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Author: grungecake
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Watch Lil Baby and GloRilla’s NSFW official video for ‘Redbone’
“Redbone slim thick shit/She only 22”
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[/media-credit]Two days ago, two of the world’s biggest rappers, Lil Baby and GloRilla, released the official video for their latest collaborative track, ‘Redbone’. Throughout the track, the superstar rapper from Atlanta praises a specific category of women. In this case, it’s all about light-brown women who aren’t necessarily light-skinned or brown-skinned. I haven’t seen many comments about the title yet, but the music video only has 378,000 views as of publication. I’m surprised it is not trending on YouTube Music. Call me crazy, but that’s not a good sign for a creation between these two.
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Check out the Gerard Victor direction below and count how many “redbones” make a cameo.
[youtube=https://www.youtube.com/watch?v=n7WAkWK7Tjw&h=315]
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Song of the Day: ‘Ate’ by TiaCorine featuring Jus10 and Byrell the Great
Name: TiaCorine
Representing: Winston-Salem, North Carolina
Genre: Hip-Hop/Rap
For fans of: Rico Nasty, Flo Milli
Single from: N/A
Produced by: PopLord, Go Grizzly, Pooh Beatz, Cheeze Beatz & Icarus Beats
Song of the Day: March 6, 2025
Label(s): South Coast Music Group/Interscope Records
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As usual, I enjoyed TiaCorine and the fast-paced cunty lyrics about the Vogue Femme, the meat-tucking queens and the cute Bow Wow and Ciara ‘Like You’ reference.
Less than a week ago, TiaCorine, one of my favourite new artists (on the planet), released the official music video for her new tantalising jam called ‘Ate’ featuring Jus10 and Byrell the Great. The baddie with the cocaine white bob kicks off the Fred Focus-directed visual by getting a light for her cigarette on a tufted sofa with another attractive woman by her side. What is the record about? The Winston-Salem star is taking someone for all of their worldly possessions, unapologetically. Watch the video below to see who vogues the best and count how many looks she serves.
[youtube=https://www.youtube.com/watch?v=VtzbIot6SEo&h=315]
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Alec Muffet says the United Kingdom secretly sponges encryption advice from government websites
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[/media-credit]According to a report on TechCrunch, the UK government has allegedly removed encryption advice from its government websites without notifying the public. The alleged news comes weeks after “demanding backdoor access to encrypted data stored on Apple’s cloud storage service, iCloud.” A security expert, Alec Muffet, discovered the alleged changes and wrote a blog post on Wednesday to bring light to the UK’s National Cyber Security Centre (NCSC) alleged motions. To learn more about what’s happening in the United Kingdom and Apple challenging the UK’s data access order in the Investigatory Powers Tribunal (IPT), you can visit this link.
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Mike Epps says ‘Last Friday’ is in the works
Bringing an exciting franchise to an end, Mike Epps confirmed through his interview with The Breakfast Club that the final movie from the ‘Friday’ franchise is currently in the works.
Known for his iconic role in the unforgettable ‘Friday After Next’ as Day-Day, the actor said he received a call from Ice Cube. The legendary rapper, actor and filmmaker explained that they finished the deal. As far as the film’s creative direction, Epps told The Breakfast Club that the cast would include the younger generation specifically naming DC Young Fly and wanting Chris Tucker to return as “Smokey” from the original film released in 1995.
Epps shared, “People still love Chris Tucker, he’s still Smokey. He laid it down, he positioned me to do it. So Chris, if you’re listening, we need you, baby boy. Come on back.”
Last year in June, Ice Cube disclosed that he and Warner Bros were finally working thanks to the studio’s new leadership. According to reports, both parties were in a battle over rights and creative control.
[youtube=https://www.youtube.com/watch?v=bE1X0o79GcQ&h=315]
You can watch the interview above to see what the American movie star/comedian has been up to.
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KFC celebrates inspirational African women accelerating action towards equality
International Women’s Day initiative highlights leaders tackling the continent’s gender gap
Progress in closing the gender gap in South Africa and Sub-Saharan Africa has almost halted, leaving millions of women at a disadvantage to men. But female role models across the continent are refusing to admit defeat, dedicating themselves to accelerating progress towards gender equality.
To mark International Women’s Day on March 8 and honour its theme of “Accelerate Action”, KFC Africa has collected the stories of dozens of women who are taking bold steps to advance equality on the continent by educating, empowering and supporting women to achieve more, together, faster.
KFC Africa’s list contains the names of 54 women – one for each year the company has been in Africa – and follows its successful International Women’s Day campaign in 2024 which introduced an inaugural list of 53 “female firsts”. Each of those women had overcome educational, social and financial obstacles to achieve something no woman in their country had done before.
