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Author: grungecake
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BANKS sits down with Zach Sang ahead of new album ‘Off With Her Head’
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[/media-credit]BANKS sits down with the Zach Sang Show on Amazon ahead of the release of her new album ‘Off With Her Head’. She talks about writing about her boyfriends ex on ‘I Hate Your Ex-Girlfriend’ featuring Doechii, the meaning behind the album title, and how she feels about moving out of Los Angeles.
[youtube=https://www.youtube.com/watch?v=r0br7G55WFw&h=315]
BANKS talks about how her new album’s title ‘Off With Her Head’ is not that serious…
“It sounds really heavy and dark, obviously, but it’s actually a really positive sentiment. It kind of means a few things. Number one, living in the past, going over things from the past, rehashing things in your head. Sometimes it’s really hard to just like, shut that down. Even negative voices. It’s really hard to think your way out of those. You can’t think your way around negative, toxic cycles in your head. You have to just cut it off. Off. And so for me, like, Off With Her Head is kind of just like something’s head is severed. If you cut it off, you can’t think anymore. So for me, that was something I kind of said to myself if I’m trying to overcome some sort of negative thought process, just “off with their head,” like, cut it off. And then it also means, like, get out of your head and into your body…..A lot of it is about just being present. And it’s really joyful. And I think that you can’t be present and joyful unless you get out of your head, because you’re just not there if you if you’re living in here.”
BANKS talks about writing ‘I Hate Your Ex-Girlfriend’ about her boyfriend’s ex
“That song started from kind of a joke. We were in the studio, and we were just telling horror stories about just experiences with our exes’ exes, and there were some people with some horror stories. We were all just cracking up at the demented shit we’ve all been through. And we all just, like, took turns with the mic, and somebody like, thought of a really sick bass riff, and I don’t know, sometimes the best hooks are so straightforward and in your face. And I just was like, “I hate your ex girlfriend.” And then we were all like, “that’s kind of a fire hook.” It’s just like, in your face. It’s kind of like that Big Sean song, like, “I don’t fuck with you.” Like, I love that song because it’s like, people say that, like, “I just don’t fuck with you.” It’s nice when there’s a song that’s so simple. A lot of my lyrics are so metaphorical and again, like, I’m not thinking when I’m writing, so maybe after the fact, I’m like, “Oh, wow. Like, that is exactly what I meant.” But for songs like, “I Hate Your Ex,” it can be really fun just to be, like, really cunty.”
BANKS talks about how ‘Make It Up’ (featuring Sampha) was originally started in 2013
‘Make It Up’ with Sampha and Lil Silva started in 2013. I have photos of being in the studio while making that song in 2013 and then we just didn’t finish it. And then when Silva and I reconnected, I was like, “We need to finish this.” It’s cool too, because we wrote the lyrics of that in like 2013. We wrote the chorus and the first verse and the lyrics of the chorus are “Making up for lost time. Make it up with me. We didn’t quite make it last time, but this time, you and me”, and then we didn’t finish it, and then we came back we’re like, whoa. This is about us, it’s saying what has happened, you know. So, that was really cool.”
BANKS talks moving out of Los Angeles and getting engaged
But the culture in Los Angeles is pretty intense. You know, when you’re young and you grew up here, most people who I meet haven’t grown up here, but like when you grow up here, you don’t notice all that stuff. You’re playing soccer, you’re going to your friend’s house, you’re having sleepovers, you know, your mom’s picking you up from school. And I grew up in the valley too. It’s like, a little bit more suburban. But I think just being in this business and living in Los Angeles, and then when you’re in this business, the culture you experience within Los Angeles is a lot of, like, money, looks and fame. That’s like, you know, when you walk in a restaurant, everyone’s like, “Who’s that?” Like, turning their head to see, like, who’s there, you know? And I just got really drained of that and uninspired. That was the main thing. I felt really uninspired by it. I started feeling like I didn’t want to go places, because I felt that energy so much. It’s like when you’re when you’re sensitive to something, it’s like an open wound, and then any little piece of salt that you put in it is like out, whereas, like, if you’re not as sensitive to it. You can go to those places and not notice everyone looking at you, or whatever, you know. But I got to that place where I was just feeling really isolated and not wanting to do anything.
