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Category: News
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Vybz Kartel tells Apple Music about making music whilst in prison, feuding with Movado, collaborating with Buju Banton and more
Vybz Kartel sits down with Ebro Darden to discuss performing in America for the first time in twenty years, recording music whilst incarcerated, the impact and influence of Caribbean culture on music and more.
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Video | Vybz Kartel: Freedom, Faith & Viking (Vybz Is King): 10th Year Anniversary | The Ebro Show
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Vybz Kartel tells Apple Music about being diagnosed with Graves Disease
Ebro: Was that [Graves Disease] something that you always known you had? Did you learn that you had this when you were locked away?
Vybz Kartel: I didn’t know I had it, but apparently it’s genetic. So, when I was diagnosed with Graves Disease in 2014, whilst I was incarcerated, the doctor said to me, these illnesses are hereditary, “Has anyone in your family ever suffered from it?” I didn’t know. So, I asked my dad and he was like, “Yes, your aunt”, which would be his sister. And I was like, “Oh, I didn’t know that.” So, yeah. Yeah, apparently it’s hereditary.
Ebro: And now that you’re aware of this, I know you have children, other brothers and sisters and family, is this something that now everyone is making sure that they’re getting checked about? Is that something that, because being proactive, I’m sure is a key here, right?
Vybz Kartel: I teach it to my kids, especially my daughter, because they say it affects women more than men, slightly more than men. So, I talk to her about her eating habits and what to eat, what not to eat. So, I mean, stuck up upon that good salt.
Vybz Kartel tells Apple Music about song ‘God Is The Greatest’
Ebro: Bringing more spirituality into some of your songs at this stage of your careers is very important to you.
Vybz Kartel: It is very important to me. But I mean, I’ve always been doing songs like this. But now I take it more personally. For me, this part of my life and me singing about God and singing about positivity and it’s blessing. There ain’t no capping in this. I’m doing it for real. I always had songs like, “Thank you Jah”, classics and dance, so on and so on. But yeah, man, God is the greatest for me. That’s my mantra right now. That’s what I’m living by. So, it means a lot. And the fans, they accepted because it’s actually the biggest of the new songs of the album in terms of views, in terms of streaming and so.
Ebro: I think people obviously saw what you went through, right? And locked away in Jamaica, 14 years and maintaining your innocence, even though the world was accusing you and everybody was accusing you of things that you said, “No, that’s not what I did. That’s not what happened.” So, I think to some regard, people like yourself see how much God has brought you through.
Vybz Kartel: Because if it was left up to mankind, I wouldn’t even be here. I mean, I think divine intervention took place. Even when the case went back to England and the British Privy Council said, “Okay, we squash the conviction, but we’re sending it back to Jamaica to let them decide.” So, you can imagine how nerve wracking that is, not just for me, but for my family and everyone involved, because closure is a part of being a human being. So, regardless of how it was going to go, we didn’t want to drag it out for another two years, three years. And I was so blessed that it took two months, I think less than three months. Yeah. And I got out…God is the greatest man.
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[/media-credit] Vybz Kartel tells Apple Music about most requested songs from fans and his popularity with the new generation
Vybz Kartel: Summertime, those classics, the Clarks, the Romping Shop, I mean, the Fever and all those songs, they liked the songs that I did in the era with me and Movado when we were feuding, the original Vybz Kartel fans, that’s what they request. Now, the kids, they’re logging onto it basically because of social media. TikTok, a lot of them have been introduced to Kartel over the last decade, and they love it. So, they have their own special requests that they want as well. So, it’s a blessing. I always tell my manager, I have the biggest youngest catalogue in Dancehall because my catalogue is like 23 years old and it’s huge. You know what I mean? So, it is crazy, man. It’s a blessing to just be here at the right time when all of that has manifested itself.
