. Man, that’s one of the greatest Pan-Africanists ever.

    Ebro: That’s right.

    Vybz Kartel: Like Mao Zedong spoke highly of Marcus Garvey.

    Ebro: That’s right.

    Vybz Kartel: Patrice Lumumba in the Congo. All these guys.

    Ebro: They read all his teaching.

    Vybz Kartel: Exactly. So, the culture is big man. We gave the world five world-class genres. Mento, Ska, Rocksteady, Reggae, Dancehall. Still had a hand in Hip-Hop.

    Ebro: Kool Herc, yes.

    Vybz Kartel: Still had a hand in Reggaeton.

    Ebro: That’s right.

    Vybz Kartel: Hence the name Reggae at the front.

    Ebro: That’s right.

    Vybz Kartel: And influenced Afrobeat, like come on. And then, next door in Trinidad, we got the Calypso.

    Ebro: That’s right. The Soca.

    Vybz Kartel: Yeah, the Soca. So man, trust me, the Caribbean culture is powerful.

  • Aminé talks latest single and upcoming album on Apple Music’s New Music Daily Radio

    Aminé joins Zane Lowe on Apple Music 1 to celebrate the release of his latest single, ‘Arc de Triomphe’ from his third studio album, ’13 Months of Sunshine’, dropping on May 16. In the conversation, Aminé discusses the inspiration behind his new song and the meaning of his upcoming album title.

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    Aminé tells Apple Music how The Streets influenced his new song, ‘Arc de Triomphe’

    So, I got the beat played for me by Lido like two or three years ago when we were working on ‘2.5’ and I didn’t know much about The Streets at that point. I grew up in Portland. A lot of the shit that I grew up on was a lot of West Coast Rap, and kind of a lot of grime shit that I listened to, but I didn’t know the backstory behind The Streets. And as Lido showed it to me, I just started listening to ‘Has it Come To This’, ‘Turn the Page’, and ‘Take Me As I Am’. Just all the legendary tracks that everyone gravitated towards too, and it made me realise that this dude is incredible. I had to match how crazy he went and try to at least get an ounce of that swag when I was doing ‘Arc de Triomphe’.


    Aminé tells Apple Music about the meaning behind the album title, ’13 Months of Sunshine’

    I grew up in an Ethiopian household. I’m Eritrean and Ethiopian, but I grew up in this Ethiopian household, always seeing these tourism posters growing up, always saying, “13 months of sunshine.” Every kid in the diaspora who lives in America who’s Ethiopian knows about these posters. It’s kind of like if you know kind of thing. And that title got made in like the 1970s promoting people to come to Ethiopia, just as the tourism slogan in it.

    Tourism slogans are literally made to change the perspective of the way you see something. You know what mean? To attract you to come to them. And I loved how this album, for me, musically, it’s just a different era. It’s just a different sound and felt like this is the same thing I want to do slogan wise for myself. It feels like something I want to change the perspective to and kind of gravitate people towards the music and the true feelings I have for myself. The way that title also for me is just so nostalgic. It just made me feel like this is something my parents are going to be happy to see. I’m just really excited to just let the world hear the whole thing as a whole and hear a lot of the Ethiopian influence in the music. Some of it is so left and not the way you’d expect me to use that influence, which I love doing, because I feel like it’s always really easy to just sample an Ethiopian Jazz song, you know what I mean? And rap some bars over it and go crazy, which I would love to do. It’s so much to choose from.


  • Jack Harlow tells Apple Music about working with Doja Cat, upcoming album, and more

    Jack Harlow joins Apple Music’s Zane Lowe to discuss his new collaboration with Doja Cat, ‘Just Us’. The rapper opens up about working closely with Doja Cat, the progress of his upcoming studio album, and more.

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    Jack Harlow tells Apple Music about working with Doja Cat

    Zane Lowe: Are you and Doja Cat, man, I mean, the chemistry is clear on video, but even before we saw the visuals, we could hear it. You can really tell when someone shows up and wants to be a part of something and enjoys the process of collaborating with somebody and it’s not just a trade for money and fans. What’s the origin of your friendship with Doja?

