GRUNGECAKE

Category: News

  • Roddy Ricch tells Apple Music about ‘911’, upcoming project ‘The Navy Album’, and reveals it’s ‘his most vulnerable album yet’

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    Roddy Ricch joins Eddie Francis on Apple Music 1 to discuss his new song ‘911’ and upcoming project, ‘The Navy Album’. He describes the selection process for the songs and how important it is to be vulnerable with fans and give them a taste of what his life is like. The two also discuss the bond he built with his collaborator 30 Roc outside of music and his dedication to give it his all every time he performs.


    Roddy Ricch tells Apple Music about the recording process behind his new album

    I just always be creating bro. That’s just my safe haven, a way to express myself and keep myself fresh. I feel like if I was broke or rich, I’d be doing this, so I just treat it like that, you feel me?

    Roddy Ricch tells Apple Music about the concept for this album

    I mean, I feel like I’m just getting back to my roots of taking my time, being real lethal with my injection, if I will. Just trying to really just give it everything I got and being vulnerable as I can to my fans, allowing them into my life. They going to get a real experience, almost like a soundtrack, a movie experience of what my life is like. I’m really excited, bro.

    Roddy Ricch on working with 30 Roc again on their new track, ‘911’

    Yeah, we never met. We did ‘The Box’ but we ain’t know each other. He just sent the beat and I was in New York and I did that and we made history. Shout out to 30, forever grateful for his friendship. Now after the pandemic, everything settled down, dust settled down, me and my team just sitting like, man, we should get with 30. We reached out, he pulled up in the heart of LA And recorded with us. We started to notice a lot of similarities where it’s like I don’t fuck put a lot of people, he don’t fuck with a lot of people. It was like a lot of things similar. And then his career, just how he had to navigate through that with us having that big hit like that and just having to navigate through life, family and all this. We started making good music just because we built a bond outside of the music. You know what I mean? Even though we didn’t really start necessarily together, we were like brothers damn near right off the bat, as soon as we started the dialogue.

    On performing his music in Los Angeles at the Ken & Friends Pop Out

    My music, it is like something that people can feel, man. ‘Down Below’, ‘Die Young’, all that, that’s really them deep cuts that ‘Racks In the Middle’ shit. ‘Box’ is great, you know I’m saying? It’s great but all that, them deep cuts that people can feel and understand, I just try to give it up my all every time. And even in the hype moments, I try to give my all. I ain’t too much of a crazy performer, but I try to give it my
    all, bro.

    On his future plans

    Bro, I’m always working on music, man. You call me today, tomorrow, next week, next month, next year, 10 years from now I’m going to still be working on music.


  • JT and Jeezy announce the official remix to ‘Okay’

    JT’s fourth solo single, which debuted at #74, on Billboard Hot 100, gets an official remix with a verse from Jeezy.

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    JT, formerly of hardcore rapping Miami duo City Girls, announced the official remix to her latest single. To bring the well-performing single, ‘Okay’, to life, Jeezy confirmed he is on the official remix after several fans shared it reminded them of a record he made in the past. The achieved Atlanta-bred superstar posted a photo of them to his Instagram account with a whopping following of 5.6 million followers. The caption reads, “@thegirljt I got you! “Okay” remix this Friday!” To which JT replied, “☃️☃️☃️ thank you!!!!! So much 4EVA! Mr.17.5.”

    The newer version of the record will come out this Friday, June 28.

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  • Hennessy unites Africa’s prolific rappers through its 2024 cypher: Watch Young Lunya, Maglera Doe Boy, Didi B, Sarkodie, Ladipoe, and Khaligraph Jones shine brighter

    It is always great to be African, but this week is another reason why.

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    Yesterday, Hennessy shared its most iconic music-related content piece to date. The world-renowned cognac brand paired with Africa’s hottest rappers for its Africa Cypher 2024 to spotlight the rich continent’s gifted songwriters and performers. Amid the pack were two of our favourites: Ghana’s effortlessly flowing Twi/English speaking champion Sarkodie and South Africa’s sharp-dressed rising Hip-Hop star Maglera Doe Boy. Also present to represent the effervescent and distinct cultures across the continent were Tanzania’s great Kiswahili/English spitter Young Lunya, French-speaking Ivorian talent Didi B, Kenya’s poetic emcee Khaligraph Jones, and Nigeria’s rapping eccentric talent Ladipoe.