Vybz Kartel tells Apple Music about his old conflict with Movado and how it contributed to the culture of Dancehall
Ebro: So, as long as I’ve known you throughout the years, you’ve always been a positive person. You’ve always been about having a good time, cracking jokes, talking shit…but then you and Movado–did that start as more of a competition? Or were there street politics that unless you were really, really in it, you would know? Was it more competitive at first?
Vybz Kartel: Movado as a young artist at the time, was defending Bounty Killer. Because remember, we were in the Alliance with Bounty Killer, the great Rodney Price. So, when me and Bounty Killer had that altercation over the Beenie Man situation, going to the wedding, I left the alliance…Movado, you know how Dancehall is. I left the alliance, turned around, fired some shots and F that. So, he was young and upcoming, ego and energy, and he replied to me, so that’s when it started, man. But I always respected the fact that he was brave though. You know what I mean? So, especially then, not many people would want to feud with Kartel then. He was brave. And I mean, I liked it for Dancehall. Now looking back in hindsight, I think it was good for the culture of Dancehall, that hardcore culture. But on the flip side of it, the feud was so big. That’s when we even found out we had so many fans in Africa, because remember we’re talking about 2005, 2006. So when the little internet that we were getting off the YouTube and the MySpace and so on, it was like, whoa, Africa, they love us. You know what I mean? So for me, on the musical side of it and the cultural side of it, I think it was a good thing.
Ebro: I’m sure there’s some business ramifications though, because when you talk about not having a Visa and these things now you see these fans around the world, the Jamaican government and Visas and all that. They seeing the streets activate. And that’s not enabling you guys to go touch the fans.
Vybz Kartel: The feud was so big that even the government got involved. Twice. Even they actually thought Movado and I were selling the buttons. Because in those days, even Masicka said it, he had his Vybz Kartel button because at the time he was going to school. And it was a big thing. They were graffitiing all over the country. Gaza or Gully on the walls, on the road, on the pavement. So, it was crazy, man.
Vybz Kartel tells Apple Music about the Beenie and Bounty Verzuz
Ebro: Beenie and Bounty Verzuz. Did you see that?
Vybz Kartel: Yes, sir. Which is, to us in Jamaica, that’s the biggest Verzuz. Yeah, I watched it.
Ebro: How did that feel for you, knowing everything you know from them and coming up and everything you went through? How did that feel to see them two having fun together?
Vybz Kartel: I mean, it was like, oh, it’s a good thing. When they were in their feud, I didn’t act a fool because you see now they friends. You understand? So, I did the right thing is what I’m saying. But yeah, for me to see that is amazing. It actually gave me flashbacks on the me and the Movado situation because we had our moment like that too. Not so big, but in a more personal setting. When we went to King’s House where the politicians are and we was talking, I was like, “Oh, look where our music brought us. These people have to talk to us now.”
Ebro: That’s right.
Vybz Kartel: You know what I mean? So, we had that moment and after that, that was the second time. The second and the last time they had to call us in because after that we started, you know what, let’s plan this now. You know what I mean? So, he would do a song and then I would do it. So, we did it on a more organised level. So, that’s why that organisation culminated with us being on the West Kingston show. That’s when the public saw now that we was like, oh, these guys cool. So it was crazy. But yeah, that moment of Bounty and Beenie on that big world stage, it was amazing.
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Vybz Kartel tells Apple Music about song ‘AmOut’ and teaches Ebro Jamaican slang
Ebro: Now what is amout? How do you use amout?
Vybz Kartel: ‘AmOut’, this is also another slang. In Jamaica, we speak broken English. So, sometimes we would disregard certain letters. So, we would say for our mouth, we would say it’s amout. But also if you’re leaving, you can say, yo, I’m out. So, I always say, “What is under me nose?”
Ebro: Amout.
Vybz Kartel: Thank you. And everybody was like, they love it. You know what I mean? Because the vibes, the energy.
Ebro: Well, you’re Vybz Kartel.