    Jack Harlow: Doja and I both emerged at a similar time into music culture, I suppose, and so that was right around the pandemic. We actually have a notorious IG live together. We kind of became cool on the internet and then when the world opened back up, we would cross paths. But I’ve been wanting to do a song with Doja for four or five years. This is an important moment to me because I think she’s super important and super talented, just a very gifted individual.

    Zane Lowe: Incredibly talented.

    Jack Harlow: I’m really happy with how much enthusiasm she put into the song.


    Jack Harlow tells Apple Music about how ‘Just Us’ came to fruition

    Zane Lowe: That’s a big stage [Oscars] to return on and then to come back on a song like this with you as well. It sort of feels like there’s momentum behind her as well. But I mean, were you sort of, I don’t know, nervous isn’t the right question, but when someone isn’t actually active at the moment, then you reach out and be like, “Hey, I’m active. Do you want to kind of work with me on something?” It’s different to when they’re already out there moving. What was the mechanics of getting her back into a studio in a creative space?

    Jack Harlow: I think you’re right. It’s about timing. It’s like I sent her the song. We were talking one day, just was seeing what’s up and she brought up a song she had and I was like, “It’s funny because I have a song and I’d love you to hear it.” I shot it over to her and she was like, “What?” She immediately loved it and knocked it out. I think it’s just timing, about catching people at the right time, making them feel inspired. I think you could tell by her verse and how long it is and how many lines there are.

    Zane Lowe: She really went in.

    Jack Harlow: How many flow switches there are. She really wanted to put her foot into it.

    Zane Lowe: She got into the spirit of this kind of flirtatious relationship that you keep being able to find with collaborators and in situations. She leaned into it. I mean, she obviously knows you well, man. She knows what’s going to make the song pop.

    Jack Harlow: She’s very smart. She knows what to do.


    Jack Harlow tells Apple Music about the progress of his upcoming studio album

    Zane Lowe: Nothing gets past me. What a banger, Jack. Smashed the shit out of that. The only downer here is where’s the album? You’re just teasing us with hit after hit after hit right now. What’s going on? Straight to the big questions, Jack. Where’s the album?

    Jack Harlow: It is a big question. I ask myself this all the time. Where is the album? It’s in process. I’m trying to transcend. I want to do something I’ve never done and I’m just slowly starting to accept that maybe it’s going to take me longer than any of my past projects, if I want it to be nothing I’ve ever done.

    Zane Lowe: Exceptional.

    Jack Harlow: Maybe it’ll take longer than things I have done.

    Zane Lowe: That’s a beautiful and sage place to be, to not be rushed by the disgruntled over expectations of fans like myself, but I cannot wait to hear something in total and to find out where you land in total. What about these loosies? What about these songs that are coming out? Are they going to add up to the bigger picture or will some of them stand on their own feet and not make it into the final cut, do you think?

    Jack Harlow: That’s a good question, to be determined. I think it depends a lot on how the album shakes out sonically and if these songs feel like they should be part of it or not. But right now they’re standing on their own two.


  • Cleo Sol tells Apple Music about her collaboration with Flo, how pregnancy impacted her creative process, and ‘Fear When You Fly’

    Cleo Sol sits down with Apple Music’s Zane Lowe to dive into the impact her music has had on listeners around the world. Throughout the conversation, Cleo takes listeners on a journey through her last three album releases, talks about her life-changing collaboration with Flo and how pregnancy impacted her creative process. To close out the conversation, Cleo teases new music in over a year and gives Zane a sneak peek of her new song, ‘Fear When You Fly’.


    Video | Cleo Sol tells Apple Music about her collaboration with Flo, how pregnancy impacted her creative process, and teases a new song, ‘Fear When You Fly’

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    Cleo Sol tells Apple Music about letting her music be a vessel of listener’s emotions

    Cleo Sol: That’s good to hear because that was the goal. That was honestly the goal. It was like you have your life and you have this gift. You don’t know if it’s something that people want to hear. You don’t know if your stories are things that people want to hear, but you do it anyway, and people are listening and it’s nice. People send me nice messages and sometimes I can’t read them. It’s so much, it can be quite heavy and I’m like, “Whoa, you listen to my music through that?” And I’m like, okay, that’s what God has given me this gift for, and I just pray. Every day I wake up, I’m like, “I just pray you use me for the day.” That’s the most important thing.