And now I live in Seattle. I really love it. I got engaged and he is from Seattle. And you know, the first few years we were together, we lived in Los Angeles together, but we would go to Seattle. So this was the first time that I was in another place, and I, like, really experienced what it was like to actually live there. Like, where would I go to the market, you know, what would our coffee spot be like, whatever. And I just found myself, every time I was there for like, two weeks or more, I would feel like, just calmer, like I felt like my nervous system was healthier and like I wasn’t like, like in my body didn’t have as much like, inflammation or something like, I just feel like I was less stressed and I was happier. I just felt like, happier. So, then I was like, let’s get out of here. Let’s go move there. And it’s been like, just, I’m so happy that I did it.
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Senegal prepares to host Africa’s first Olympic event: the Youth Olympic Games 2026
Thirty-five International Federations (IFs) will be involved in these Games, with 25 sports featuring on the competition programme and 10 to be part of the engagement programme
Senegal will welcome the Youth Olympic Games (YOG) Dakar 2026, the first Olympic sporting event to be held on African soil. Dakar 2026 will take place over two weeks from October 31, 2026, bringing together 2,700 of the best young athletes from around the world.
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[/media-credit]The YOG will be held in three host sites (Dakar, Diamniadio and Saly), and are envisioned to serve as a catalyst to transform Senegal through sport, whilst also aiming to inspire new hope, opportunities and confidence among young people across Africa and become a blueprint for future YOG hosts. This approach is embodied in the Games’ motto, “Africa welcomes, Dakar celebrates”, which underscores the uniqueness of this YOG edition: Senegal is the first African country to host an Olympic sports event. The Youth Olympic Games Organising Committee (YOGOC) emphasises that the YOG will be an event for the entire African continent.
[youtube=https://www.youtube.com/watch?v=2GD_GXTxh3o&h=315]
In creating the motto, Dakar 2026 showed its desire to develop a brand that highlights its unique vision for the YOG, seeking to create an event that combines the Senegalese Teranga — the host nation’s generosity of spirit and hospitality – with sport, youth, hope and celebration.
Thirty-five International Federations (IFs) will be involved in these Games, with twenty-five sports featuring on the competition programme and ten to be part of the engagement programme. Dakar 2026 will showcase one discipline from each of the twenty-five sports on the competition programme. These are athletics (track and field), aquatics (swimming), archery, badminton, baseball (Baseball5), basketball (3×3), boxing, breaking, cycling (road cycling), equestrian (jumping), fencing, football (futsal), gymnastics (artistic), handball (beach handball), judo, rowing (coastal rowing), rugby (rugby sevens), sailing, skateboarding (street), table tennis, taekwondo, triathlon, volleyball (beach volleyball), wrestling (beach wrestling) and wushu.
Additionally, Dakar 2026 will feature an engagement programme showcasing ten sports: canoe-kayak, golf, hockey, karate, modern pentathlon, shooting, sport climbing, surfing, tennis and weightlifting. These will not feature in the competition programme but will be promoted through interactive activities on site and via digital platforms, emphasising their role as integral components and an official part of the YOG.
In total, the Games will feature one hundred fifty one events – split equally between men and women, with seventy-two events for each, alongside seven mixed-gender events. For the first time in the history of the Summer YOG, full gender equality will be achieved – not only in the overall athlete quota but also across every sport, discipline and event.
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Stream Houston artist Jastin Martin’s latest track ’28 Degrees in Houston’

As global warming continues to change what we know about weather and climates, some artists have become inspired to sing about the changes. Jastin Martin, a Houston-bred singer-songwriter and self-taught producer, has added to the trend with ’28 Degrees in Houston’. Making it clear that she needs him and wants him close, even if their relationship isn’t as it used to be. Listen to the short track below. Maybe it’ll brighten your day or bring some cheer.
