Category: Events

  • Paramore at MTV Newsroom

    Yesterday, we were a part of the studio audience for MTV Newsroom’s live feed with Paramore. In promotion of their new self-titled album, the group performed new single Still Into You (you can find the music video below) and hit single Misery Business.

    During their intimate performance and interview, they talked about their new sound and said that their new record [Still Into You] is a Pop record. In addition, they mentioned the word “terrified” a lot when talking about their new album. Perhaps, they were afraid of how fans will receive this new body of work. We can completely understand how change is scary but necessary.

    [youtube=http://www.youtube.com/watch?v=OblL026SvD4&h=315]

    During the 30-minute segment, fans submitted questions via Twitter using the hashtag #AskParamore and MTV Buzzworthy blog managing editor Tamar Anitai read the best questions to them. They also selected three fans from the audience to ask Paramore questions directly. With a four year gap between their last album, fans were as emotional as they were.

    Before seeing the band perform live, our Project Manager was not a fan. She’d never heard of Paramore before Monday. After experiencing the live performance, she became a fan instantly. She purchased their music immediately after… and that’s the magic of live music.

    Click here to watch the footage.

    Though online fans display mixed feelings about this new style of music, their true fans were in effect yesterday. Young girls and guys of all races cried at the mere mention of their names. After the recording, a young girl was so happy she cried until our last moments of seeing each other on the elevator. It was priceless.

    Whilst, we are still fans of Paramore, change doesn’t bother us. We can relate. To preview the album or buy it, please head to Spotify or iTunes.

    For more Paramore, just click here.

  • Movement Electronic Music Festival Phase 3 Lineup

    [spacer size=”15″]

    The 2013 Movement Electronic Music Festival, taking place Memorial Day weekend (May 25-27) inside Detroit’s Hart Plaza, adds more artists to its highly anticipated lineup, bringing this year’s bill to a total of 116 performers.

    The third phase of the lineup includes an electrifying live set by UK’s electronic music icon Squarepusher as well as a dj set from famed singer, songwriter and producer MOBY. DJ and Grammy Award-winning producer Dubfire returns to the festival as does Movement’s 2012 standout artist Nina Kraviz. Dubstep’s rising star Danny Beall, commonly known as NiT GriT, has also been added to the list of performers.

    The complete list of the additional 39 performances announced today, in alphabetical order, are as follows:

    16 Bit Lolitas
    Annie Hall
    Benjamin Damage – live
    Bill Patrick
    Buzz Goree
    Cajmere
    Calico
    Chris Malinchak
    Chuck Daniels
    Circa Tapes
    Corbin Davis
    Dabrye
    Dan Wagner
    Deadbeat
    Deastro – live
    Dubfire
    François K
    Jason Kendig
    K@dog
    Kidnap Kid
    Lucy
    Magda
    Matador – live
    Midnite Jackers
    MOBY – dj set
    Nick Hook
    Nina Kraviz
    NiT GriT
    Phantasmagoria – live
    Reference – live
    Ronin Selecta w/ Bombscare
    Samo Sound Boy
    Sandoz featuring Marcus Flow
    Shigeto
    Sinistarr
    Squarepusher – live
    Stone Owl
    System of Survival
    xxxy