Vybz Kartel: Exactly. So anywhere we go, we like to light up the room and I mean, hold the vibe. So that slang actually became more popular than the, it’s a tape, but I mean their both crazy. The people vibe off the stuff I do. You know what I mean? Even people tell me, going on your Instagram, it’s like my daily bread. I mean, yeah, because we bring that vibe and that energy.
Vybz Kartel tells Apple Music about potentially collaborating with Buju Banton
Ebro: Do you see yourself collaborating with any of other legends or where is it at in the music that’s being planned and recorded from Vybz Kartel? What can we expect to see?
Vybz Kartel: I would like to collaborate with Madonna.
Ebro: Musically, we speak.
Vybz Kartel: Oh, I mean like legends in Dancehall or just legends, period.
Ebro: Dancehall, whatever you want to do for Jamaica, music…
Vybz Kartel: You know Buju Banton is my favorite DJ of all time.
Ebro: Many of us. Well, because he took it to another place.
Vybz Kartel: Yes. He literally took it to another place. Because remember before Ninjaman, he had the Super Cat, the Josey Wales…Nice music. But then this kid called Ninjaman came and he was like…Mind-blowing to us as kids. We were like, bro, who is that? And then Buju Banton came out, blew my mind again, because I’m like, what?
Ebro: It sounded like a tuba.
Vybz Kartel: Bro. I’m telling you.
Ebro: He coming through.
Vybz Kartel: Coming through and when you see him. Because like I said, those days in the nineties, Jamaica, not much. No internet stuff.
Ebro: Not a lot of cameras.
Vybz Kartel: So when you heard the artist first, you had to imagine how they look by how they sound. Boy was waiting for a trick because Buju Banton sounded like a giant, but he was just a tall, skinny kid. And he could move too. Yeah. I love Buju Banton. Right? We were talking about this yesterday.
Ebro: Yeah. Still get them knees up.
Vybz Kartel: Man, that’s my all time favorite DJ, Mark Myrie.
Ebro: Yeah.
Vybz Kartel: Yeah, man. Buju. Influencing.
Ebro: And even his spiritual journey as well. I mean, obviously from what he was doing when he was young to becoming Rasta to, you know what I mean? His spiritual journey has been there.
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Vybz Kartel: Well, hold on. That’s crazy because think about this. Now that you brought that up, he was in prison.
Ebro: That’s right.
Vybz Kartel: I was in prison. Ninjaman is still in prison. That’s crazy. Those are my guys I looked up to, maybe I looked up to them too much. I’m joking.
Ebro: Yeah. Trying to follow in their footstep.
Vybz Kartel: Yeah, trying to follow, a little too much, is what I’m saying. Yeah. But it’s crazy, man. Yeah. But big up Buju Banton. Free Ninjaman. Yes.
Ebro: Is there a collab with you Buju?
Vybz Kartel: I’m not at liberty to say.
Ebro: Okay. I like that answer. Can’t confirm nor deny.
Vybz Kartel: I cannot confirm nor deny these allegations, sir. Yes.
Vybz Kartel tells Apple Music about being incarcerated and how making music helped him survive
Ebro: I’ve heard you talk about being incarcerated and how much privilege you had because of who you are when you were incarcerated and you said the one thing I could not do was walk out the door. Did that give you any perspective of having access to so much whilst incarcerated, but still not having your freedom? What did that do to how you perceive freedom and things that money can’t buy?
Vybz Kartel: Exactly. That was, I was going to say, there are certain things that money really can’t buy because even people with no money still could have access to certain things because they weren’t famous. So it wouldn’t be an issue with the society. But if Vybz Kartel were to get those privileges, it would look like, oh, he’s only getting it because his Vybz Kartel. You know what I mean? Because remember back in the day too, they also had those programs back in the day where prisoners could go out for a weekend. Fully monitored and everything.
Ebro: Weekend passed.
