GRUNGECAKE

Category: Business

  • The Met to reopen newly reimagined galleries dedicated to Arts of Africa, Ancient Americas, and Oceania

    The Metropolitan Museum of Art will reopen the Michael C Rockefeller Wing on May 31, 2025, following the completion of a major renovation. The wing includes the collections of the Arts of Africa, the Ancient Americas, and Oceania, and, when complete, will feature over 1,800 works spanning five continents and hundreds of cultures. These three major world traditions will stand as independent entities in a wing that is in dialogue with neighbouring gallery spaces. The galleries have been closed to the public and under renovation since 2021.

    Designed by WHY Architecture in collaboration with Beyer, Blinder, Belle Architects LLP, and with The Met’s Design Department, the reimagined galleries have been designed to transform the visitor experience and incorporate innovative technologies that will allow The Met to display objects in new ways. In galleries dedicated to each of the distinct collection areas, design elements reference and pay homage to the architectural vernaculars of each region.

    The reinstallation of all three collection areas—Arts of Africa, the Ancient Americas, and Oceania—will also reflect new scholarship, undertaken in collaboration with international experts and researchers. Digital features and new wall text will allow for deeper contextualisation of objects. Highlights of the collections that are well known to long-time visitors to The Met will be showcased in innovative ways with a completely new gallery design, which will also incorporate filtered daylight through a custom-designed, state-of-the-art sloped glass wall on the south facade, adjacent to Central Park. Additionally, across each collection there will be objects on view for the first time, including major new acquisitions of historic and contemporary art in the Arts of Africa galleries; a gallery dedicated to light-sensitive ancient Andean textiles, which will be the first of its kind in the United States; and several new commissions for the Oceania galleries by Indigenous artists and a range of new digital features that will present contemporary perspectives.

    “The complete renovation of the Michael C Rockefeller Wing reflects The Met’s profound commitment to—and deep expertise—in caring for and expanding understandings of the works in the Museum’s collection. Together with our collaborative and community-based approach to curating these collections, the transformation of these galleries allows us to further advance the appreciation and contextualisation of many of the world’s most significant cultures,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “When the wing first opened in 1982, it brought a much broader perspective on global art history to The Met, and this thoughtful and innovative reimagining reflects our ambition to continually expand and even complexifying narratives. We’re deeply grateful to the many artists, scholars, community leaders and cultural figures who are partnering with us on this essential and ongoing work, and we look forward to unveiling these stunning galleries to visitors across New York City and the world this Spring.”

    Kulapat Yantrasast, Founder and Creative Director of WHY Architecture, commented:

    “The Michael C Rockefeller Wing affirms WHY’s belief that museums are true sites of empathy. Spaces where visitors from many different places can encounter and appreciate the artworks from other cultures around the world. Through our design with The Met, we hope to highlight the diversity and distinction within these rich collections while providing a welcoming and memorable sense of place. Natural light and visual connections to Central Park are essential to the reimagined wing, and moments of discovery are so crucial when we design art spaces. We hope that visitors remember what they experience and where that happens.”

    Alisa LaGamma, Ceil and Michael E Pulitzer Curator of African Art and Curator in Charge of The Michael C Rockefeller Wing, said:

    “The primary goal of this considerable institutional project is to deepen appreciation for the greatness of the art displayed within. While the creation of the wing asserted the place of the arts of sub-Saharan Africa, the Ancient Americas, and Oceania in the world’s leading museum, the edition you will soon experience underscores their autonomy from one another and foregrounds the artists responsible for those achievements. The new galleries devoted to three major collections presented in the Michael C Rockefeller Wing allow us to reintroduce them with to the public enriched with a wealth of contextual detail. Those layers of information range from artist bios to interviews with experts in the region that relate the works presented to specific historical sites in the form of audioguide commentary and documentary films produced as an integral part of the experience.”