    Today’s lineup is in addition to the phase one and two announcements made by Paxahau Promotions Group, which included A Tribe Called Red, Adult. – live, Al Ester, Alton Miller, Amtrac, Andy C, Art Department, Ataxia, Audion – live, Azari & III – live, Ben Klock b2b Marcel Dettmann, Ben Sims, Big Chocolate, Big Gigantic – live, Break Science – live, Brendon Moeller aka Echologist, Brodinski, Bruce Bailey, Carl Craig, Carlos Souffront, Daniel Bell, Dantiez Saunderson, Dave Clarke, Dennis Ferrer, Derrick May & Kevin Saunderson – The High Tech Soul Concept, DJ Minx featuring Diviniti and Eva Soul, Don DadaDJ Godfather and DJ Zebo, DJ Hatcha, Downlink, Drumcell, DVS1, Ellen Allien, Erika – live, George FitzGerald, Gesaffelstein, Gramatik, Gregor Tresher – live, GRiZ – live, Hector, J.Phlip, John Digweed, Laura Jones, Luke Slater / P.A.S. – live, Maetrik, Mala, Masters at Work – Kenny Dope & Louie Vega, Matt Tolfrey, Miguel Campbell, Mike Parker, Milkman, Moodymann, Mr. Joshooa, Nicolas Jaar – live, Nicole Moudaber, Noisia, Onra, Paco Osuna, Paper Diamond, Richie Hawtin, Rrose, Ryan Elliott, Silent Servant, Slam, Soul Clap, Stacey Pullen, Steffi, Steve Rachmad, SuperVision, T.Williams, Tensnake, Terrence Parker, The Bug – live, The M Machine – live, TOKiMONSTA, Tommy Four Seven, Totally Enormous Extinct Dinosaurs – live, and Truncate.

    Movement Electronic Music Festival, in collaboration with techno music pioneer and 2013 performer Carl Craig and 8tracks, one of the largest global internet radio services, present the 2013 Electronic Music Mix Challenge. Starting Monday, April 8, fans will have the opportunity to create their very own Movement-inspired mix on 8tracks. The lucky winner, selected by Carl Craig, will receive a pair of VIP tickets to Movement, official festival gear, featured placement on the 8tracks homepage and its mobile apps, and a complimentary one-year subscription to 8tracks’ premium service, 8tracks+.

    8tracks is thrilled to collaborate with Movement on the inaugural Electronic Music Mix Challenge,” says David Porter, founder and CEO of 8tracks. “For the past 25 years, I’ve been a fan of the sounds and culture of electronic music, which inspired the founding of 8tracks. I’m pleased that we can contribute to Movement in this unique way and I’m honored to have Carl Craig participate in the selection process,” adds Porter.

    Visit www.8tracks.com/movementdetroit for more information and complete list of contest rules.

    Discounted tickets for Movement are on sale now ($89 Weekend / $199 VIP), and can be purchased by visiting www.Movement.us. Ticket prices will increase on May 1.

    The Movement Electronic Music Festival features: five technologically-rich outdoor stages; more than 115 artists; free Wi-Fi access on the grounds; a posh VIP setting located behind the main stage; dozens of official afterparties; an interactive technology center featuring the hottest gear in the industry; and several art displays to stimulate the senses. Over 107,000 people from around the globe attended the 2012 festival.

  • Alpha Rev Begins Massive Spring Tour

    Alpha Rev’s brand new release “Bloom” hit the streets this week — March 19 (Kirtland Records). Hailed as “emotionally raw… a potent record” (Dallas Morning News) and as “a pick-me-up… empowering and inspirational” (Sun-Sentinel), “Bloom” has been climbing the radio charts for several weeks now. The band premiered the video for the album’s first single, “Sing Loud”, at mtvU.com last week. Having recently debuted the new material live during a handful of performances at SXSW, the band now heads out on massive 30+ date spring tour. The complete list of shows is included below.

    Alpha Rev

    With a glistening rock sound that is at once fragile and tough, “Bloom” picks up threads from the past while it takes a big bite into the eternal here and now. Drawing from the wellspring of American history, the grandeur of its landscape, and life’s sweet and tragic mysteries, Texas-born McPherson leans into his personal challenges as well as the wages of the 21st century and emerges with a triumphant and timeless statement.