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Vybz Kartel: Yeah, weekend pass. Especially if you were married or you had a common law relationship. But so certain things I couldn’t get simply because I was me. But everything else I got because I was me. So, it was bittersweet.
Ebro: How did that hit right here though? How did that feel?
Vybz Kartel: I never gave it much thought, because from the moment I got locked up, I was scheming on how to get out. I mean, during that time, yes, I had to, I wouldn’t say survive, but I had to, my version of surviving is being able to do music and I figured out how to do that. So, I was halfway chill. So, now I’m like, the next thing I’m working on getting out. But whilst I’m working on getting out, I’m going to drop these bangers. The Viking album was done in prison…I mean the album with King of the Dancehall with ‘Fever’ on it. It’s also done in Prison… The album that’s nominated for a GRAMMY was done in prison…The To Tanesha album was done in prison. That’s the album that dedicated to my baby mom’s, my kid’s mom. So, yeah, I was putting in that work still. So, I didn’t give much thought to what you said. I’m focused man. I was sick as hell too, recording these songs. I was sick. Literally suffering from a life-threatening illness. But what am I going to do? Yeah, man. Man up. So, that’s it.
Vybz Kartel and Ebro talk about the influence of Caribbean culture on music globally
Ebro: Well, and I also too, while I have you, you’ve expressed to me how important Dancehall, reggae music, and Jamaican culture is to you. And we all know, I think this tiny island in the Caribbean has impacted the globe.
Vybz Kartel: True.
Ebro: Bob Marley.
Vybz Kartel: Immensely. Right?
Ebro: Like you said, Super Cat, Buju.
Vybz Kartel: Jimmy Cliff… And even outside of music, because we’re still talking about the culture. We gave the world Marcus Garvey. Man, that’s one of the greatest Pan-Africanists ever.
Ebro: That’s right.
Vybz Kartel: Like Mao Zedong spoke highly of Marcus Garvey.
Ebro: That’s right.
Vybz Kartel: Patrice Lumumba in the Congo. All these guys.
Ebro: They read all his teaching.
Vybz Kartel: Exactly. So, the culture is big man. We gave the world five world-class genres. Mento, Ska, Rocksteady, Reggae, Dancehall. Still had a hand in Hip-Hop.
Ebro: Kool Herc, yes.
Vybz Kartel: Still had a hand in Reggaeton.
Ebro: That’s right.
Vybz Kartel: Hence the name Reggae at the front.
Ebro: That’s right.
Vybz Kartel: And influenced Afrobeat, like come on. And then, next door in Trinidad, we got the Calypso.
Ebro: That’s right. The Soca.
Vybz Kartel: Yeah, the Soca. So man, trust me, the Caribbean culture is powerful.
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ZZ Top adds new dates to North American tour: See dates
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[/media-credit]According to iHeart News, ZZ Top was “the most active touring Classic Rock band in 2024” playing ninety-nine shows. The legendary Texas trio plans to one-up itself and do at least one hundred. In anticipation of breaking the record, ZZ Top announced their fifty-one-date North America ‘Elevation’ tour. It starts on June 1 in Victoria, British Columbia and ends in Terre Haute. The trio has played twenty-three this year, and a twelve-date tour of Australia and New Zealand beginning on April 26. You can look at the list below to see if the group will come to your city.
