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Author: grungecake
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Watch Mexican Regional artist Edén Muñoz’s official video for ‘Lejos Estamos Mejor’
Not bad for a talented man, who hails from Los Mochis, with a population of less than 400,000.

Eight days ago, Mexican Regional star singer-songwriter and record producer Edén Muñoz released the official music video for his latest track, ‘Lejos Estamos Mejor’. It appears to be a song in Spanish that details a past relationship between a man and a woman. As covered by Quadratin, ‘Lejos Estamos Mejor’ is a powerful ballad of self-love and resilience—a modern anthem for anyone choosing to let go and embrace personal growth. And sometimes, putting space between yourself and a former partner is the healthiest path to healing and rediscovering your best self.
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To date, the video has over three million views on YouTube. Check out the music video below. If you’re wondering, Edén Muñoz is a big deal. Last year, the Sinaloa, Mexico-bred star released the official video for ‘Como En Los Viejos Tiempos’, which has one hundred eighty three million views today.
Not bad for a Regional Mexican talent, who hails from Los Mochis, with a population of less than four hundred thousand. The artist is on tour; ending in Atlanta City at the Surf Stadium on August 31, 2025.
[youtube=https://www.youtube.com/watch?v=T5qxHhVmYSY&h=315]
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GIVĒON brings fresh dandy vibes to striking ‘Rather Be’ visual: Watch
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[/media-credit]Today, R&B/Soul star GIVĒON released the official music video to his song ‘Rather Be’. In the opening scene, the couple stands in a quaint building structure, night falls, and the pair enjoy a drink. After toasting to a seemingly celebratory moment, the singer-songwriter heads to a performance rehearsal with his dapper or exquisitely dressed bandmates. Watch the music video below to see how it all pans out. Does the baritone vocal artist keep his lady happy, or does he stick around and hurt her? You’ll have to wait and determine it for yourselves.
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[youtube=https://www.youtube.com/watch?v=Yd1smtHpxaY&h=315]
The new single and its Loris Russier-directed music video are above.
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Hear Chuck D’s awaking 14-track effort ‘Radio Armageddon’, from the legend’s ‘Chuck D Presents Enemy Radio’ series
The GRAMMY Lifetime Achievement award recipient has something real and heavy to say, as the living legend did in 1985.
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[/media-credit]From Snoop Dogg’s surprise album ‘Iz It a Crime?’ to Xzibit and Ice Cube’s collaboration track ‘For the Love’ featuring Lorine Chia, our elite rapping forefathers are making gracious comebacks in the effervescent market. To my pleasant surprise, I woke up to an email in my inbox from Chuck D’s record label, Def Jam, about his masterly executed new musical effort aptly called ‘Chuck D Presents Enemy Radio: Radio Armageddon’.
How does it sound? It reveres a time in Hip-Hop (The Golden Era) when lyrics were delivered clearly and passionately as if their lives depended on it. Fully crammed with juicy sampled audio from live shows, classic movies, deejay scratching, sirens as heard on the streets of New York City and scattered vintage radio snippets, and more, the Public Enemy founder’s resonant carries in stereo and feels like your father or intelligent and experienced big brother peels back the curtains on.
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Described as “a seismic broadcast of truth, rhythm and resistance, uniting Hip-Hop’s pioneers and new gens alike in a militant soundtrack for the times”, it is something that I hope he continues to do by releasing more ‘Radio Armaggedon’ episodes and that he introduces younger people to artists/wordsmiths they’ve never heard of from the eighties, nineties, and further out. I’m excited!
To the Hip-Hop heads out there, Chuck D’s ‘Radio Armageddon’ is also officially available on compact disc and vinyl. For the ones who listen to music on streaming services, take your dose of in-your-face truth below. It’s said to be fourteen tracks with soul-stirring, hard-to-hear messages for the times, targeting the younger generations and Black people in particular. (See: ‘Black Don’t Dead’ with DJ Too Tuff and ‘New Gens’ with Daddy-O)
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About the project, Chuck D shares, “Radio Armageddon is not just an album, it’s a frequency. This project is a broadcast of resistance, revolution and rhythm. I’m proud to have these warriors alongside me on the dial.”
According to the press release, the album was produced and mixed by C-Doc for DefBeat Posse Productions, ID! and co-produced and deconstructed by DJ MROK for Philly Wicked Productions with vocal engineering and additional production by JP Hesser at Castaway 7 Studios, Ventura, California.