    Get More:
    www.mtvu.com

     

    The complete list of Alpha Rev tour dates is as follows:
    Wednesday, March 20 Common Grounds Waco TX with Ben Rector
    Thursday, March 21 Grand Stafford Theater Bryan TX with Ben Rector
    Friday, March 22 The Belmont Austin TX with Ben Rector
    Saturday, March 23 Good Records In Store Dallas, TX
    Saturday, March 23 House of Blues Dallas TX with Ben Rector
    Sunday, March 24 Spring Jam Music Fest Charleston SC
    Tuesday, March 26 Granada Theatre Lawrence KS with Ben Rector
    Wednesday, March 27 – Thursday, March 28 George’s Majestic Lounge
    Fayetteville AR with Ben Rector
    Friday, March 29 University of Oklahoma Norman with Ben Rector
    Wednesday, April 3 The Lyric Theatre Oxford MS with Ben Rector
    Thursday, April 4 Bourbon Street Bar Auburn AL with Ben Rector
    Saturday, April 6 Amos’ Southend Charlotte NC with Ben Rector
    Sunday, April 7 WorkPlay Soundstage Birmingham AL with Ben Rector
    Friday, April 12 Cannery Ballroom Nashville TN with Ben Rector
    Wednesday, April 17 Bijou Theater Knoxville TN with Ben Rector
    Thursday, April 18 The Handlebar Greenville SC with Ben Rector
    Friday, April 19 Center Stage Atlanta GA with Ben Rector
    Saturday, April 20 Lincoln Theatre Raleigh NC with Ben Rector
    Tuesday, April 23 Jefferson Theater Charlottesville VA with Ben Rector
    Wednesday, April 24 9:30 Club Washington D.C. with Ben Rector
    Thursday, April 25 Bowery Ballroom New York NY with Ben Rector
    Friday, April 26 The Sinclair Cambridge MA with Ben Rector
    Saturday, April 27 Monnalisa Bar @ Hotel Sorella Houston TX
    Monday, April 29 Mod Club Toronto ON with Ben Rector
    Wednesday, May 1 The Intersection Grand Rapids MI with Ben Rector
    Thursday, May 2 Majestic Live Madison WI with Ben Rector
    Friday, May 3 Varsity Theatre Minneapolis MN with Ben Rector
    Saturday, May 4 Park West Chicago IL with Ben Rector
    Tuesday, May 7 Bluebird Theater Denver with Ben Rector
    Thursday, May 9 Cain’s Ballroom Tulsa OK with Ben Rector
    Friday, May 10 Old Rock House St. Louis with Ben Rector
    Saturday, May 11 Blue Note Columbia MO with Ben Rector

  • Review: Amsterdam Fashion Week A/W 2014

    Amsterdam Fashion Week

    Although it may not be as impressive as its four big sisters (Paris Fashion Week, London Fashion Week, Milan Fashion Week and New York Fashion Week) the Dutch fashion industry is very proud of its own Amsterdam Fashion Week. The Amsterdam Fashion Week (AFW) was established in 2004 to be the fashion platform of the Netherlands. Since then, it has grown into a popular biannual event with fashion shows, trade shows, talk shows and a business programme.

    Besides the professional events, Amsterdam Fashion Week “Uptown”, there is also a public programme called Amsterdam Fashion Week “Downtown”. The Downtown events mainly take place in galleries, shops and clubs in the city centre of Amsterdam. The Uptown activities can be found at the Westergasfabriek a former gas factory, where the old gasholder is used for the biggest catwalk shows.

    The last week of January the Westergasfabriek hosted the 18th edition of the AFW. In total, 35 catwalk shows took place, including shows by The People of the Labyrinths, Spijkers & Spijkers, Claes Iversen, Dennis Diem, Winde Rienstra, Tony Cohen, Melissa Siegrist and Marga Weimans. Although well-known designers and commercial brands presented their collections, the most important names in Dutch fashion, Viktor & Rolf, were missing. For Viktor & Rolf, the AFW simply isn’t big enough and they prefer to show their collections in Paris where the international fashion buyers can be found.

    Also designers Iris van Herpen (popular with Beth Ditto and Björk) and Jan Taminiau (well-known for his futuristic platform shoes worn by Lady Gaga and Beyoncé) seem to have outgrown the AFW and were missing this edition, but they have made way for a new generation of talented designers. GrungeCake attended the AFW for one day to check out some of these talented designers, soak up the atmosphere and visit a couple of shows.