    Zane Lowe: Yeah, it’s clear to me you understand the importance of letting go and allowing yourself to be a vessel.

    Cleo Sol: Yeah. It’s the most important thing. I’ve done, like go to studio, “Yeah, I know what I’m doing,” and nothing comes out. And then you’re like, “Oh wow, I’m really shit. Wow, what happened?” Yeah, I can sing. I know I can sing, but there’s more to it than just having a nice voice. There’s the stories, there’s the intention, not overdoing it. I don’t like the too perfect thing. I don’t know what it is. I know it’s God, so I try and keep my vessel clear and clean and try not to let too much distractions get in the way.

    Cleo Sol tells Apple Music about her partnership with Flo

    So important, the most life-changing thing. I think we both had been through so much stuff when we met each other, we were just like, no one’s backing us. No one was waiting for music. There was no nothing. I had one team member at the time who wasn’t answering my emails, and I love her to this day, we still communicate, but at the time, it fades out and there’s nothing going on and I wasn’t really doing much. He had come back from America, it didn’t work out there, and we met and the first thing he said, I was like, “I don’t want auto-tune on my voice.” We linked up through our managers who we don’t have now, but that’s why I’m saying it’s a blessing in disguise. And he was like, “I don’t use auto-tune.” And I was like, “Whoa, this is great.” He was like, “You don’t need auto-tune.” And I was like, “I know, but this is the thing I battle with with people.”

    Cleo Sol tells Apple Music about releasing her albums ‘Heaven’ and ‘Gold’ back-to-back

    Cleo Sol: But the ‘Gold’ album, it was a long time coming, and it was one, it was like what are we doing this for? And it ended up being every song was the relationship with God and giving thanks, and the relationship that was built and is vulnerable. I didn’t know if I ever wanted to release that album because it was so heart-opening.

    Zane Lowe: It came out literally two weeks after ‘Heaven.’

    Cleo Sol: Yeah.

    Zane Lowe: Was that part of the reason why it came out so quickly, was because you came to that conclusion within that two weeks to release the album?

    Cleo Sol: To be fair, it was off the cuff. So it was like I wanted to put music out and ‘Heaven’ was a mix of stuff we had which I loved which we had compiled together, and then ‘Gold’ was a finished product. But I was like, we can’t just leave ‘Heaven.’ Heaven’s not to be left. Heaven’s to be loved and given, because otherwise we call them hard drive classics. They just stay in the studio forever.

    Cleo Sol tells Apple Music about her emotional connection to her song ‘Lost Angel’

    Zane Lowe: Is there a song that you’ve recorded in here that was particularly, I know they all are, or one or two that were really touching for you that you really felt, experience emotion in a different way?

    Cleo Sol: I think the songs from ‘Gold,’ I think “Lost Angel,” “In Your Own Home.” It’s about being safe, trusting. I feel like I’m going to have a little moment, but my cousin passed away last year and they played “Lost Angel,” but I didn’t end up going because I was doing the Sault gig. But for it to be used, he actually had messaged this to me before he passed away. He had messaged that was his favourite song off the album, so when I hear it, I think of him but in a beautiful way. I just know it’s bigger than me and I think that’s why I get emotional sometimes, because it’s overwhelming. I know that it’s like I’m just being used as a vessel.

    Cleo Sol tells Apple Music about creating her album ‘Mother’

    Zane Lowe: And being a parent and creating an album like ‘Mother,’ when I listen to that now, it sounds to me like someone who’s discovered motherhood but needs to acknowledge and address some of the failings or areas in life as a child that you experienced in order to be the best parent you can be. Is that what that album represents?

    Cleo Sol: Yeah, definitely. And I think both my parents, we’re all humans, so becoming a parent, my parents were 25, 26 when they became parents. You have to understand, they wanted to be musicians. They didn’t know what they were doing. They were in love, it was fast love. They had a child. They didn’t end up staying together, so yeah, it was up and down. I think when I had made that album, it was so fresh being a mother, and what I would do differently and what I feel like my dad should have done differently. Now, I’ve come to a state of, like I was saying earlier, grace and understanding, that I have an understanding how hard to be a parent is.

    Zane Lowe: You have the experience.