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Port Harcourt’s new voice: Dima on family, faith and becoming Africa’s next export (Interview)
Fresh from the vibrant rhythms of Port Harcourt, Dima steps into the spotlight with a story as rich and dynamic as his sound. Born and raised amid the pulsing energy of his hometown’s music scene—where legends like Timaya and Burna Boy shaped his ear for infectious hooks and soulful storytelling—he has honed a style that marries Dancehall swagger with Afrobeats finesse. In this candid conversation, Dima opens up about the deeply personal choice to adopt his family name, a tribute to his late father and a declaration that “change has come” for his career and legacy.
We delve into the creative partnerships that fuel his art, his lofty ambition to become Africa’s biggest musical export, and the unwavering faith and family ties that keep him grounded through the highs and lows of independent artistry. From the challenges of modest beginnings to his plans for global tours and reinventions, Dima reveals the passion that drives every note he records. Join us as he maps out where he’ll be this time next year—on stages around the world—and why, through resilience and reinvention, he’s destined to leave an indelible mark on the global music landscape.
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[/media-credit]Richardine: As a young artist from Port Hartcourt, you could have quite a list of local musical heroes, and who you probably find inspirational. Who are your top five Port Harcourt musical artists? Do any of them influence you? If so, explain how.
Dima:
Timaya
Rex Lawson
Duncan mighty
Burna Boy
KorkormikorBurna Boy and Timaya, in particular, both influenced my sound greatly. Growing up, I listened to Timaya a lot. His style of making music resonated with me deeply because I already had deep love for Dancehall music as a child. His pattern of adding his native dialect in his songs is something I also adopted into my own style. The simplicity of his lyrics yet thought provoking is also another skill I learnt from him.
Burna Boy’s pattern of story telling in his songs is something I really admired. I learnt that from him. Also, his ability to be versatile and musically creative in his craft is another skill I adopted from him.
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Richardine: It looks like you’ve had a name change. Are there any particular reasons you changed it from “Suss” to “Dima”? What does “Dima” mean or translate to?
Dima: Dima is my surname. My father recently passed. His demise came with a new sense of purpose and responsibility for me. It’s my way of honouring him and letting the world know that his legacy now lives through my music. Dima means “change has come”.
Richardine: Do you work with the same producer for most of your music?
Dima: I work with multiple producers… except I’m working on a project. That’s when I lock in with a particular producer.
Richardine: I listened to your song ‘In My Soul’ and it made me ask, how far are you planning to go with your music? Do you see yourself as a national treasure or a global superstar? How do you plan to get there and maintain your stay as a competitor?
Dima: I plan to take my music to the greatest heights globally. My intent is to be the biggest African music export ever. How I plan to do that is to continue making the best quality of music that would not only entertain listeners, but give an impact that would last for eternity. My music would give life to everyone that listens. How I plan to stay up when I get there is to be forever consistent, ever ready to rebrand and re-invent my sound as the journey transcends.
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Richardine: How do you remain positive?
Dima: My faith in God and my family.
Richardine: What made you pick music as a profession, and makes you continue to choose music?
Dima: Music has always been my passion right from when I was a kid. I grew up around deep lovers of music. My father and siblings introduced me to different sounds. I always used to see myself as a superstar growing. Music is everything to me. It’s become a part of me. Doing this as a full time career, is me, living my dreams. I can’t see myself doing anything else as good as music. Having new experiences as a musician and getting to witness how every chapter of the journey unfolds, is what fuels me to keep going.
Richardine: Would you say you are well-known in your community as a musician?
Dima: Yes, I’m well known in my community as a musician.
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Richardine: What has been the hardest part about pursuing music as a career so far? How did you overcome it?
Dima: The challenges of being an independent artist, with little or no resources most times. I overcome every challenge by being resilient, with the help of my team, and the community I stay elevating to greater heights.
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Richardine: Where will you be this time next year, geographically and professionally?
Dima: I see myself in a totally different space, touring and sharing my music with fans all over the world. I see myself on a global scale.
Richardine: Any questions for me?
Dima: No questions.
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Spill Tab’s ‘Hold Me’ lyrics
Read the lyrics to Spill Tab’s new song ‘Hold Me’ in English.
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[/media-credit]Don’t you dare pick up the phone
I’m not gonna hold you to that anymore
I, I really hate it when you let me down
I really saved it in my bodyHow can I change the seasons when they’re just now forming?