  • Mister Softee’s first ice cream shoppe opens on Long Island

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    Mister Softee, a longtime ice cream brand founded in the State of Philadelphia known for its trucks cruising the inner-city streets during the warmer months, has finally opened a brick-and-mortar shoppe on Long Island. The East Islip location debuts its scooped ice cream with classic flavours like chocolate and vanilla and two off-truck exclusive new ones like strawberry and pistachio soft serve.

    There’s a bright side for the die-hard ice cream fans in the area, they could have the 1956 ice cream brand all year round.


  • KFC celebrates inspirational African women accelerating action towards equality

    International Women’s Day initiative highlights leaders tackling the continent’s gender gap

    Progress in closing the gender gap in South Africa and Sub-Saharan Africa has almost halted, leaving millions of women at a disadvantage to men. But female role models across the continent are refusing to admit defeat, dedicating themselves to accelerating progress towards gender equality.

    To mark International Women’s Day on March 8 and honour its theme of “Accelerate Action”, KFC Africa has collected the stories of dozens of women who are taking bold steps to advance equality on the continent by educating, empowering and supporting women to achieve more, together, faster.

    KFC Africa’s list contains the names of 54 women – one for each year the company has been in Africa – and follows its successful International Women’s Day campaign in 2024 which introduced an inaugural list of 53 “female firsts”. Each of those women had overcome educational, social and financial obstacles to achieve something no woman in their country had done before.

    The 2025 list, drawn from each of the 22 Sub-Saharan Africa countries where KFC has restaurants, also has its share of female firsts – people such as Dior Fall Sow, Senegal’s first female prosecutor; Nelly Mutti, the Zambian parliament’s first female speaker; and Adelaide Retselisitsoe Matlanyane, the first woman to lead Lesotho’s central bank.

    The list is dominated, however, by younger women who are breaking the mould – particularly in the technology sector – and showing they can do anything they set their mind to, regardless of age or gender.

    They include the likes of Christine Ogo, a Cote d’Ivoire physicist who has encouraged thousands of schoolgirls to pursue science, technology, engineering and mathematics; Rachel Sibande, who set up Malawi’s first technology incubator for emerging entrepreneurs and has gone on to teach coding to 92,000 women and children; and Regina Honu, whose Tech Needs Girls movement in Ghana has trained more than 20,000 women and girls to code.

    Gender gap

    “It’s a powerful list that gives us hope after the World Economic Forum’s Global Gender Gap Report in 2024 showed that progress seems to have ground to a halt,” says Akhona Qengqe, General Manager of KFC Africa.

    The report showed that 68.4% of Sub-Saharan Africa’s gender gap had been closed, only marginally higher than 68.2% in 2023. South Africa, whilst being Africa’s highest scorer and ranking 18th out of 146 nations, went backwards, from 78.7% in 2023 to 78.5% a year later.

    “The report says that at the current rate of progress, it will be 2158 until the world reaches full gender parity”, says Qengqe. “That’s why we need to accelerate action, particularly in Africa, and why the efforts of the women on the KFC list are worthy of recognition and support.”

    In her seven years at KFC – she was as director of Africa franchise development, director of transformation and diversity and chief people officer before taking over as general manager in April 2023 – Qengqe has prioritised female empowerment.

    Her initiatives include spearheading KFC Add Hope, a women-led programme that serves free meals to tens of thousands of children at more than 3,000 feeding centres across South Africa.

    In 2021, she launched the Women on the Move leadership development programme, which prepares 22 women at KFC for future leadership positions every year, cultivating a pipeline of talent. Within two years, the number of female leaders in the business grew by 14%.

    Transforming franchising

    Last November she turned her attention to the wider quick service restaurant sector, launching Women in Franchising Africa (Wifa), the first network for current and aspiring female franchisees and franchisors across the continent.

    “To say I am passionate about the inclusion of women in growing our economies is an understatement. It is in fact one of my life’s purposes”, she says. “My partners in Wifa intend to transform the participation of women in the franchising sector across African economies.