     

    [nggallery id=2]

     

    The first show was a combined presentation of the collections of Dido Yland and Allan Vos. Dido Yland studied at ArtEZ in Arnhem, a prominent Dutch institute for Fashion Design, and graduated in 2009. For her women’s collection A/W 13/14 Yland was inspired by the British drama series Downton Abbey, which is set in the roaring twenties. The colourful collection, a 21st century take on art-deco fashion, got the appropriate name “bearcat”, a 1920’s word for a fiery girl.

    Allan Vos studied fashion in The Hague and in London and he did an apprenticeship with designer Yoshiki Hishinuma. Vos is well-known for his costume designs and theatrical creations, but he decided to switch to fashion design for men, this was the second menswear collection he showed at the AFW. Vos was also inspired by history, but went back even further in time to the Napoleonic era. The result is a stylish, yet sexy collection, staying true to Vos’ theatrical background.

    Next, Sjaak Hullekes showed his menswear collection A/W 13/14. It was not as flamboyant as Vos’ collection, but it will appeal more to a broader audience. Sjaak Hullekes graduated from ArtEZ in 2005, and was introduced during the AFW in 2007. He has participated in the Tranoï and White showrooms in Paris and Milan. Hullekes’ designs looked comfortable and to emphasize the “prêt-à-porter” character of his collection, the models jogged, ran and even cycled on the catwalk, making it a fast-paced show indeed.

    Sophie #1234567+ followed next, with their women’s collection A/W 13/14. Behind Sophie #1234567+ are art director Saskia Kruis and general manager Roald van Dijk. They first entered the international high-end women’s fashion market during the A/W 11/12 season. They cater to the modern career woman who wants to combine style with comfort. Their A/W 13/14 collection certainly looked very comfortable, but also stayed on the safe side, regarding both colours and designs.

    The most spectacular show of the day was definitely the one by Edwin Oudshoorn. Edwin Oudshoorn is also a former ArtEZ student. His designs are highly haute couture: gorgeous materials, and breathtaking craftsmanship. He absolutely has a sense of drama; he has presented his collections at the Rijksmuseum in Amsterdam, the Teylers Museum in Haarlem and the Musée de la Vie Romantique in Paris during Couture week. His sense of drama was also apparent during the catwalk show of his women’s collection A/W 13/14 “Remembered Colours”. As the decor showed the changing seasons, the most amazing designs were shown. From lovely summer dresses with flowers and butterflies, to dramatic black sequined ball gowns. Oudshoorn really swept us of our feet. What do you think?

    [youtube=://www.youtube.com/watch?v=iUSL0Cr5RbE&h=315]

    The next Amsterdam Fashion Week will probably take place in July. Want to stay up-to-date about it? More information about the Amsterdam Fashion Week, including links to social media, can be found here: www.amsterdamfashionweek.com.

    For more Amsterdam Fashion Week, just click here.

  • Interview: Lilly Lorraine

    Lilly Lorraine

    Designer Christi du Mesnil Craven, owner of Lilly Lorraine, talks about the “Juliette” gown which is made of a textile that is pending a patent. In addition, she offers comfort, sophistication and wearability from daywear to evening wear. For this collection, she was inspired by a “rendezvous in a moonlight”. It is the reason for the use of neutral tones and greys and the introduction of the red symbolizes the romance. As Craven talks about the color red, it appears behind her in the video. We find it to be mirthful.

  • Interview: House of Horology

    Lawrence Leyderman, owner of House of Horology, tells us about his timepiece collection that’s capable of “swimming with the fishes”, his stance on product quality and his attention to detail. His father had a repair shop that he worked in and he thought something was missing [from the traditional style of watch]. Subsequently, it greatly inspired the creation of his brand. A few months ago, Leyderman opened a store in SoHo on Prince Street in New York City. Ladies: If you’re in town, you should stop by, say hello and pick up a gift for the mister. Gents: If you’re around, you should treat yourselves to something special.