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ZZ Top 2025 North American ‘Elevation’ Tour Dates
June 1: Victoria, BC – Save-On-Foods Memorial Centre
June 3: Kelowna, BC – Prospera Place
June 4: Tsuut’ina, AB – Grey Eagle Resort and Casino
June 6: Enoch, Alberta – River Cree Resort & Casino
June 7: Saskatoon, SK – SaskTel Centre
June 8: Winnipeg, MB – Canada Life Centre
June 10: Moorhead, MN – Bluestone Amphitheater
June 12: Wait Park, MN – The Ledge – Waite Park Amphitheater
June 13: Carlton, MN – Black Bear Casino Resort
June 14: Davenport, IA – Rhythm City Casino Event Center
June 18: Windsor, ON – Caesars Windsor
June 20: Pickering, ON – Pickering Casino Resort
June 21: Great Canadian Toronto, ON – The Theatre
June 22: Hamilton, ON – FirstOntario Centre
June 25: Laval, QC – Place Bell
June 26: Quebec, QC – Agora Du Port Du Quebec
June 27: Moncton, NB – Casino New Brunswick
August 2: Sioux City, IA – Hard Rock Sioux City
August 4: Morrison, CO – Red Rocks Amphitheatre
August 6: Salina, KS – Stiefel Theatre for the Performing Arts
August 7: Washington, MO – Town & Country Fair
August 8: Arcadia, WI – Ashley for the Arts
August 10: Lincoln, NE – Pinewood Bowl Amphitheater
August 13: Salt Lake City, UT – Red Butte Concert Series
August 14: Pocattello, ID – Portneuf Health Trust Amphitheater
August 17: Eugene, OR – The Cuthbert Amphitheater
August 22: Coquitlam, BC – Great Canadian Casino Vancouver
August 23: Richmond, BC – River Rock Casino
August 24: Auburn, WA – Muckleshoot Casino Resort
August 26: Troutdale, OR – Edgefield Amphitheater
August 28: Saratoga, CA – Mountain Winery
August 29: Murphys, CA – Ironstone Amphitheater
August 30: Costa Mesa, CA – OC Fair & Event Center
September 3: Midland, TX – Wagner Noel Performing Arts Center
September 7: Tuscaloosa, AL – Mercedes-Benz Amphitheater
September 11: Selbyville, DE – Freeman Arts Pavilion
September 13: Asbury Park, NJ – Sea Hear Now Festival
September 17: New York, NY: Beacon Theater
September 19: Danville, VA – The Pantheon at Caesars Virginia
September 21: Bethlehem, PA – Wind Creek Event Center
September 23: Binghamton, NY – Visions Memorial Arena
September 24: Albany, NY – Palace Theatre
September 26: Providence, RI – Veteran’s Memorial Auditorium
September 27: Hampton, NH – Hampton Beach Casino Ballroom
Sept. 28: West Springfield, MA – The Big E Arena
October 2: Barco, NC – Morris Farm
October 3: Winnsboro, SC – Field and Stream Music Fest
October 5: Athens, GA – The Classic Center
October 7: Knoxville, TN – The Tennessee Theatre
October 9: Northfield, OH – MGM Northfield Park
October 10: Terra Haute, IN – The Mill -
Young Thug sets release date for new album ‘UY Scuti’
Today, Young Thug announced the release date of his upcoming album ‘UY Scuti’. The May release will be his first major release since his return from prison. The high-profile superstar also has vinyl and a merchandise bundle available for sale. The black-and-white image shows Young Thug in what appears to be expensive designer garb and an alienatic, otherworldly symbolism. Check out the official cover art selection below.
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Kash Doll wipes nose with a $20 bill—and we’re not mad at it
When you’re booked, busy, and baby-faced, sometimes your Kleenex is cash.
In a moment that screams “I been that girl”, Detroit rapper and entrepreneurial queen Kash Doll casually wiped her nose with a crisp $20 bill—and yes, the internet caught feelings.
https://x.com/nojumper/status/1911191589931942279
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The clip, which surfaced during what looked like a behind-the-scenes flex session, shows the multi-hyphenate artist doing exactly what you think she did. No napkin? No tissue? No problem. She reached for money. Real money. Green money. And not just any dollar—it was the iconic Jackson twenty. Smooth, intentional, unbothered.
Now, before we unpack the theatrics and symbolism of the gesture, let’s remember one thing: Kash Doll didn’t get here by being subtle. From her luxury baby shower that felt like a Met Gala moment, to constantly reminding us that she’s both beauty and boss, this is a woman who’s always had a flair for the extravagant.