    “We want to educate women on how to run successful franchise businesses, provide networking opportunities for like-minded women, transform the sector by making funding accessible to women, and create mentorship opportunities for all the women in the network.”

    KFC Africa Chief People Officer Nolo Thobejane says “Accelerate Action” is a call to look at what has a positive impact on women’s advancement and replicate it.

    “This is a journey we need to embark on together as we learn from each other. I cannot stress enough the importance of forming alliances and partnerships to amplify impact. By working together, organisations and individuals can share resources, knowledge, and support to create a more inclusive and equitable environment for women.”

    “At KFC, we have implemented some programmes which have yielded great results – such as the Women on the Move Leadership programme to ensure the pipeline of leaders, developing them with quality education and training through initiatives like our Streetwise Academy and then providing career support into positions of leadership.”

    “Other successful initiatives organisations can implement include designing and building infrastructure that meets the needs of women and girls, involving them in sustainable agriculture, and elevating their participation and achievement in sport, as we do with KFC Mini Cricket.”

    “There’s a lot we can do as individuals, too – we can call out stereotypes, challenge discrimination, question bias and celebrate women’s success. Everyone everywhere can Accelerate Action.”

    Qengqe says the new list of 54 names brings to 107 the number of inspirational African women KFC has honoured and recognised in the past two years. “We know this is the tip of a wonderful iceberg, and we welcome nominations of other women who are Accelerating Action in Africa.”


  • Massively decreased stream count adjustments on Spotify cause fan uproar

    Spotify, the world’s leading music streaming platform, has recently come under fire from both artists and fans due to adjustments in its streaming algorithms and policies. These changes have sparked widespread discussions about the platform’s influence on music consumption and the livelihoods of artists.

    Algorithmic changes and artist concerns

    One significant issue that has emerged is the alteration of the “Fans Also Like” feature. This feature, which suggests artists similar to the one a user is currently viewing, has reportedly undergone updates that have led to inaccurate associations. For instance, a melodic Techno artist found their profile linked to Rap and Country artists, genres that do not align with their musical style. This misalignment has raised concerns amoung artists about the efficacy of Spotify’s algorithms in accurately representing their music and connecting them with the appropriate audience.

    Additionally, there have been broader criticisms of Spotify’s recommendation algorithms. Some users feel that the platform’s focus on repetitive exposure to previously played tracks limits the discovery of new music, thereby reducing the overall user experience. This approach has been described as “simple-minded”, with claims that it prioritises user engagement metrics over genuine music discovery.


    Artificial streaming and platform policies

    Spotify has also been addressing the issue of artificial streaming—instances where streams are generated through non-organic means, such as bots or coordinated fan activities aimed at inflating play counts. The platform has clarified its stance, urging artists to discourage fans from engaging in inauthentic streaming practices. Spotify’s policies emphasise that whilst encouraging fans to listen is acceptable, orchestrating efforts to manipulate stream counts violates their guidelines. Consequences for such actions include the withholding of royalties and adjustments to public metrics to reflect genuine engagement.

    Impact on artists and the music industry

    These developments have intensified the ongoing debate about Spotify’s role in the music industry. A recent exposé, “Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist” by Liz Pelly, delves into how the platform’s dominance has reshaped listening habits and affected artists’ earnings. The book highlights concerns that Spotify’s algorithm-driven playlists may favor certain types of music, potentially marginalising genres that don’t align with the platform’s data-driven strategies.

    Moreover, high-profile disputes have brought attention to Spotify’s internal practices. For example, Drake’s allegations that Spotify conspired to inflate streams of Kendrick Lamar’s track ‘Not Like Us’ were met with firm denial from the company. Spotify’s legal representatives dismissed these claims as legally inadequate, reinforcing the platform’s commitment to combating artificial streaming and maintaining fair play counts.

    Conclusion

    Spotify’s recent stream adjustments have ignited discussions about the platform’s influence over music consumption and its responsibility toward artists. As the company continues to refine its algorithms and policies, the balance between technological optimisation and the diverse needs of the music community remains a critical focal point.