    [vimeo http://www.vimeo.com/60755243 h=315]

  • Review: Neodandi House of Couture NYFW 2013

    Often atypical and ardent in presentation, last night was no exception to the Neodandi rule. I, Richardine, arrived fashionably late — just a joke — in pursuit of finding a wallet that held my driver’s identification and credit cards. Unfortunately, we did not locate his belongings. Bummer. It was 8 on the nose when we walked in and promptly checked in. Upon viewing the runway, a full black palette was in gear. Instead of De Osu’s models walking and strutting their stuff on his runway, it was a colliding moment of art: fashion and theatre. Each figure tends to yoke with another, creating what it truly means to be a uniform “collection”. To get a better grasp of the designer, start with this Seattle Weekly feature.

    In the past, his collections featured colorful knits, distressed jean and heather greys. De Osu’s models are usually newcomers with interesting looks. Often, speaking to everyone in the audience. Multiracial and global. We like that. Beyond the pieces that I did see, I really enjoyed his choice of venue. It was pleasingly grateful, kempt and Japanese. On his special food menu: Yama-Imo Isobe-Age (mountain yam and edamame wrapped in nori, fried served with arajio (natural sea salt), Obanzai (chef’s selection of Kyoto-style appetizers), Maki Mono (chef’s selection of rolls), House Made Tofu (served with wari joyu), Beef Tataki (served with kinpira gobo), Crispy Fried Chicken (served with lemon) and Ebi Shinjo (shrimp fritters).

    The Neodandi (house made ginger syrup, Shiro shochu, fresh lime juice, club soda), Sauvignon Blanc (Loire, France), Barbera D’asti (Barbaresco, Italy), Prosecco (Veneto, Italy), Kaori (Yamaguchi, Japan) and Sapporo (Japanese Lager). I am not a drinker, but I really enjoyed drinking “The Neodandi”. It was smooth going down the pipes. It had a crisp, refreshing taste and it wasn’t more than I could bear. Another hit at the show was the “Crispy Fried Chicken”. It was so good, I witnessed a fellow guest scream when the hot chicken appeared on what might have been a floating platter to her.

    When asked when his next show will be, he replied, “March”. He knows how to treat his guests.

  • Recap: Movement Detroit 2012

     

    The Movement Electronic Music Festival features: five technologically-rich outdoor stages; more than 100 artists; free Wi-Fi access on the grounds; a posh VIP setting located up and behind the main stage; dozens of official afterparties around the city; an interactive technology center featuring the hottest gear in the industry; and several art displays to stimulate the senses. Over 107,000 people from around the globe attended the 2012 festival.

    Here’s some coverage on Movement Detroit 2012 from yours truly. We attended and this is what our experience was like:

    [youtube=://www.youtube.com/watch?v=bQup3FPf3vs&h=315]


  • Review: Electric Daisy Carnival at Las Vegas Motor Speedway

    Today is June 8th and I’m mentally preparing myself for one of the biggest festival-party in the United States! In preparation, my friends and I went through the rave ritual of taking 4 hours to get ready. Fully equipped with enough neon accessories, glitter and tutus to keep a strip club in business for weeks, we got ready and “pre-partied”. The doors opened at 7:00pm, but we did not leave until around 7:30 because my home is about 10 minutes away from the Las Vegas Motor Speedway. Well, that 10-minute ride turned into a 2-hour ride.

    EDC Day One Was Like:

    On Friday, we made our way to see quite a few dj’s. On the main stage kineticFIELD, we had the chance to see Knife Party, Afro Jack & Kaskade. In between seeing them spin I went on a few carnival rides, purchased an insomniac refillable water bottle, lost every last person I came with, [laughs] picked up some new friends, traded kandi, found one of my friends and purchased some seven dollar lemonade. The atmosphere was amazing there was so much love in the air everyone was being so hospitable holding doors open, the please’s and the thank you’s it was awesome, One of my favorite things on Friday is the big bamboo structure insomniac put together as one of their ambient art pieces, it was huge there were easily hundreds of people sitting on the fixture and the base of it listening to its smooth heavy bass filled tunes. At the stage circuitGROUNDS I was able to see Gabriel & Dresden, I really enjoyed their set and the amazing visuals that went with the music, the lighting was pure perfections and the effects were awesome as well, at one point the whole background of the stage was generated from a large scale camera panning out the length of the audience so we saw ourselves on the screen.