In a culture that often questions how women—especially Black women—choose to show up and show out, Kash Doll’s stunt was both a power move and a reminder. Whether you saw it as petty opulence or Detroit humor, one thing is clear: she’s in a lane of her own, driving fast with tinted windows and the aux cord on full blast.
Let’s be real. If a male rapper did it, we’d probably see it framed as a baller moment in a music video or highlighted in a lyric breakdown. But when Kash Doll does it, it’s a “controversy”? Please. This isn’t about wastefulness—it’s about intent. Kash Doll knew what she was doing. She knew we’d watch. She knew we’d talk. And she knew that, deep down, most of us wish we had a $20 bill to spare like that.
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And let’s not forget: The woman is in mommy era now, and still flexing like it’s day one. A gentle reminder: When you’re really rich in spirit and hustle, sometimes, even your tissue is legal tender.
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Soulja Boy ordered to pay $4.25M in sexual battery and assault case
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[/media-credit]In what continues to be a controversial and sobering moment in Hip-Hop history, DeAndre Cortez Way—better known to the world as Soulja Boy—has been ordered to pay $4.25 million in a civil lawsuit brought against him by a former female assistant. The ruling, issued by a Los Angeles judge, stems from damning allegations of sexual battery, assault, and related misconduct, painting a deeply disturbing picture of power abused behind closed doors.
The breakdown of the financial judgment is telling: $1.8 million in punitive damages, $1.6 million for emotional distress, and over $800,000 in unpaid wages, loss of earnings, medical expenses, and legal fees. Each category highlights a systemic issue—one that goes beyond Soulja Boy, extending into the toxic dynamics that can fester when influence is misused and victims are silenced.
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The victim, identified in legal documents as Jane Doe, initially filed the lawsuit in 2021. In chilling detail, she described a timeline where an offer of employment quickly spiraled into alleged manipulation, violence, and trauma. According to the lawsuit, she claimed she endured repeated physical assaults, threats, and coercive control during her time working closely with the rapper.
Soulja Boy, who rose to fame with the viral hit ‘Crank That (Soulja Boy)’ in 2007 and helped usher in the digital era of music promotion, has not yet made a formal public statement about the recent ruling. However, this isn’t the first time he’s faced serious allegations. It raises questions about accountability in entertainment spaces—especially when legacy and influence sometimes shield stars from timely repercussions.
This case may not see him in prison, as it was handled in civil court, but the financial hit and public stain on his legacy may speak louder in an era where fans and industry professionals alike are calling for real, systemic change.
As always at GRUNGECAKE, we remain focused on the truth, standing with survivors, and using our platform to highlight the importance of safety, justice, and reform in the entertainment industry.
Let this be a wake-up call.
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Jelly Roll’s 200-pound weight loss
A testament to resilience and reinvention
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[/media-credit]In an industry where authenticity often takes a backseat, Jelly Roll, born Jason Bradley DeFord, stands out—not just for his soulful melodies but for his candidness about personal struggles. Recently, the forty-year-old country singer revealed on The Pat McAfee Show that he’s shed nearly two-hundred pounds, dropping from five-hundred forty lbs to three hundred fifty seven pounds.
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This transformation isn’t just about numbers on a scale; it’s a profound journey of self-discovery and determination. Jelly Roll’s commitment to his health is further exemplified by his ambitious goal: to lose an additional one-hundred pounds to go skydiving in Sweden with his wife, Bunnie XO.
His approach to weight loss is holistic. Eschewing weight-loss drugs like Ozempic due to concerns about acid reflux affecting his vocal cords, he focuses on daily exercise, high-protein diets, and confronting his food addiction head-on. With the support of his wife, who even joined him in his first 5K race, Jelly Roll’s journey is a testament to the power of resilience and the importance of addressing one’s demons to achieve true transformation.
Jelly Roll’s story serves as a beacon of hope, illustrating that with determination and support, profound change is possible.