    Cleo Sol: I have the experience, so I want to give them love. If anything, I have so much love for parents because it’s not easy, and just respect to everyone trying and just showing up in the way that they know. To be honest with you, like I was saying, there wasn’t a lot of communication in my home in terms of what’s going on. Parents going through things, my mom passed away, my mum’s dad passed away, passing aways in the family, friends, the communication is just like, “That person’s gone to heaven.” There’s not a conversation about death, about grieving. Just anything. Emotions, if you’re having a bad day. Most of the time when a parent’s going nuts at a child, it’s usually not the child’s fault. They’re probably dealing with something, and having that understanding now, oh, they were just young people trying to figure it out, and feeling that album out through that.

    Cleo Sol tells Apple Music about how her pregnancy impacted her creative process

    Cleo Sol: I think the whole of the pregnancy, I was really feeling creative but not really actualizing it, always listening and making music but not creating something of substance sometimes. I think it’s important to live life. As a creative, it’s important to live life, feel life out. That’s how I personally grow. So then when it came to ‘Mother,’ it was like, oh, I’m a whole different person now. Even one hour after I become a mom, I’m a whole different person now, because now it’s not about me.

    Zane Lowe: Did you feel when you began to sing the songs, did it feel different the way you were approaching your music as well?

    Cleo Sol: Yeah, and I think what people don’t tell you is when you become a parent, your relationships with every single other person changes as well, so that was overnight. My family, the relationships changed, my friends, and then you start to think time is so important, so why am I meeting you? I know that sounds mad, but I don’t have time to spare because I have a child who needs me, so we have to give something to each other when we are meeting each other. And I had to set new boundaries in place. That was interesting, and it was a lot with family you have to set boundaries in place.

    Cleo Sol debuts a new song, ‘Fear When You Fly’, for Apple Music

    Zane Lowe: Are you making new music?

    Cleo Sol: I am. I want to play you something too. Yeah, I am. I’m always making new music. To put it out, that’s another story. This stuff I do want to put out, so building it, in the process of building it. So yeah, I don’t know how we can play it to you.

    Zane Lowe: Yeah.

    Cleo Sol: Can we play it now?

    Zane Lowe: Yeah.

    Cleo Sol: Hey.

    Zane Lowe: Amazing. Oh my God, this is epic.

    Cleo Sol: It’s called ‘Fear When You Fly’.


  • Kendrick Lamar to perform at Apple Music Super Bowl LIX Halftime Show in 2025

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    Today, Roc Nation, Apple Music, and the NFL announced Kendrick Lamar will perform at the Apple Music Super Bowl LIX Halftime Show at The Caesars Superdome in New Orleans, Louisiana on Sunday, February 9, 2025, airing on FOX.

    “Rap music is still the most impactful genre to date. And I’ll be there to remind the world why. They got the right one.” – Kendrick Lamar

    “Kendrick Lamar is truly a once-in-a-generation artist and performer. His deep love for Hip-Hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.” – Shawn “JAY Z” Carter

    “The Apple Music Super Bowl Halftime Show is a celebration of the music we love and the incredible artists who make it, all on the world’s biggest stage. Apple is thrilled to bring this show, starring the absolutely incomparable Kendrick Lamar, to fans worldwide with Apple Music’s industry leading Spatial Audio quality along with tons of exclusive videos, interviews, playlists and so much more across Apple Music.” – Oliver Schusser, Apple’s Vice President of Apple Music, Apple TV+, Sports, and Beats.

    “Few artists have impacted music and culture as profoundly as Kendrick Lamar. Time and time again, Kendrick has proven his unique ability to craft moments that resonate, redefine, and ultimately shake the very foundation of Hip-Hop.” – Seth Dudowsky, Head of Music at the NFL. “We’re excited to collaborate with Kendrick, Roc Nation, and Apple Music to deliver another unforgettable Halftime Show.”

    Multi-platinum, GRAMMY and Emmy award-winning artist and co-founder of creative imprint pgLang, Kendrick Lamar, has achieved massive critical and cultural success since his debut album ‘Good Kid, MAAD City’ released in 2012. Since its release, Lamar has accumulated seventeen GRAMMY wins, and became the first non-classical, non-Jazz musician to win a Pulitzer Prize for his 2017 album ‘DAMN’. Lamar’s latest album ‘Mr Morale & The Big Steppers’, was released in May 2022. In April of this year, ‘Like That’ by Future, Metro Boomin, and Kendrick Lamar spent three weeks at #1 on the Billboard Hot 100 and in June, Lamar’s record-breaking, ‘Not Like Us’ spent two weeks at #1.