The 2025 list, drawn from each of the 22 Sub-Saharan Africa countries where KFC has restaurants, also has its share of female firsts – people such as Dior Fall Sow, Senegal’s first female prosecutor; Nelly Mutti, the Zambian parliament’s first female speaker; and Adelaide Retselisitsoe Matlanyane, the first woman to lead Lesotho’s central bank.
The list is dominated, however, by younger women who are breaking the mould – particularly in the technology sector – and showing they can do anything they set their mind to, regardless of age or gender.
They include the likes of Christine Ogo, a Cote d’Ivoire physicist who has encouraged thousands of schoolgirls to pursue science, technology, engineering and mathematics; Rachel Sibande, who set up Malawi’s first technology incubator for emerging entrepreneurs and has gone on to teach coding to 92,000 women and children; and Regina Honu, whose Tech Needs Girls movement in Ghana has trained more than 20,000 women and girls to code.
Gender gap
“It’s a powerful list that gives us hope after the World Economic Forum’s Global Gender Gap Report in 2024 showed that progress seems to have ground to a halt,” says Akhona Qengqe, General Manager of KFC Africa.
The report showed that 68.4% of Sub-Saharan Africa’s gender gap had been closed, only marginally higher than 68.2% in 2023. South Africa, whilst being Africa’s highest scorer and ranking 18th out of 146 nations, went backwards, from 78.7% in 2023 to 78.5% a year later.
“The report says that at the current rate of progress, it will be 2158 until the world reaches full gender parity”, says Qengqe. “That’s why we need to accelerate action, particularly in Africa, and why the efforts of the women on the KFC list are worthy of recognition and support.”
In her seven years at KFC – she was as director of Africa franchise development, director of transformation and diversity and chief people officer before taking over as general manager in April 2023 – Qengqe has prioritised female empowerment.
Her initiatives include spearheading KFC Add Hope, a women-led programme that serves free meals to tens of thousands of children at more than 3,000 feeding centres across South Africa.
In 2021, she launched the Women on the Move leadership development programme, which prepares 22 women at KFC for future leadership positions every year, cultivating a pipeline of talent. Within two years, the number of female leaders in the business grew by 14%.
Transforming franchising
Last November she turned her attention to the wider quick service restaurant sector, launching Women in Franchising Africa (Wifa), the first network for current and aspiring female franchisees and franchisors across the continent.
“To say I am passionate about the inclusion of women in growing our economies is an understatement. It is in fact one of my life’s purposes”, she says. “My partners in Wifa intend to transform the participation of women in the franchising sector across African economies.
“We want to educate women on how to run successful franchise businesses, provide networking opportunities for like-minded women, transform the sector by making funding accessible to women, and create mentorship opportunities for all the women in the network.”
KFC Africa Chief People Officer Nolo Thobejane says “Accelerate Action” is a call to look at what has a positive impact on women’s advancement and replicate it.
“This is a journey we need to embark on together as we learn from each other. I cannot stress enough the importance of forming alliances and partnerships to amplify impact. By working together, organisations and individuals can share resources, knowledge, and support to create a more inclusive and equitable environment for women.”
“At KFC, we have implemented some programmes which have yielded great results – such as the Women on the Move Leadership programme to ensure the pipeline of leaders, developing them with quality education and training through initiatives like our Streetwise Academy and then providing career support into positions of leadership.”
“Other successful initiatives organisations can implement include designing and building infrastructure that meets the needs of women and girls, involving them in sustainable agriculture, and elevating their participation and achievement in sport, as we do with KFC Mini Cricket.”
“There’s a lot we can do as individuals, too – we can call out stereotypes, challenge discrimination, question bias and celebrate women’s success. Everyone everywhere can Accelerate Action.”
Qengqe says the new list of 54 names brings to 107 the number of inspirational African women KFC has honoured and recognised in the past two years. “We know this is the tip of a wonderful iceberg, and we welcome nominations of other women who are Accelerating Action in Africa.”
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President Donald Trump’s death penalty proposal for drug dealers sparks controversy
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[/media-credit]President Donald Trump has reignited discussions on capital punishment by proposing the death penalty for drug dealers, a stance he describes as “very humane” to deter drug-related crimes. This proposal aligns with his broader agenda, known as Agenda 47, which outlines various policy initiatives for his potential return to the White House.
Historical context
Trump’s advocacy for capital punishment in drug-related offenses is not new. In 2018, during a speech in New Hampshire, he officially proposed the death penalty for certain drug dealers as part of his administration’s efforts to combat the opioid crisis. This initiative was part of a broader strategy to address the surge in overdose deaths, which had reached alarming rates at the time.
Recent developments
In a recent rally in Nevada, Trump brought attention to the issue by highlighting the tragic death of Marine veteran Nicholas Quets, who was killed in Mexico by individuals reportedly linked to a drug cartel. Trump vowed to address such incidents by implementing stricter measures against drug smugglers and human traffickers, including the death penalty.