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Grey’s Anatomy actor Eric Dane diagnosed with ALS
In a heartfelt revelation, Eric Dane, the seasoned actor celebrated for his roles in Grey’s Anatomy and HBO’s ‘Euphoria’, has disclosed his diagnosis with amyotrophic lateral sclerosis (ALS). At fifty-two, Dane shared his gratitude for the unwavering support of his family during this challenging time. ALS, commonly known as Lou Gehrig’s disease, is a progressive neurodegenerative condition that affects nerve cells in the brain and spinal cord, leading to muscle weakness and, eventually, loss of voluntary muscle control. Despite the gravity of this diagnosis, Dane remains resolute in his commitment to his craft. He is set to return to the set of Euphoria for its third season, with filming scheduled to commence on April 14.
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Dane’s personal life has also been under the spotlight. His wife, actress Rebecca Gayheart, with whom he shares two daughters, Billie Beatrice and Georgia Geraldine, recently emphasised the strength of their bond. Gayheart described their relationship as being “the best of friends”, highlighting their dedication to co-parenting and mutual support.
As Dane confronts this new chapter, he has requested privacy for his family. His determination to continue working, coupled with the steadfast support of his loved ones, underscores his resilience. Fans and colleagues alike have expressed their solidarity, rallying behind the actor as he navigates this journey.
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Kanye West wants Bianca Censori to join his sex toy business, claims “source”
Just when you think you’ve seen it all from Ye — formerly known as Kanye West — he kicks down the fourth wall and reinvents the script. According to The Sun and a “source” close to the couple, the multi-hyphenate mogul wants his [former?] wife, Bianca Censori, to get involved in his alleged upcoming sex toy business. That’s right — Ye, who already disrupted fashion, music, politics, and pop culture in ways that can’t be undone, is reportedly ready to enter the adult industry with Bianca front and centre.
If the reports are to be believed, Ye’s vision isn’t just about creating toys for pleasure — it’s about designing them with high-end fashion aesthetics, pushing boundaries, and (as always) controlling the narrative. The same way he shaped Yeezy into a multi-billion-dollar brand with a minimalistic approach, he’s allegedly looking to make a “luxury” sex toy line that looks like sculpture, not smut.
And Bianca? According to the Daily Mail and The Sun, Ye sees her as a “perfect brand ambassador”, even wanting her input in the creative process. The reports say he’s asked her to “take on a bigger role” in the company — from design to business decisions.
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Let’s be honest: This doesn’t come out of nowhere. Bianca Censori, with her barely-there fits and marble-statue presence, has become a walking headline ever since her surprise marriage to Ye in 2022. Whether it’s Milan, Tokyo, or the streets of Los Angeles, she’s been embodying the new Yeezy aesthetic — silent, seductive, and highly curated.
But beyond the tabloid smoke, what’s really happening here?
Kanye’s always operated at the intersection of art, power, and provocation. The adult industry, while still stigmatised, is a billion-dollar playground that rarely intersects with luxury fashion. Leave it to Ye to want to marry the two. If this new venture is real, it could be another play at complete lifestyle domination — body, mind, and bedroom.
As for Bianca’s involvement? That’s more complicated. The headlines keep painting her as a passive muse, but the idea of her stepping into a leadership role — especially in a space this bold — could flip the script entirely. Whether she’s being empowered or manipulated depends on the lens you use. Either way, she’s central to whatever Ye is cooking.
At GRUNGECAKE, we’ve seen artists pivot, rebrand, and get controversial, but Ye’s mastery lies in his unpredictability. If this sex toy line sees the light of day, best believe it won’t look or feel like anything else on the market. Whether it’s genius, madness, or both — it’s peak Ye.
And we’ll be watching.