How can I change the fabric of a dead end story?
I’m just a person and the breaking has no glory
I’m just a person on this cold december morningAnd i get quiet
I get quiet around you now
And that’s so violent
To be a distant thing you’ll live withoutADVERTISEMENT
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I’d hate to have to do this alone
It’s a sobering thought
Hey
I’d really like you to hold me
Hold meDo you dream about me now?
(Dream about me)
I wake up hoping that we’re back at your houseI really hate the way i let you down
(Let you down)
You made me nervous so i shut off
And i get quiet
I get quiet around you now
And that’s so violent
To be a distant thing you’ll live withoutI’d hate to have to do this alone
It’s a sobering thought
Hey
I’d really like you to hold me
Hold meI’d hate to have to do this alone
It’s a sobering thought
Hey
I’d really like you to hold me
Hold me(Oos)
[youtube=https://www.youtube.com/watch?v=mclqv7LC_aI&h=315]
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André 3000 shares new instrumental project ‘7 Piano Sketches’, released after Met Gala 2025 red carpet appearance
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[/media-credit]Categorised under “Alternative” on Apple Music (and tucked into the same corners on your favourite streaming services), André 3000’s new seven-track offering feels less like an album and more like a late-night letter scribbled in melody. Each title—deliciously disarmingly long—reads like a stream of consciousness, a thought unfurling in real-time. According to the press release, this Atlanta legend stripped everything back to one instrument, one room, one soul—solo piano pulses carrying the weight of a lifetime. It follows on the heels of ‘New Blue Sun’, the shapeshifting project that snagged him three GRAMMY nods—including the nearly mythical Album of the Year slot.
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What does it sound like? Imagine slipping into your childhood home at dusk. Your aunt is tinkling the keys in the living room, unsure whether she’s performing for an audience or simply proclaiming where her heart has roamed. That intimate moment—when a piano’s resonance feels like a whispered conversation—hovers throughout ‘7 Piano Sketches’. It’s the kind of record that makes you ache for the dialogues you never had, the confessions you never heard, the silences you’d give anything to break. And maybe, just maybe, that yearning is the point.
Clocking in at under twenty minutes, this body of work is brief, but seeing André 3000’s name across the tracklist is unexpectedly comforting—like finding an old friend in a new place. Here, the artist who once redefined Hip-Hop with OutKast is rediscovering the spacious freedom of pre-fame experimentation, and it feels both radical and beautiful. He dropped ‘7 Piano Sketches’ at 8 PM EST, mere moments after stepping onto this year’s Met Gala red carpet in a custom piano-inspired ensemble by Burberry x Benji Bixby (all lower-case, like the album), styled by Law Roach under the Superfine: Tailoring Black Style theme. What began almost a decade ago—in a sparsely furnished Texas house with nothing but a piano, beds, and flickering TV screens—finally sees daylight in spring’s promise of rebirth.
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André 3000 himself called this “The Best Worst Rap Album In History”—“worst” because there are no lyrics; “best” because it’s the free-est he’s ever felt. As he prepares to receive an Honorary Doctorate of Music from Berklee on May 10 and join the Rock & Roll Hall of Fame in November, ‘7 Piano Sketches’ stands as a gentle reminder: even legends need space to play. Press play. Let the conversation begin.
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Listen to BIA’s new power-punching anthem ‘We On Go’
She’s bad-ass!
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[/media-credit]Today, BIA released her new power-punching anthemic single ‘We On Go’. On the track, the Massachusetts musical starlet calls out people for stealing her tones, being watched on replay like a Reel on Instagram, and explains why her competitors cannot be her equal in this lifetime. The song is so good and competitive that it was handpicked by the worldwide leader in sports, ESPN, as a marquee soundtrack for the WNBA and NCAA Women’s Final Four broadcasts starting in April. How impressive?!
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[/media-credit]The infectious single was produced by the pioneering legend, Da Honorable CNOTE (born in Michigan and rose to fame in Atlanta).
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Watch popular Nigerian artist Shallipopi and Burna Boy’s official video for ‘Laho II’

Three days ago, Shallipopi—real name Crown Uzama—and Port Harcourt’s multiple GRAMMY-winning bad boy Burna Boy dropped the official music video for their name jam ‘Laho II’. In the picture, both artists flex their statuses and I must say, the subtle yet inspiring drip levels are through the roof! Burna Boy’s donning a heavenly white crop top, light denim affixed with an exquisite silver belt and dark footwear, whilst Shallipopi wears a cunning tan Louis Vuitton bucket hat, dark designer shades, light denim and an array of chains in the main performance shot.