[youtube=https://www.youtube.com/watch?v=-gkTQQBxM4o&h=315]
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Grand Marnier and GRAMMY award-winning Future join forces for new series of video vignettes
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[/media-credit]Today, Grand Marnier announced the next iteration of its multi-year partnership with GRAMMY-winning Hip-Hop artist and cultural innovator Future. The partnership’s newest element involves the release of original video vignettes, the latest expression of the brand’s ‘Remix Your Legacy, Make It Grand’ campaign, designed to inspire fans to remix their own legacies by breaking the codes of tradition and evolving culture.
The series of vignettes illustrates how Future and Grand Marnier share a vision of reimagining classics. As Future brings his signature style to each scene, Grand Marnier appears as a symbol of excellence, crafted differently in each setting while staying true to its innovative heritage.
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[/media-credit]Additionally, the production of the video vignettes highlights the talents of emerging Black creatives who are elevating creative marketing, including Mahaneela, the director; Shaniqwa Jarvis, the photographer; and Miles DeSouza, the creative director (Team Epiphany).
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Legendary R&B/Soul singer Roberta Flack known for ‘Killing Me Softly With His Song’, 88, passes away
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[/media-credit]Roberta Flack, the GRAMMY-winning singer and pianist renowned for her soulful and introspective style, passed away on February 24, 2025, at the age of eighty-eight. She died peacefully at her home, surrounded by family, as confirmed by her publicist, Elaine Schock. In 2022, Flack announced her diagnosis of Amyotrophic Lateral Sclerosis (ALS), commonly known as Lou Gehrig’s disease, which had rendered her unable to sing.
Born Roberta Cleopatra Flack on February 10, 1937, in Black Mountain, North Carolina, she was raised in Arlington, Virginia. A musical prodigy, Flack received a full scholarship to Howard University at the age of fifteen, where she honed her skills as a classically trained pianist. Her career took a significant turn in the late 1960s when Jazz musician Les McCann discovered her performing at a Washington, DC nightclub.
Flack’s breakthrough came when Clint Eastwood selected her rendition of ‘The First Time Ever I Saw Your Face’ for his 1971 film ‘Play Misty for Me’. The song’s success propelled it to the top of the Billboard Pop chart in 1972 and earned Flack a GRAMMY Award for Record of the Year. She achieved the same accolade the following year with ‘Killing Me Softly with His Song’, making her the first artist to win consecutive GRAMMYs for Record of the Year.
Throughout the 1970s, Flack’s soulful voice and emotive performances solidified her status as a leading figure in the music industry. Her collaborations with fellow Howard University alumnus Donny Hathaway produced memorable duets such as ‘Whereis the Love’ and ‘The Closer I Get to You’. Despite personal tragedies, including Hathaway’s untimely death in 1979, Flack continued to create music that resonated with audiences worldwide.
Beyond her musical achievements, Flack was a dedicated educator and philanthropist. She established the Roberta Flack School of Music in the Bronx, providing free music education to underprivileged students. Her commitment to nurturing young talent and advocating for artists’ rights left an indelible mark on the community. Flack’s influence extended beyond her own recordings. In the mid-1990s, the Hip-Hop group Fugees reimagined ‘Killing Me Softly’, introducing her timeless sound to a new generation and earning a GRAMMY Award for their rendition. Flack’s ability to bridge musical genres and generations underscored her versatility and enduring appeal.
In 2020, she was honoured with a GRAMMY Lifetime Achievement Award, recognising her significant contributions to the music industry. Her legacy is characterised by a series of accolades, including multiple GRAMMY Awards and a lasting impact on both fans and fellow musicians. Roberta Flack’s profound artistry and dedication to her craft have left an enduring legacy in the world of music. Her soulful melodies and heartfelt lyrics continue to inspire and resonate, ensuring that her voice will be cherished for generations to come.
