Raq Baby, the Atlanta-based Chicago-born rising star, shares new track ‘Mental Breakdown’
On the track, he talks about making it out of the hood or his previous circumstances, the essential need to never get caught slipping without a strap, drilling and the reality of a rival using his name for clout.
Read MoreWatch Death Row’s 5X Emmy Award winner Jane Handcock’s mirrored visual for ‘Can’t Let Go’
The five-time Emmy Award winner's track captures the inevitable heartbreak of doing something you know you have no business doing.
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Nigerian Afropop star Yemi Alade shares new track about close friendships ‘My Padi’ (Listen)
Yemi Alade, who recently performed in Rabat, Morroco at the annual eight-day extravaganza, Mawazine Festival.
Read MoreHear Bikini Trill’s latest single ‘Cool Riff’ from Surf Pop band’s forthcoming debut LP
"I never wanted to be anybody else, but tell me, "Who is she?"
Read MoreStream Nigerian artist FirstKlaz’s trilingual song ‘Gen-Z Arewazobia’ featuring verses from Jeriq and Zlatan
They agreed to come together in song for the sake of unifying this generation.
Read MoreListen to GRAMMY-winning super producer H-Money’s infectious new single ‘Sweet Gurl’ featuring R&B superstars Rotimi and Ne-Yo
On the track, the astute hit-making artists sing about making up for the lost time by ravelling in steamy intimacy and hot-blooded emotion.
Read MoreR&B legend Teedra Moses to celebrate 20th anniversary of debut album ‘Complex Simplicity’ with Los Angeles concert
The all-ages show will begin at 8 o'clock.
Read More‘Magic Fufu’ producer King Iced to release Fuji-themed single ‘Feelings’ featuring Yugoszn
King Iced is making waves as a talented Nigerian-born producer, artist, and composer, best known for his breakout track 'Magic Fufu'.
Read MoreDua Lipa’s engagement ring: A love letter written in gold
For Dua Lipa, who’s always marched to the beat of her own bassline, this chapter seems right on tempo.
Read MoreSabrina Carpenter’s provocative new album imagery sparks debate on power, ownership, and art
Is she mocking the idea of ownership, or reinforcing it?
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