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Madame Tussauds Hollywood honours Viola Davis with regal wax figure
In the ever-glittering world of Hollywood, where wax figures often feel like fleeting facsimiles of fame, one just got it right. Madame Tussauds Hollywood unveiled a new wax figure of the indomitable Viola Davis this week, and it’s nothing short of breathtaking. Standing with poise and power in a vibrant yellow cape gown by Greta Constantine—echoing the same strength she radiated at the 2021 Golden Globes—the figure captures everything that makes Viola Davis unforgettable. And let’s be real: How many people can say their very essence is preserved in wax on Hollywood Boulevard whilst they’re still here to witness it?
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What makes this moment feel so right, so earned, is the journey. From Juilliard-trained theatre queen to becoming the first Black actor to clinch the triple crown of acting (Oscar, Emmy, and Tony), Viola Davis’ name is etched in the fabric of our cultural story. It’s poetic that Madame Tussauds—a global symbol of timelessness—has now etched her likeness too.
“This is a big, big honor for me”, Davis said during the unveiling. And when Viola speaks, we listen. Her humility and grace, even in moments of monumental recognition, remind us why we root for her—not just as an artist but as a human being.
Viola Davis just got her first-ever wax figure at Madame Tussauds Hollywood, and it’s pure excellence!
Viola's hope for fans when they meet her wax figure is to feel seen, just like she did among the greats❤️
Don't miss your chance to meet the legendary actress in person. ✨ pic.twitter.com/XLssIczBy4
— Madame Tussauds USA (@TussaudsUSA) April 9, 2025
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If you’ve followed GRUNGECAKE for a while, you already know we champion excellence—especially when it comes from Black women who redefine what it means to be iconic. Viola Davis isn’t just one of the greats—she is the moment, the movement, and the legacy.
For young Black girls walking past her wax figure in Hollywood, wide-eyed and dream-filled, let this be a reminder: Greatness is attainable. History is yours to shape. Viola Davis has long made her mark on stages and screens. Now, she’s cemented it in wax—forever.
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Toni Braxton and Birdman secretly married last year, almost divorced
Love & Hip-Hop’s royal plot twist
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[/media-credit]In what feels like a well-guarded subplot straight out of a ‘90s R&B ballad turned millennial drama, Toni Braxton and Birdman—yes, that Birdman—have confirmed that they secretly tied the knot last year. According to a recent TMZ exclusive, the iconic singer and the Cash Money mogul made it official in a private ceremony in late 2023. And just as quickly as they said “I do”, they nearly called it quits.
Let’s sit with that for a second.
Toni Braxton, the sultry soprano whose music has raised generations of lovers and hopeless romantics, and Birdman, the label boss behind the rise of Lil Wayne, Nicki Minaj, and Drake, have always been an unexpected pair. Their chemistry—often questioned, yet undeniable—was first revealed to the public back in 2016. Since then, the on-again, off-again duo has kept fans guessing, never truly giving the media all the answers.
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But now, we know: They did it. Quietly. No fanfare, no tabloid spectacle. Just love, sealed in secret. What’s more jaw-dropping is that the couple almost got divorced before the world even knew they were married. That part? That part makes it feel like an unreleased duet between vulnerability and egos—raw, real, and messy in that very human way. Toni Braxton shared that their love hit a “rough patch”, but both were committed to working through it. They didn’t just walk away. They stayed—despite the odds, despite the pressure, and probably despite a few industry whispers.
And honestly, that’s the part that matters most.
We live in a time when relationships, especially high-profile ones, don’t always get the grace or space to breathe. What Toni and Birdman have is rare: a love that doesn’t owe us an explanation but still inspires conversation. It’s Black love, grown-up love, complicated love—and it’s real. From ‘Un-Break My Heart’ to ‘Stuntin’ Like My Daddy’, their catalogue may not sonically align, but the foundation of grit, legacy, and resilience? That’s mutual. That’s soulmate coded. We wish them the best as they continue to write this unique chapter in music and marriage history. And who knows, maybe a collaboration album next? We wouldn’t be mad at it.