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Listen to Cash Cobain’s latest track ‘Trippin on a Yacht’ featuring Bay Swag and Rob49
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[/media-credit]Last week, American star producer-artist Cash Cobain released the infectious track ‘Trippin on a Yacht’ featuring Bay Swag and Rob49. As depicted on the cover art for the track, the song opens with lyrics confessing that he thinks he might have fallen in love with a promiscuous lady. Therefore, the New York City-bred celebrity needs a shot (of that brown liquor).
For his verse, Queens artist Bay Swag clearly states that once he ends things with you, it’s done (“No, no, you could not spin this block”). In the following lyric, he explains that he drops off one lady at 2 AM in Queens (“Foch Boulevard”), and within the next hour, he finds himself in the company of another woman.
New Orleans star rapper Rob49 launches his contribution with a line about honesty (“Please don’t tell me that you’re faithful when you’re not).
Listen to the track that samples the infectious and vivacious New Orleans Bounce sound below.
[youtube=https://www.youtube.com/watch?v=Qt0M2qwdVOA&h=315]
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Hear GRAMMY-nominated Afrobeats star Lojay’s latest collaboration with Sarz, ‘Somebody Like You’
You may have noticed a decline in the coverage of African music on this platform, and it’s for several reasons. I haven’t felt excited or strongly about the music since 2023. Seemingly, whatever was powering or driving those records has significantly declined. I have my theories…
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[/media-credit]All things considered, last week, I received an email with the news about Nigerian Afrobeats singer-songwriter Lojay called ‘Somebody Like You’ (reminiscent of English superstar singer-songwriter Adele’s title of her classic released in 2011). The Lagos-bred artist’s latest collaboration with his frequent collaborator, Sarz, recalls a love that started during the summertime in Abuja (the capital city of Nigeria, situated in the Northern part of the country) where he wasn’t afraid to be authentic and vulnerable in front of his lover (maximum pain and maximum healing). The warmly delivered lyrics expose why he yearns to find and be with somebody like her (a spiritual woman).
You’re probably wondering why he and the woman he sings about can’t get back together. Well, we don’t know the specifics but during the second verse, he reveals she was afraid of commitment.
Sarz, also Nigerian, is responsible for crafting some of the most profound and timeless earworms from the continent of Africa. Yes, this single doesn’t hit the way their previous efforts did or Lojay’s solo contributions, but there’s a season for everything and it tells a real-life story that I can understand and that’s what I’m most interested in.
Listen to the first single from his debut album below. The drum-laced intro is stunning and we love that ‘Monalisa’ crooner isn’t ever to strike with vigour when he writes these lyrics because we feel them deeply!
[youtube=https://www.youtube.com/watch?v=5o1rq0nd0_I&h=315]
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Rihanna’s ‘R9’: Breaking boundaries and defying genres
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[/media-credit]After nearly a decade since her critically acclaimed album ‘Anti’, Rihanna is poised to make a groundbreaking return with her ninth studio album, tentatively titled ‘R9’. In a recent interview, she revealed that this project will defy traditional genre classifications, marking a significant evolution in her musical journey.
Addressing long-standing rumours, Rihanna dismissed the notion that ‘R9’ would be a Reggae album, stating, “Way off! There’s no genre now. That’s why I waited.” This departure from genre constraints reflects her desire to create music that authentically represents her personal and artistic growth over the past years. She emphasised the importance of this evolution, noting that after such a prolonged hiatus, the new music “needs to count… It has to matter.”
Throughout her time away from the music scene, Rihanna has been exploring various musical directions, ensuring that her new work aligns with her current artistic vision. She expressed confidence in the direction of ‘R9’, stating, “I feel like I’ve finally cracked it.” This sentiment suggests a deep personal connection to the project, hinting at a body of work that is both innovative and reflective of her journey. Whilst fans eagerly await a release date, Rihanna has remained focused on ensuring that ‘R9’ meets her high standards. She has been candid about the challenges of balancing her multi-faceted career, including her successful ventures in fashion and beauty, with her passion for music. This careful approach underscores her commitment to delivering a project that resonates deeply with her audience.