    EDC Day Two Was Like:

    We got to the Las Vegas Motor Speedway around 9:00pm but the d j we wanted to see wasn’t spinning until 11:00pm so we decided to explore what insomniac had to offer for the wondering eye. The first art installation that I noticed was a very large butterfly that was trimmed in bright neon lights that strobed and created different designs and also opened and closed its wings. Then we got on some more rides, we finally found the tilt and whirl (it’s an edc ritual for my friends and I to ride it ) at this time its almost 11 so we head back over to the circutGROUNDS stage to get ready to watch Rank 1, we get there rank 1 is amazing as always the sound was on point really clear I love that, it got pretty packed at that stage it was madness people jumping and screaming everywhere. Then we head over to kinticFIELD to go catch Calvin Harris. And this is when the night started to get crazy. My friend and I are fighting our way to get through to even hear Calvin Harris bc there are sooooo many people its crazy so at first we just fight through the crowd but we don’t make it that far in when my friend says “ something is wrong” and Im wondering what shes pertaining to and she said its not right over here, I know you really want to see Calvin Harris but we have to get out of here, So I listen to her and we start “trying” to make our way out of the massive crowd. Well half way out the music stops completely and Calvin Harris gets on the microphone and says “ there are way too many people over here and its getting too crazy so were cutting the music” everyone starts booing and screaming it was pretty frightening so we are now fighting along with everyone else to make it from the main stage and as we do we walk by the Qdance stage and notice that there is no one there the music is off everywhere and all the stages are being cleared by seas of neon green uniformed officers. They are telling everyone that we need to get off of the flat top and into the grandstands for our safety and this all started around 12:45am. So we make it up to the grandstands and sit, and sit and sit as this guy on the microphone keeps repeating, “please everyone to the grandstands for your safety this is a temporary situation and we will be up and running as soon as the winds die down, thank you“. So at this point more than half the people that were there have gone it started out with over 300 thousand guest but after hours of no music the crowd reduced to about 80 to 90 thousand and at around 3am there was a little miniature boat fixture that was brought out into the grass where everyone that was not in the stands were sitting and markus shults took the stage and started spinning for the die hards that stuck it out. Everyone was so happy and excited to finally hear some music we started pouring onto the grass it was awesome like an old school party just kicking it, then after markus shults went on steve aoki also took too the makeshift stage the night ended on a high note even though more than half the artist book for Saturday night never got a chance to make it to the stage.

    EDC DAY THREE WAS LIKE:

    LAST DAY OF EDC !!! We are on a mission to party to the highest potential after the way Saturday turned out we def had to make up for it. We got the the speedway the earliest out of all three days it was about 730ish when we arrived so we hung out in the parking lot for a little bit chatting up strangers and drinking monster energy drinks to help us make it though the night. Our first order of business is to see Bunny of RITM on the discovery STAGE (side note Bunny is creative director for insomniac so all the dancers, stage performers etc he played a big part in bringing to life) Bunny went on at 9:00 and OMG HE WAS AMAZING the stage show was the craziest one I’ve seen all weekend girls came out in all silver outfits with bunny ears and gas mask with 2 big balls of fire on chains and started flailing them about in only the way a professional could. And while all of that is going on, on the stage down in the audience with us there were navy blue uniformed girls on roller skates with led lit edc signs on their back skating through the crowd. Very large colorful animals dancing, an orange jumping cactus out shaking his groove thang with all the ladies there was just so much going on at once it was crazy. Then once bunny’s performance was over we went back over to circutGROUNDS to catch the tail end of Dash Berlin and the whole Ferry Corsten set. Both did a super job I love love loved Ferry’s set it was perfection. Once we were done over there we went to cosmicMEADOW for what we thought was going to be Carl Cox not relizing we stayed too long for ferry and completely missed him but we made it in time for Danny Tenaglia at 4:00am am and pretty much stayed at that stage until the sun came up, We were sitting in the grass chatting it up with people trying to prolong the moment because we were relizing that this magical weekend was coming to an end.