    Creative Direction for Lamar’s performance will be provided by pgLang.

    The Apple Music Super Bowl LIX Halftime Show telecast will be produced by DPS with Roc Nation and Jesse Collins serving as executive producers, and Hamish Hamilton serving as director. Roc Nation will also serve as the strategic entertainment advisor of the live performance.

    Apple Music’s multi-year partnership with the NFL and Roc Nation brings together the Super Bowl Halftime Show — the most-watched musical performance of the year — with Apple Music, which celebrates musicians, songwriters, producers, and fans, and offers the world’s best music listening experience with a catalogue of over one-hundred million songs and immersive sound powered by Spatial Audio. Apple revolutionised the music experience with iPod and iTunes and continues the award-winning tradition with Apple Music.

    Earlier this year, The Apple Music Super Bowl LVIII Starring Usher became the most-watched halftime performance of all time and garnered three 2024 Emmy nominations, including Outstanding Variety Special (Live). In 2023, The Apple Music Super Bowl LVII Halftime Show Starring Rihanna scored five Emmy nominations, taking home two, including Outstanding Directing For A Variety Special, a first in Super Bowl Halftime history. In 2022, Super Bowl LVI Halftime Show Starring Dr Dre, Snoop Dogg, Eminem, Mary J Blige, and Kendrick Lamar garnered five Creative Arts Emmy nominations. The critically-acclaimed performance won three Emmys, including Outstanding Variety Special (Live), a first-ever for the show.


  • Jon Bon Jovi tells Apple Music about his new album, recovering from vocal surgery, Richie Sambora, and more

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    Jon Bon Jovi sits down with Zane Lowe on Apple Music 1 ahead of the release of his new album ‘Forever’. They talk about his vocal cord surgery, the support he got from Shania Twain during his recovery, and how he would have been at peace if he didn’t get his voice back. He also shares how it felt to hear what Richie Sambora said in the new Bon Jovi documentary, “…there’s no ill will. And I just say, “Cool, if you think forty years later that ‘Runaway’ wasn’t such a good song, that’s cool. You joined my band. It’s cool. I’m not even offended by it.”

    He also talks about knowing that their new single ‘Legendary’ was a hit when they wrote it, and his daughter’s reaction – or lack thereof – to hearing the emotional song he wrote about her, ‘Kiss the Bride’. Then, he talks about his close friendship with Bruce Springsteen, being reunited with his first guitar forty-five years after selling it to a neighbourhood kid, and combatting homelessness through his JBJ Soul Foundation.


    Video | Bon Jovi: New album ‘Forever’, filming a documentary, and recovering from vocal surgery

    [youtube=https://www.youtube.com/watch?v=2P7lIanHhhI&h=315]


    Jon Bon Jovi tells Apple Music how it felt hearing Richie Sambora’s perspective in the Bon Jovi documentary

    Well, one of the beautiful things that Gotham Chopra did with this film was he captured everyone’s truth. I’m not the producer of the film. I didn’t cut the final cut of this film. I didn’t want a vanity piece. I didn’t want a puff piece. He did two things. When I’d asked, I said, “Hey, man, I got a great idea. We should all get in the room together and talk.” And he yessed me to death until it was finished. And I went, “Oh, I see why you didn’t do it.” Because, although there will be things in this film that I don’t necessarily agree with, I’m not going to sit here and rebut them, because that’s your truth. And not just Rich, but David, or Tico, or Hugh, or Phil X, or Shanks, or anyone else that was involved in the film, including me. It’s not my perspective. It’s our perspective. It’s our story. Richie had more than one sit-down interview. He had months to submit his thoughts with Gotham and the editing team, and I know that for a fact because they told me. So, there’s no ill will. And I just say, “Cool, if you think 40 years later that “Runaway” wasn’t such a good song, that’s cool. You joined my band. It’s cool. I’m not even offended by it.” I was like, “Yeah, I know.” It’s all good. How many times did you hear John Lennon was dissing “Silly Love Songs” after the fact?