Executive actions
Building on his previous stance, Trump signed an executive order directing the Attorney General to assist states in obtaining lethal injection drugs, aiming to facilitate the enforcement of capital punishment. This move seeks to restart federal executions after a moratorium imposed in 2021.
Public health expert criticisms
Public health experts have criticised Trump’s proposal, arguing that it may not effectively deter drug trafficking and could divert attention from more comprehensive approaches to addressing substance abuse and its root causes.
Conclusion
Trump’s renewed call for the death penalty for drug dealers has sparked a complex debate that touches on criminal justice, public health, and ethical considerations. As discussions continue, it remains to be seen how this proposal will influence policy decisions and public opinion in the lead-up to the next presidential election.
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Massively decreased stream count adjustments on Spotify cause fan uproar
Spotify, the world’s leading music streaming platform, has recently come under fire from both artists and fans due to adjustments in its streaming algorithms and policies. These changes have sparked widespread discussions about the platform’s influence on music consumption and the livelihoods of artists.
Algorithmic changes and artist concerns
One significant issue that has emerged is the alteration of the “Fans Also Like” feature. This feature, which suggests artists similar to the one a user is currently viewing, has reportedly undergone updates that have led to inaccurate associations. For instance, a melodic Techno artist found their profile linked to Rap and Country artists, genres that do not align with their musical style. This misalignment has raised concerns amoung artists about the efficacy of Spotify’s algorithms in accurately representing their music and connecting them with the appropriate audience.
Additionally, there have been broader criticisms of Spotify’s recommendation algorithms. Some users feel that the platform’s focus on repetitive exposure to previously played tracks limits the discovery of new music, thereby reducing the overall user experience. This approach has been described as “simple-minded”, with claims that it prioritises user engagement metrics over genuine music discovery.
Artificial streaming and platform policies
Spotify has also been addressing the issue of artificial streaming—instances where streams are generated through non-organic means, such as bots or coordinated fan activities aimed at inflating play counts. The platform has clarified its stance, urging artists to discourage fans from engaging in inauthentic streaming practices. Spotify’s policies emphasise that whilst encouraging fans to listen is acceptable, orchestrating efforts to manipulate stream counts violates their guidelines. Consequences for such actions include the withholding of royalties and adjustments to public metrics to reflect genuine engagement.
Impact on artists and the music industry
These developments have intensified the ongoing debate about Spotify’s role in the music industry. A recent exposé, “Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist” by Liz Pelly, delves into how the platform’s dominance has reshaped listening habits and affected artists’ earnings. The book highlights concerns that Spotify’s algorithm-driven playlists may favor certain types of music, potentially marginalising genres that don’t align with the platform’s data-driven strategies.
Moreover, high-profile disputes have brought attention to Spotify’s internal practices. For example, Drake’s allegations that Spotify conspired to inflate streams of Kendrick Lamar’s track ‘Not Like Us’ were met with firm denial from the company. Spotify’s legal representatives dismissed these claims as legally inadequate, reinforcing the platform’s commitment to combating artificial streaming and maintaining fair play counts.
Conclusion
Spotify’s recent stream adjustments have ignited discussions about the platform’s influence over music consumption and its responsibility toward artists. As the company continues to refine its algorithms and policies, the balance between technological optimisation and the diverse needs of the music community remains a critical focal point.
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America’s rising star Connie Diiamond talks to GRUNGECAKE ONLINE about ‘Jodeci’ and New York City scene (Interview)
Big Bronx: Connie Diiamond talks elevation, collaboration, and staying true to her sound
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[/media-credit]Hailing from the Bronx, Connie Diiamond has been steadily rising through the ranks of New York City’s Rap scene with her undeniable talent, sharp lyricism, and commanding presence. Over the past few years, she has proven herself to be one of the city’s most exciting voices, capturing the attention of both fans and industry heavyweights alike. Since 2021, Connie has made major moves, solidifying her place in the game with a standout freestyle on ‘On the Radar’, viral success with her ‘Ghetto & Ratchet’ track, and a major-label deal with Def Jam Recordings. Her versatility, blending Drill, classic East Coast grit, and modern flows, has helped her carve out a lane of her own.
[youtube=https://www.youtube.com/watch?v=6xMe1TA31No&h=315]
[youtube=https://www.youtube.com/watch?v=6Y-o7yvTeFk&h=315]
In this exclusive conversation, Connie Diiamond opens up about her journey, the realities of being signed to a label, and the camaraderie within New York’s new wave of artists. She also shares her experiences working with Vontee the Singer and Cash Cobain, her earliest memories of Jodeci, and her openness to experimenting beyond Drill music. Most importantly, she reflects on the biggest lessons she’s learned along the way.