    HIGHLIGHTS

    Stages/Lighting Effects
    Size of stages
    Carnival Rides
    Kaskade’s Statement “ I will never ask you to make some motherfucking noise, I let the music speak for itself”
    Cooling Stations
    Water Refill Stations
    Ferry Corstens Set
    Insomniac letting people with Saturday tickets come back on Sunday, Free of charge.

    Not So Highlights

    EDC Shutdown on Saturday
    No toilot paper in the bathrooms
    No signs to find anything
    Water refill stations had no lights at all

    Until we all meet again, under the electric sky.

    Peace, Love and GrungeCake from Las Vegas, Nevada. This is Jazzlyn Kirkland.

  • It’s all about timing: A night with Michael Kors

    Image: Stephen Sullivan (WWD)
    Image: Stephen Sullivan (WWD), Originally published via this link

    Last night at 92Y, I listened to Michael Kors talk about his beginnings in the fashion business, his marriage to Lance LePere, working with celebrities and his start with reality television show “Project Runway”. With all mentioned and more than I was unable to catch, he believes that there is such thing as balance in the business and that one can truly have it all. I find him truly inspirational.


    Michael Kors, born Karl Anderson Jr., grew up in suburban Long Island and worked at WWD, a magazine that he remembers on the newsstands in Merrick.

    He sold his first sketches to his friend’s father who owned UFO Jeans.

    Kors recalled his friend’s father “Can we buy those sketches?”

    He bought the sketches and Kors was paid on the spot. He was just 16-years-old.

    It really goes to show it is really about who you know.

    It wasn’t as easy thereafter. Throughout the night, Kors repeatedly noted that it was the right timing that aided him in his career.

    He explained, “Being 17-years-old in the disco era… I was an insane fashion freak!” Instead of going to prom, he went to Studio 54. I think that’s clutch. He talked about what seemed to be an ostentatious outfit that permitted entry on prom night. He recalls knowing that Studio 54 was a special moment in time. He could feel it.

    He went to FIT in 1977. He studied design, but not for long. He had been sketching for a long time. He fought with teachers. He started working part-time selling clothes on 57th Street in New York City. When asked if he regret not staying in school longer, he didn’t respond with a “yes”. He cannot sew.

    He is a Leo. When asked if he still had connections with friends in the past, he said that the Creative Director of Menswear has been his friend for over 30 years. He added, “Leos are very loyal.”

    He remembered a teacher telling him that “you need to be out there in the world and work!”

    During his years of working on 57th Street, he pulled Jackie-O’s boots off.

    “It was an educational experience”, Kors says. In fact, the advice he gives to aspiring designers is to work in-store in the sales department to understand why certain customers buy what they buy, how to sell and operate a store, etc.

    If you want to succeed in this business “you have to be able to add something”, says Kors. “The pie is the pie. Ideas have to have longevity.”

    “Whenever you have a singular tend, it can die.”

    A Bergdorf Goodman buyer found him in dressing windows in 1971. The buyer came to him and said that they’ve never seen the clothes he used to dress the mannequins, then asked who’s clothes were they? He replied, they are my clothes. They are your clothes and you are dressing the window?

    Vera Wang was an editor at Vogue magazine. She came into the store to shop and during her shopping she asked Kors “Do you want to go with me to the Met for the Costume Institute [Gala]?”

    He agreed. They attended. He didn’t mention what he was wearing, but he did mention that it snowed that day and he asked why the lights dimmed. It was the night John Lennon was killed.

    He mentioned that when he started quality [of your clothing] had to be great. Had to ship on time. It was a different time from today.

    He talked a little bit about designers that he hired. Mainly Derek Lam and Lance LePere, now his husband. Kors said over the course of five years, Derek Lam was an intern, worked in Collection Design and ended up freelancing for him.

    When asked what did Lance show you that made you hire him?
    Kors replied, “What did he show me?”
    The audience grew hysterical with laughter.

    In April 1991, he had a show – his first show on West 24th Street in New York City.
    They would produce shows at random assorted lofts and spaces. He thought it was edgy. He talked about a mishap with one of those random spaces.