    Jon Bon Jovi tells Apple Music whether or not he wishes Richie Sambora could be a part of the new album and hit song ‘Legendary’

    Zane Lowe: When you write a song about ‘Legendary’, and this is a band effort, the band today, you’re in the studio, you’re figuring it out, I got to ask, there must be a little moment of you, as great as it is, and as much as you love it, that just wishes that Richie could have had that experience on this song, because-

    Jon Bon Jovi: Oh, yeah, sure. I mean, he was there for three quarters of the dream. But, like I’ve said 1000 times now, being in a rock band is not a life sentence. He had issues, substance abuse issues, emotional issues. He wanted to be a parent that stayed home. We love him regardless. And then, he quit. Why would Tico, or David, or Hugh, or myself ever want to be unemployed? No. So, he was unable to go next step with us. I love you, but I got a show tonight. I got a record to make.

    Jon Bon Jovi talks to Apple Music about his daughter’s reaction – or lack thereof – to the song he wrote about her, ‘Kiss the Bride’

    Zane Lowe: ‘Kiss the Bride’, I think, this is one of the hardest songs, subject-wise, to be able to write for a lot of different reasons. As a lifelong fan of music, someone who studied it and talked thousands of people about it, about all kinds of subject matter, matters of the heart, pure, uninterrupted, right, unaffected, pure, clear water out the tap, super hard to write about.

    Jon Bon Jovi: I agree. But when you have something that’s… It’s not just oh, one night, and then I fell in love with this girl. This is your baby. This is the baby that came first in our family, into the band. And then, I write, ‘I Got the Girl’ about her when she’s five and now she’s 30, and you’re writing this song to walk her down the aisle. I’m crying writing it, and I’m crying singing it in the studio. She was the last person in America to hear the song. I just gave it to her last week. She saw me on Good Morning America and said, “Okay, I’m ready to hear it.” This is just a week ago, or two weeks ago now.

    Zane Lowe: But I got to ask you, man, because it’s the first time I’ve ever spoken to anyone who’s written a song like this, and waited this long to play it to the person it’s about, an integral moment as a parent to a parent without betraying any trust, can you please try to describe in words that are appropriate, how it was when you played the song for your daughter?

    Jon Bon Jovi: I’ll tell you the truth, I had to send it to her, because I was on the move and I have not heard a response. How about that? I have not gotten a response.

    Zane Lowe: Wow. It’s deep. It’s deep for her.

    Jon Bon Jovi: Yeah. And her two brothers are getting married before her, so she’s just in her own little world right now. So, it’s cuckoo. I have not gotten a response from Steph. Steph, call your daddy.

    Jon Bon Jovi talks to Apple Music about receiving support from Shania Twain during his vocal cord surgery recovery

    Jon Bon Jovi: The recording was hard work. But as I sit here today, which is now six, seven months ago when I was doing the vocals, I’m so happy. After Monday’s rehearsal, after Tuesday’s rehearsal, after getting on the plane, after waking up this morning and go, “Holy Christ, I absolutely can go hit the high notes tonight. No problem.” So, it’s starting to come into its own. Look, I’ve been honest about this whole process. It has sucked. There’s not a lot of people that have had this surgery.

    Zane Lowe: And it’s a replacement surgery effectively.

    Jon Bon Jovi: It’s an enhanced implant. What it is, it’s a plastic implant outside of the vocal cords on what’s called the vocal folds, which are the muscles that move your cords together. Wild. I am the Bionic Man. But I went to see the surgeon and he said, “Look, you’re still getting better all the time. You got to be patient.” And he didn’t give me any patience in the surgery. But Shania Twain went through this same thing and she said, “You just got to be patient.” And, she’s having the best time of her life right now. Same doctor, same everything, just her and I.

    Jon Bon Jovi tells Apple Music he would have been at peace with his career ending if his vocal cords didn’t recover

    Jon Bon Jovi: And here’s the truth, because I’ve figured this all by now, I’ve gone through it. I haven’t had to mourn the loss, because I haven’t given up yet, and the procedure is successful, and it’s proceeding, and it’s getting better all the time. So, I didn’t have to get to that place, like an athlete who throws that last touchdown and he can never go and play in the Superbowl again because now he’s done, right? I don’t have to deal with that. But the family were very supportive. And I was really, I swear to God, and I stand by it still, if I couldn’t do it at the level that I’d grown accustomed, I am not identified by what I’ve done in my life. I’ve already done that. I’m good with that. I don’t need-

    Zane Lowe: You would’ve been at peace with that.