  • Grand Marnier and GRAMMY award-winning Future join forces for new series of video vignettes

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    Today, Grand Marnier announced the next iteration of its multi-year partnership with GRAMMY-winning Hip-Hop artist and cultural innovator Future. The partnership’s newest element involves the release of original video vignettes, the latest expression of the brand’s ‘Remix Your Legacy, Make It Grand’ campaign, designed to inspire fans to remix their own legacies by breaking the codes of tradition and evolving culture.

    The series of vignettes illustrates how Future and Grand Marnier share a vision of reimagining classics. As Future brings his signature style to each scene, Grand Marnier appears as a symbol of excellence, crafted differently in each setting while staying true to its innovative heritage.

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    Additionally, the production of the video vignettes highlights the talents of emerging Black creatives who are elevating creative marketing, including Mahaneela, the director; Shaniqwa Jarvis, the photographer; and Miles DeSouza, the creative director (Team Epiphany).


  • TikTok, the Chinese-owned short-form video-hosting service that caused a stir in North America, officially returns

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    According to multiple reports (and the notification I received late last night on my device), TikTok and its sister app CapCut have returned to the United States digital stores (Google Play and the Apple Store). The change comes as a result of assurances from the Trump administration that a ban wouldn’t immediately be enforced. However, the apparent security risks remain. Before anyone jumps to conclusions, let’s give it time to see how it all plays out. Under President Trump’s presidency, he may be able to get an American buyer. Some people are interested in acquiring the Chinese internet company ByteDance app, including YouTube star MrBeast. Notably, Marck Cuban is ready to fund a TikTok alternative built on Bluesky’s AT Protocol.

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  • XG, South Korea-based Japanese popstars, announces exclusive partnership with McDonald’s

    Global pop sensation XG has announced an exclusive partnership with McDonald’s Japan, marking their debut in television advertising. The collaboration features a space-themed commercial that premiered on Japanese television on February 10, 2025. In the ad, the seven-member group—Jurin, Chisa, Hinata, Harvey, Juria, Maya, and Cocona—step into a futuristic “McDonald’s Galaxy”, donning unique, alien-inspired outfits as they join fans, known as Alphaz, for a vibrant #FandomFeast.

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    The campaign extends beyond traditional media with the release of the web movie ‘Fandom Feast (McDonald’s Live Party)’ and a series of three new television spots. These initiatives invite fans to participate in a live McDonald’s party, sharing the excitement alongside their favourite artists. On February 19, XG will host the “#FandomFeast: McFries Feast” live event on McDonald’s official TikTok and YouTube channels, where they will share McDonald’s French Fries with viewers.

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    To celebrate the collaboration, a special ‘McDonald’s Galaxy Exhibition’ will be held at Hakkakukan in Harajuku from February 19 to 23. Fans will have the opportunity to view the outfits worn by XG in the commercial and access behind-the-scenes footage from the shoot. The commercial also features a remixed version of XG’s track ‘In the Rain (McDonald’s Remixx)’, a fresh take on the song from their second mini-album ‘Awe’ that originally made waves on the Billboard 200.

    This partnership comes as XG continues their XG 1st World Tour (The First Howl), with upcoming performances in Tokyo, Fukuoka, and Osaka. In February, they will head to Australia, followed by China in March, and plans to expand into South America later this year. Notably, XG is set to become the only Japanese artist to perform at Coachella 2025, further cementing their global appeal.

    Fans have expressed excitement over the collaboration, noting that it embodies the energetic vibes of XG’s previous hits like ‘Shooting Star’ and ‘Left Right’. This exclusive partnership between XG and McDonald’s Japan not only showcases the group’s innovative approach to connecting with their audience but also highlights their rising prominence in the global music scene.