    As he tells it, “Naomi Campbell was out there strutting her stuff… and there was an explosion.”

    Naomi came and told him, “the ceiling just caved in.”
    “The plaster just came down and hit a few people.”
    Those people were fashion press from the Tribune and NYT.
    Kors walked out, turned the music off and did the rest of the show with no music.

    It was then he realized it was time to do shows at professional show spaces.

    In his career, he created the male body suit. Soon after, he realized naps [?] and the male anatomy is not a good thing.

    Later, the company Kors was licensed to went bankrupt. He filed for bankruptcy.

    Kors on collections:

    You have to want to wear it all. That’s how you make a successful line or collection.

    Fern Mallis and Kors recall that March 1998 was a “heavy time for Americans in Paris” It was like the “Invasions of the Americans”. The world was changing. The world was global. It did not matter where you lived, life went fast” said Kors. With business(es) in Singapore and Tokyo and in tune with what’s happening around the world, he saw the power of accessories – a handbag works no what.

    “Who didn’t want to be Steve McQueen?”

    He had a collection called “Palm Bitch”. It was inspired by his time in Palm Beach, Florida in the 1990s.

    “I love blending things that don’t go with everything.” Then, he went on to reference “the Park Avenue Jesus sandal.”

    When talking about his fragrance with Estee Lauder “Michael” said he had smells in his head. It was an inculpating but light. A contradiction. Exactly the way Kors likes it.

    “I was the boy wearing Opium which was unfortunate.”

    Everything you do in fashion is a partnership.

    When asked which celebrities he loved dressing, he replied that seemingly at vulnerable moments, celebrities go for Michael Kors. Jennifer breaks up with Ben Affleck, Michael Kors. It’s worst for them, because everyone is staring.

    A lot of my fit models have turned out to be Victoria’s Secret Angels.

    Instead of spending millions of dollars for advertising, Project Runway came about. Before beginning the show, he received a pitch phone call. He knew Heidi socially. He kept thinking ‘Survivor’ but eating fabric! Or thinking that its audience would just be fashion obsessed women, gay men and men who are obsessed with Heidi Klum. He was wrong. He said investment bankers were also interested. They watched with their families. Because of the show, he now has 12-year-old customers.

    “We make a bar-mitzvah [shoe]. It’s like the training wheels of heels”. Three to four generations shop at his stores today.

    He discussed meeting Dame Elizabeth Taylor and interviewing her for Harper’s Bazaar magazine. He loves to write. He said he wanted to talk to her about fashion, wedding dresses and jewelry. Her living room was filled with purple crystals. He made a lavender poncho for her to wear. She was funny, earth and opinionated. He showed her a picture of a kiss with Richard Burton and she began to cry.

    Elizabeth said to Kors, “that’s a real kiss.”

    Kors on Lindsay Lohan portraying Liz Taylor:

    I don’t get the red hair. We’ll see.

    Michele Obama wore one of his dresses.

    He and Lance got married in Southampton, New York. He never had a fantasy of a wedding. He didn’t think it was going to be a reality. Before getting married, they asked each other what did they like. Answer: We love the beach, sunny day and privacy.

    Literally after the wedding ceremony, the newly weds jumped in the jeep, enjoyed pizza at Sam’s and went to see ‘The Help’ at the theatre.

    He was about to ring the bell at the New York Stock exchange and he remembered his mother telling him to straighten his tie. “It beat my bar mitzvah.”

    “I knew early on that I loved this.”

    He is on the Forbes: Billionaires To Watch List. There is a Kors-LePere trust foundation.

    In a story about his life, he jokingly replied that if it was a big box office comedy movie Will Ferrell would play his role. I completely forgot the name of the other gentleman.

    When asked what made him smile. He replied Lance. Fern Mallis and I (from my seat) agreed that it was a good answer. To watch the full video coverage, watch the video below:

    [youtube=://www.youtube.com/watch?v=acnaQXKqH9k&h=315]


    For more Michael Kors, just click here.