    Jon Bon Jovi: I’m totally at peace with that. If I still can’t tour, I’m good. I’m good. I’ve made 18 albums. I’ve conquered the mountain. I’m good. We’re not dying of cancer here. I’m an entertainer. I get to do this by the grace of God, and because people care enough to listen to it. But big picture I’m healthy.

    Jon Bon Jovi talks to Apple Music about knowing ‘Legendary’ was a hit when they wrote it

    Jon Bon Jovi: Yesterday, as we were rehearsing and we’re playing “Legendary” now, just banging it out every time we get together. I can’t help but smile halfway through calling out, I don’t know, twenty-some odd songs a day. And I jokingly looked at my own band. I go, “Okay, time for a hit.” And then, I just laugh and they’re all like, “You’re such an ass.” I go, “Yeah, I know.” Because it feels so good to know, “Holy Christ, we wrote another hit.”How do you like that? Because you don’t know. Every time you write a song, you think it’s the best thing you ever wrote. And then, you play it, and then it works. There’s been a lot that we’ve thought were those songs and that didn’t work. I can remember a record the last… There was a song called “Because We Can.” A wonderful song on the last record that Richie played on. And I said, “Man, that’s a smash. I know it’s a smash. It feels great. I can’t wait to play it.” Got in front of that stadium crowd and it didn’t quite work. And I was like, “I don’t know what was wrong because I love it, but it didn’t work.” With “Legendary,” you just know the minute you put it on, “Oh man, we wrote a smash.”

    Jon Bon Jovi talks to Apple Music about being reunited with his first guitar after selling it to a neighbour 45 years ago

    It is a cute story. I had sold my very first guitar, it was a Univox, Sunburst, Strat looking guitar, $100 Japanese guitar. And I loved the guitar when I was a kid, but you aspire to have a Gibson or a Fender. I’d sold it to a neighborhood kid for $100, because a Telecaster cost $389. And I thought, “Okay, I got a 100. I can save up and sold it to a local kid.” And, 45 years later, I am at the Soul Kitchen, and one of the volunteers said, “I know the guy you sold it to.” Now I do remember the kid I sold it to, because he was a neighbourhood kid, and he had grown up in the neighbourhood, stayed in the neighbourhood, became a policeman in the neighbourhood, and was now moving away. And she said, “He would be willing to get it back to you.” And I said, “I’d be willing to pay for it. I’d love to buy it back.” Very simple agreement, very simple arrangement. He said, “Would you meet my kids?” I said, “Absolutely.” I said, “I’ll give you another guitar. Could I buy that back?” He was great and gracious. He brought it to me. I swear, this is my embellishment that the five strings that are left on it was the way I sold it to him. And I believe that those dots that I see on it are sweat from when I was playing in the bar. Because it came back looking like that. And I don’t think he ever touched it. In the cardboard case, he gave it to me. And I put it in the car, and I took it home that day, and I was so excited. I pulled it out and laid it on my lap, and I just started playing, just with the five strings.

    Zane Lowe: How did it feel?

    Jon Bon Jovi: Like magic? Because I couldn’t help but just saying, “I got my hands around her neck.” And writing a song. And saying, “I’m in love with my first guitar.” And it just took me back to being… Well before the expressway even, my very, very first band, singing Old Kiss Records in my folks’ backyard. I’m 17-years-old, I’m a rock and roll star. And, just reminiscing and writing that song. It’s magical. Yeah, it’s really cute. And a happy ending to a story.