[youtube=https://www.youtube.com/watch?v=uNW7zPzZNtE&h=315]
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[/media-credit]Before that, Burna Boy, one of Africa’s thriving global superstars, brought out Benin City-bred artist Shallipopi to join him onstage to preview and perform ‘Laho II’ to a crowd of 80,000 music fans in Saint-Denis at the national stadium Stade de France.
[youtube=https://www.youtube.com/watch?v=cBitkPl27Sk&h=315]
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About a month ago, Shallipopi released the official music video for the original version. Watch the video treatment below. It is currently the #9 Top Music Video on YouTube.
[youtube=https://www.youtube.com/watch?v=qARrn7G067w&h=315]
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Watch British rappers Abra Cadabra and Clavish present ‘Facts Not Cap’ in new visual
“Millionaire and I still got my pole”

Three weeks ago, British rapper Abra Cadabra released the official visual for his song ‘Facts Not Cap’ featuring fellow artist Clavish. From the start of his verse, the Londoner gloats about how great his life is now and shares how happy he is that he doesn’t have to resort to drilling any longer.
“Life’s good so I don’t even drill no more”
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The Tottingham-born talent clarifies that he doesn’t want to risk his freedom and that’s probably because he no longer has anything to prove. Following the theme of the record, the Stamford Hill-born musical artist (formerly signed to Polydor Records) added to the storyline with an explanation about how people want him to clarify if what he raps about is authentic or factual. The “BRIT nominee” says he has changed his life like Abra Cadabra. He doesn’t drill any more.
Without further ado, check out the nighttime music video directed by directed by Toxic below for the M3NACE and Beneskrap production. You may see a cameo by his fellow OFB member, Headie One.
[youtube=https://www.youtube.com/watch?v=Bc8x5JFVTbM&h=315]
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If you will be in Kelowna, BC, Canada, this month (May 11), Abra Cadabra will perform live at Kelowna Community Theatre in the afternoon.
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Don Toliver talks to Apple Music about working with Doja Cat, upcoming Apple original film ‘F1’, and more
Don Toliver joins Zane Lowe on Apple Music 1 to speak about the new music from the upcoming Apple original film ‘F1’ and working with Doja Cat.
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Don Toliver talks to Apple Music about working with Doja Cat
Zane Lowe: You and Doja, man. This whole idea of getting her on a song and just hearing it back and knowing that you’ve got this collaboration, how’d that feel?
Don Toliver: Crazy, honestly. Doja’s very talented, it was very … It was like we got in there and got it done, man. We both love the ‘F1’, so it was really a no-brainer. It was so crazy.
Zane Lowe: It must be nice as well to work in soundtrack land and not be so focused on, just for a second, on 12, 15, 20 songs that have to be a cohesive body of work for you. But just to be able to single in on one song and just make it as great as possible.
Don Toliver: Exactly. It makes the whole thing way more locked in, tunnel vision to the whole idea, the vision. It just made everything so fun. It’s crazy.
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Don Toliver talks to Apple Music about what he is working on right now
Zane Lowe: What are you working on, man? Can I be cheeky and ask you how music is for you right now?
Don Toliver: Music is doing me well, man. I’m just being creative. I’m having fun. I’m producing more of my records. It’s like I’ve been recording for so long and just figuring out all these different melodies, and just starting to get deeper and deeper into just the whole production behind all my music. It’s getting crazy, honestly.
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Don Toliver talks to Apple Music about playing piano more
Zane Lowe: I hope I’m not betraying trust, but I’m sure it’s pretty cool because you know how much I appreciate both you and your better half, man, and the family that you’ve built. It’s always great catching up with Kali and we had a really good conversation as always, and she mentioned that you’ve been on the piano and taking yourself even deeper into your craft.
Don Toliver: Yeah. No, I have. I’ve been playing the piano, man. Just playing all types of different keyboards, honestly. And it’s just like I got a feel for certain melodies and things, so I’m just exploring. It’s fun. It’s amazing. Playing the piano with my son, it’s fun.
[youtube=https://www.youtube.com/watch?v=WWEs82u37Mw&h=315]