Dive into our interview below to get a closer look at Connie Diiamond’s world.
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Richardine: Is your current lifestyle everything you thought it would be? Is there anything you would change if you could?
Connie Diiamond: My current lifestyle isn’t anything close to what I expected it to be. It appears that the real work starts once you are officially locked in with a label. You must continue to work as if you are not signed. There isn’t anything I would change.
Richardine: It appears that most of the new artists on the New York City scene have come together and are working together more; I love that! What was it like working with Vontee the Singer and Cash Cobain on the record? Was it recorded in one session, all of you together?
Connie Diiamond: New York definitely became one big boiling pot. I’ll blame that on Sexy Drill. It made everyone come together. Working with Vontee and Cash went really smooth. I’m closer with Vontee than I am with Cash but both are really cool individuals. We knocked the session out in about an hour and we were all in the studio together.[youtube=https://www.youtube.com/watch?v=54r_NSl_fsA&h=315]
Richardine: What is your earliest memory of Jodeci and their music? Were you a fan of Jodeci’s music coming up as a young girl from The Bronx?
Connie Diiamond: My earliest memories of Jodeci was my aunts, uncles and parents always having them in rotation — Anytime they cooked up their playlist for a function. Listening to them as a youth made me a fan.
Richardine: As I shared with you many years ago, I think you sound great over the Drill beats! Do you think you’re going to stick with this style for a while? Have you connected with RCA/Winners Circle’s Sheff G or Sleepy Hallow yet?
Connie Diiamond: Thank you. I like Drill music but it’s not my favorite genre. I’m always interested in trying new styles of music. As far as Sheff and Sleepy, I got the opportunity to open up for them a while back for their show in NYC. It was fire.
Richardine: Seeing your imminent growth over the years has been incredible to witness. What would you say is the most valuable or meaningful lesson you’ve learned on your journey thus far?
Connie Diiamond: Thank you. I’ve learned to just take every day one step at a time and what’s meant for me will be.
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Jamaican Dancehall icon Sean Paul’s ‘Temperature’ joins Spotify’s Billions Club
His 2005 chart-topping hit becomes his second track to surpass one billion plays on the streaming platform
Dancehall superstar Sean Paul has reached another historic milestone as his 2005 smash ‘Temperature’ surpassed one billion streams on Spotify. The achievement makes it his second track to enter the streaming platform’s prestigious Billions Club, following ‘No Lie’ featuring Dua Lipa.
This milestone arrives as ‘The Trinity’—the album that birthed ‘Temperature’—celebrates its twentieth anniversary this year. Released by VP Records/Atlantic Records, the GRAMMY-nominated, multi-platinum project featured hits like ‘We Be Burnin’’ and ‘Give It Up to Me’, cementing Sean Paul’s dominance in the mid-2000s and becoming one of the best-selling Dancehall albums of all time.
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“Love to know that 20 years later, ‘Temperature’ still strong and potent and providing the service of making people feel good—that is what make me feel good”, says Sean Paul. “Big up to everyone involved, and may the music live on.”
With this achievement, Sean Paul joins Bob Marley and The Wailers as one of the only Reggae/Dancehall artists to have multiple songs in Spotify’s Billions Club, an elite list of fewer than one-thousand songs to ever reach the milestone.
Originally topping the Billboard Hot 100, ‘Temperature’ became the most popular song in America when it hit #1, marking Sean Paul’s third United Starts chart-topper after Beyoncé’s ‘Baby Boy’ and ‘Get Busy’. Produced by Rohan ‘Snowcone’ Fuller on the ‘Applause’ Riddim, the song remains a cultural touchstone, resonating with millions two decades after its release.
[youtube=https://www.youtube.com/watch?v=dW2MmuA1nI4&h=315]
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British upstart Dré Six and production trio KitschKrieg team up for ‘Mad Over You’: Watch the video
My man looks stressed.

As he sits in the front of a garage on his phone, new artist Dré Six, cosigned by Skepta according to this pitch email, bops his head ahead of telling us a sad story about a young person who resides in his mind rent-free. Honestly, the emerging East London singer-songwriter is still mad about her, and by the looks of it, he may have ghosted her. How did I come up with that? It was the lyrics, “Couldn’t find the words to say goodbye”.
My bold assumption is that he probably messed up, and that’s why he is uncertain that they cannot get back with her.
“I know what you said and I know I said the same/Said I can’t go back/But I guess we’ll never know/Guess we’ll never know”
[youtube=https://www.youtube.com/watch?v=QS1cCYGphBU&h=315]
Since he is smoking in the black-and-white visual, I cannot help but wonder how his live performance vocals sound and what a performance would look like. There’s minimal movement here.