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  • Trump order: Google to change map names for Gulf of Mexico and Denali

    In a move reflecting recent federal directives, Google has announced plans to update its mapping services to align with President Donald Trump’s executive order titled “Restoring Names That Honor American Greatness”. This order mandates the renaming of several prominent United States geographical features, including reverting Denali to Mount McKinley and renaming the Gulf of Mexico to the Gulf of America. Google’s decision follows the Department of the Interior’s announcement that these name changes are effective immediately for federal use. The company stated that it will implement these updates on Google Maps once the United States Board on Geographic Names (BGN) reflects the changes in the Geographic Names Information System (GNIS). For United States users, the Gulf of Mexico will be labeled as the Gulf of America, whilst international users will see both names displayed. Similarly, Denali will be labelled as Mount McKinley across all platforms.

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    The renaming of Denali has been a subject of contention for decades. Originally named Mount McKinley in 1896 after President William McKinley, the peak was officially renamed Denali in 2015 by the Obama administration, honoring the indigenous Koyukon Athabascan name meaning “The Great One”. President Trump’s recent executive order reverses this decision, reinstating the Mount McKinley designation. The Gulf of Mexico, a vital body of water for the United States, Mexico, and Cuba, has been recognised by its current name for centuries. President Trump’s executive order renames it the Gulf of America within United States federal usage, citing its significance to the nation’s economy and heritage. This change has elicited varied reactions domestically and internationally. Mexican President Claudia Sheinbaum has stated that Mexico will continue to refer to the body of water as the Gulf of Mexico.

    Google’s adherence to these federal naming conventions underscores the complex relationship between technology platforms and governmental directives. As these changes are implemented, they highlight the ongoing debates surrounding national identity, historical recognition, and the role of digital platforms in reflecting or challenging official narratives.


  • Spotify and Universal Music Group expand partnership with new agreement

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    In a landmark move that reflects the evolving nature of the music industry, Spotify and Universal Music Group (UMG) have announced an extended and enhanced partnership. This new deal not only renews their longstanding collaboration but also includes a direct agreement between Spotify and Universal Music Publishing Group (UMPG) in the United States. This development underscores the deepening relationship between the streaming giant and the global music powerhouse.

    A step towards innovation

    The updated agreement promises to advance the shared goal of innovation within the music streaming landscape. According to statements from both companies, the partnership aims to create new opportunities for artists whilst delivering enhanced experiences for Spotify users worldwide. By working together, Spotify and UMG hope to address critical challenges in the industry, such as artist discovery, fair compensation, and the expansion of global reach.

    UMG Chairman and CEO Sir Lucian Grainge emphasised the importance of this renewed collaboration, stating, “This partnership represents another step forward in shaping a more sustainable music ecosystem. We’re excited to deepen our efforts with Spotify to benefit artists and fans alike.”

    A direct publishing agreement

    One of the most notable aspects of this new deal is the direct agreement with Universal Music Publishing Group in the United States. This move aligns with industry trends that prioritise streamlined relationships between streaming platforms and publishing entities. Such agreements often lead to more efficient royalty payments and better support for songwriters, who are vital contributors to the music ecosystem.

    Spotify’s CEO Daniel Ek commented on the agreement’s potential to drive innovation, saying, “By expanding our collaboration with Universal, we’re ensuring that creators continue to thrive while delivering exceptional listening experiences to millions of fans globally.”

    What this means for artists and songwriters

    For artists and songwriters represented by UMG and UMPG, this deal could mean greater visibility on the platform and more personalised promotional opportunities. Spotify’s data-driven approach to music recommendation and playlist curation will likely be leveraged to spotlight UMG’s extensive catalog in new and innovative ways.

    Additionally, the agreement could lead to more equitable royalty structures, particularly for songwriters, whose compensation has historically been a contentious issue in the streaming era. The inclusion of UMPG in the deal suggests a focus on ensuring that creators at all levels of the value chain benefit from the growing dominance of streaming.

    A broader industry implication

    This agreement is significant not just for Spotify and Universal, but for the music industry as a whole. It signals a continued shift towards closer collaboration between streaming services and major music companies, a trend that could reshape how music is marketed, consumed, and monetised.