    Jon Bon Jovi talks to Apple Music about addressing homelessness through his JBJ Soul Foundation and the origins of Soul Kitchens

    Jon Bon Jovi: But in 2008, when the economic downturn happened, Dorothea was watching the news one night and said, “I’ve got an idea for all the people who you’ve housed. We need to feed.” And she stream of consciousness came up with the Soul Kitchens. And, the conversation there is to empower people. You have them volunteer, but if you or I want to effect change directly, you come and you leave a suggested donation. And, that pays not only for your meal, but for someone else who are in need. And you would never know the difference between someone in need and someone who’s paying. It’s pay it forward. There’s no prices on the menu. You volunteer, you’re empowered, you come in-

    Zane Lowe: Oh, it’s great. You know why? Because the feeling you get from helping, you’re giving to others. It’s-

    Jon Bon Jovi: … Magical. And then, folks who want to but are fearful of the unknown… I want everybody that’s listening to close their eyes and imagine a cute bistro in your neighborhood, a beautiful bistro with silverware, and plates, and tablecloths. That’s what the Soul Kitchen looks like. But if you were to come there, and I told you the model, you wouldn’t believe how many people stayed away. And, would say to me, “Well, there’s no booze there.” No, it’s not about booze. It’s about feeding people who are hungry. “I don’t want to sit next to somebody who might be homeless.” “Oh, really? What are you going to get? Cooties?” Or people that would say, “I’ll write you a check. I’ll give you anything you want.” I said, “I don’t want your money.”

    Zane Lowe: That fear isn’t about the cooties. That fear is about facing your own inability to recognise pain in others.

    Jon Bon Jovi: Because we as a culture are so caught up in our own BS, how many times, and everyone’s guilty of this, you’ve walked by the homeless guy on the street because you didn’t take the time to ask him what he needed, or just a simple, “Hello.” There’s all this stuff that you learn with time and effort. But, the situation at the [Soul] Kitchens is that we’re feeding people one at a time, one soul at a time, as we always say. And, yesterday, for instance, Dorothea led a march with 500 local volunteers who were marching the streets of Red Bank to let the word be out there further that we’re alive and well. And, unfortunately, we’re not going out of business, as we always say. We’re not going out of business because the need is there. There are a lot of people whose hearts are in the right place that are stuck inside the building and not on the street. And affecting change directly takes being on the street. I’ll give you a great example. There are currently homeless issues all across America. We can agree on that. No matter what side of the aisle you’re on, you’re seeing it in the big cities in America. From what I’ve read recently, there are only approximately 600,000 people on the streets of America. We’re a country of 300 million. How hard is that to figure out the mental illness and the housing aspects of this? We can do this. We can do this. We can do this. It’s going to save your emergency rooms, and the ambulances, and the insurance companies. It’s very easy. Well, it’s not easy. It’s difficult to do. We can do it….. Yeah, maybe just realise, it’s not a pill. We don’t need a pill. We don’t need a scientist to find the cure. This one’s doable.

    Jon Bon Jovi talks to Apple Music about his friendship with Bruce Springsteen and the support he got at MusiCares

    Zane Lowe: What’s been the most important thing about that single friendship for you and all of this ride?

    Jon Bon Jovi: Well, he was Mount Rushmore in New Jersey, first and foremost, right? He was writing stories about the people in our backyards. And, he made the impossible possible for all the next generation that followed. I just happened to be the lucky one that sold as many records, right? So, there’s 50 more of me in New Jersey that just didn’t get as successful, right? So, I get to be that little brother now. But the last thing that a man wants to do is try to be somebody else. You got to become your own man if you’re going to be around for this long. But lessons learned came with time. Lessons learned came with experience. So that now when he and I get together, the conversation’s a whole different level. It’s not about, “Oh, how did you get that kick drum sound?” No, no, no. We’re taking these long drives to talk about philosophical family, leaders of men conversations that only two old friends can have together. But, yeah, his coming out when… I had no idea, but his mom had passed and he was literally on the plane, because he wasn’t going to disappoint me, and not show up, and be there for me on the MusiCares event. And he and, of course, Sir Paul, I mean, I’m the luckiest human being in the world.

    Zane Lowe: Yeah, I mean, you say you weren’t present enough at the time. And, why would anyone young enough have the presence of mind to realise you’re manifesting something. But, you got your hero down the street, and you got your hero across the ocean. And both of them together help you find your own voice. And then you get to be celebrated for that voice at a time when your voice is yours again. And they’re both there.

    Jon Bon Jovi: It does not get better than that. It just doesn’t get better than that. It’s a humble grateful me that goes forth. Humble, grateful.