In addition to her musical endeavors, Rihanna has embraced motherhood, welcoming two sons, RZA and Riot, with her partner A$AP Rocky. This new chapter in her personal life has undoubtedly influenced her artistry, potentially offering fresh perspectives and themes in her upcoming work. As anticipation builds, it’s clear that ‘R9’ represents more than just a new album; it’s a testament to Rihanna’s artistic evolution and her refusal to be confined by expectations. Fans can look forward to a project that challenges conventions and offers an authentic glimpse into the mind of an artist unafraid to redefine herself.
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Pope Francis’ health in critical condition
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[/media-credit]Pope Francis, the eighty-eight-year-old leader of the Roman Catholic Church, is currently in critical condition following a severe asthmatic respiratory crisis. The Vatican reported that this episode necessitated the administration of high-flow oxygen and blood transfusions due to anemia and low platelet counts. Despite being alert and spending time in an armchair, his prognosis remains guarded.
The Pope was admitted to Rome’s Gemelli Hospital on February 14 after experiencing breathing difficulties. He was subsequently diagnosed with double pneumonia and a complex lung infection. Doctors have expressed concerns about the potential for sepsis, a serious bloodstream infection, though no evidence of it has been found thus far. Given his age and medical history, including the removal of part of his right lung in his youth, Pope Francis is particularly vulnerable to respiratory ailments.
In light of his hospitalisation, the Vatican has announced that Pope Francis will not lead Sunday prayers for the second consecutive week. This marks a significant deviation from his usual duties, as he has rarely missed public appearances due to health issues in the past. The global community has responded with an outpouring of support and prayers for the Pope’s recovery. Messages have come from various religious and political leaders, as well as from the faithful worldwide. The Vatican continues to provide updates on his condition as the situation develops.
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Splice spotlights South Africa’s most popular genres with new sample pack series
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[/media-credit]During the week, Splice announced its new sample packs spotlighting South Africa’s signature sounds; spanning several local genres like Afro House, Amapiano, Gqom and Afro Tech. On the platform, a new “Afro” genre was added to the Splice “Create” tool — allowing music makers (producers, songwriters and instrumentalists) to use the samples with Splice AI. The company worked alongside Kooldrink (Tyla, Aluna), Dr Feel (Defected), Afro Tech duo Kususa (Defected, Get Physical, Armada), and legendary guitarist Themba Mokoena (Sibongile Khumalo, Miriam Makeba, Dorothy Masuka) to record everything at one of Johannesburg’s premier recording studios, Jazzworx.
According to the comms, in 2024 Afro House was the third fastest-growing genre for Splice users in Johannesburg, with a spike in downloads of over 200%. Afro House draws attention from international producers and ranks in the top ten of Splice’s most searched-for genres.
“Partnering with Splice has been an amazing opportunity to elevate the authentic sounds of South Africa”, said Kususa. “We’re very excited to share our pack and hope that it inspires other producers.”
“We’re excited to bring these South African sounds to creators around the world. Genres like Afro House, Afro Tech, and amapiano are shaping the future of music,” said Kenny Ochoa, Splice, SVP of Content. “The team had an incredible time working with these local musicians to capture the energy of South Africa and Johannesburg and the result is electric.”
Splice Sessions: South Africa is available now and includes:
Ngoma Afro House || Pack Creator: Dr Feel
Amapiano Pop || Pack Creator: Kooldrink
Ebusuku Gqom Sounds || Pack Creator: Hugo Tenza
Afro House Yethu || Pack Creator: Frigid Armadillo
Afrotech Kalahari || Pack Creator: TAU
To satisfy the global market by capturing each region’s sounds, instruments, and culture, the company released sample packs from Senegal and Anguilla.