    Whilst the financial terms of the deal have not been disclosed, the strategic implications are clear. This partnership positions both Spotify and UMG as leaders in fostering a more interconnected and sustainable music ecosystem.

    Looking ahead

    As the music industry continues to adapt to rapid technological advancements, partnerships like this will play a crucial role in defining its future. Spotify and UMG’s renewed agreement sets the stage for exciting developments in artist promotion, fan engagement, and content innovation. For the millions of users who rely on Spotify to discover and enjoy music, and for the creators who drive the industry forward, this deal marks a promising step towards a more dynamic and inclusive music landscape.


  • Hear Britain’s legendary rapper Dizzee Rascal’s surprise 4-track EP ‘I Invented Grime’

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    In a stunning move that has electrified the Grime scene, legendary United Kingdom artist Dizzee Rascal has unveiled a surprise 4-track EP titled ‘I Invented Grime’. This release serves as a powerful reminder of his roots and enduring influence in a genre he helped pioneer. The five-track project, packed with high-energy beats and razor-sharp lyricism, is already making waves among fans and critics alike.

    The legacy of Dizzee Rascal

    Dizzee Rascal, real name Dylan Mills, is widely regarded as one of Grime’s founding fathers. His debut album, ‘Boy in da Corner’, released in 2003, won the prestigious Mercury Prize and put Grime on the global map. Over the years, Dizzee has evolved as an artist, exploring genres like Hip-Hop, Dance, and Electronic music. However, I Invented Grime marks a bold return to his Grime origins.

    A statement of ownership

    The title of the EP, ‘I Invented Grime’, is a clear statement from Dizzee about his pivotal role in the genre’s inception. The title track itself is an unapologetic anthem where Dizzee reclaims his legacy, spitting bars about his journey from the streets of East London to global stardom. With lines like, “From pirate radio to platinum plaques / I took the sound and brought it back”, Dizzee leaves no room for doubt about his contributions.


    The tracks: A breakdown

    The EP consists of five tracks, each showcasing Dizzee’s versatility and lyrical prowess:

    ‘I Invented Grime’ – A fiery opening track that sets the tone for the EP.

    ‘East London Anthem’ – A gritty ode to his hometown, complete with nostalgic references and raw production.

    ‘Back to Basics’ – A minimalist beat underscores Dizzee’s rapid-fire delivery and clever wordplay.

    ‘Pioneer’ – A reflective track where Dizzee explores his influence on Grime and the new wave of artists.

    ‘Forever Grime’ – A closing track that celebrates the genre’s resilience and his place within it.


    Collaborations and production

    Whilst the EP is a solo effort in terms of vocals, Dizzee has teamed up with some of Grime’s most innovative producers, including long-time collaborator Cage and rising star J Beatz. The production is raw, energetic, and unmistakably Grime, with heavy basslines and intricate drum patterns that harken back to the genre’s golden era.

    The reaction

    The surprise release has been met with overwhelming enthusiasm. Social media erupted with praise from fans and fellow artists alike. Grime veterans like Wiley and Skepta took to X (formerly Twitter) to commend the project, while newer artists expressed gratitude for Dizzee’s trailblazing efforts.

    A cultural moment

    ‘I Invented Grime’ is more than just an EP; it’s a cultural statement. In an era where Grime often blends with other genres, Dizzee’s return to the purest form of the sound feels like a homecoming. The EP underscores his unwavering commitment to the genre and his desire to remind the world where it all began.

    What’s next?

    Whilst Dizzee has not announced a tour to accompany the EP, fans are hopeful for live performances that will bring these tracks to life. Given the buzz surrounding this release, it’s clear that Dizzee Rascal’s legacy in Grime is far from over. For now, ‘I Invented Grime’ stands as a powerful testament to Dizzee Rascal’s enduring influence and his dedication to the genre he helped shape. Whether you’re a longtime fan or new to Grime, this EP is a must-listen—a celebration of a musical movement and the man who played a key role in its creation.