    The eight-minute performance video starts with views of a train station’s platform, where the gentlemen are under heavy surveillance. Kicking off the six-person star-studded cypher, Young Lunya—wearing a mustard vest and chains delivers bars about yesterday’s price rise and never taking a loss before switching up and increasing the speed of his bizarre bilingual flow. After embracing Young Lyna on the train, Maglera Doe Boy, the Reitz-born South African legend in the making, mentioned the legendary American rapper and actor Tupac, former South African President Nelson Mandela, the government, his mama borrowing sugar from their neighbours, infamous townships in South Africa, and likened his unique style to “homerun raps” in his well-articulated verse spoken in English mostly. We don’t understand as much French as we should, but the Ivorian star rapper and Ivory rap pioneer Didi B passionately covers ideals of world peace and more in French. In his teaching moment verse, Sarkodie details his transformation through fashion, building his career independently for a decade, how people in the music business will rob you, how things have changed and the hoops he had to jump through to get a verse from bro now that there are other people involved due to the label structure. Ladipoe, the mainstay rapper on Nigeria’s celebrated record label Mavin Records, suggest the following cypher gets shot in a church in his verse. The most compelling lyrics addressed how people back home judged Nigerian rappers (it was a thing on Twitter, now known as X) and Afrobeats artists alike and how there is merely a popular dozen out of hundreds of artists spotlighted. He knows his music is good, how people without an invite want to advise him on how to dress/behave in English/Nigerian pidgin, and how he’s proof that any flower could bloom.

    Ending the cypher, Khaligraph Jones spends his first minute addressing his competitor’s beat choices and comparing his opponents to Fashion Nova-wearing models (a slick way of calling the men out their names), but what stuck out to me most was when he rapped about the people from his region not getting the shine he believes they should. Some of Khaligraph Jones’ lyrics are a headstrong take or the truth, depending on your perspective. We’ll let you be the judge when it comes to his views on West African music versus East Africa’s grind, how he’s needed if his Lagosian pals want to make the music spread further, and calls out what he sees as “repetitive songs” and “lame ol’ covers” in the Nigerian music space. But it doesn’t end without the Kenyan superstar stating the others are good, but no one is better than him—in an authentic competitive sport kind of way attached to the culture since the genesis.

    [youtube=https://www.youtube.com/watch?v=MaQkmA9k74k&h=315]


  • A movie for the ears: Watch Misha Crosby and John Mawson’s official trailer for ‘Unsinkable’

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    Today, Misha Crosby (American Horror Story, The Lying Game) and John Mawson (Outlander, Never Have I Done) announced their new immersive eleven-part audio movie series ‘Unsinkable’. According to the press release, the film tells “the story of the British tanker, the San Demetrio, one of the most extraordinary tales of heroism, fortitude, and seamanship of WW2. When the ship is attacked thousands of miles from home in enemy-infested seas, a raw young officer and a handful of desperate seamen fight to survive both against the elements and themselves.”

    As loosely described, “the eleven-part series [oozes] action, drama, romance, comedy, and gripping tension that brings this epic event to life. It is not a radio play, audiobook, docu-drama, or an ordinary podcast. There is no narration. This wholly immersive original audio movie series embraces the production style and values of cinematic feature films by creating an immersive narrative blockbuster experience through sound design and original orchestral score. The sound design has been led by Jimmy Boyle and his team (Band of Brothers, Casino Royale, Wonder Woman 1984, Harry Potter) and delivered in Dolby Atmos, mixed by Academy Award® winner Ben Wilkins (Whiplash).”

    Check out the trailer to learn more about the innovative movie (for your ears) about an unsinkable ship, sixteen men, a thousand miles of ocean, and British seamanship. It’s three minutes and forty-three seconds, comes out on July 10, and is available in Dolby Atmos.

    [youtube=https://www.youtube.com/watch?v=5MCy9n5PdjE&h=315]


  • Rihanna becomes the face of Dior’s J’Adore fragrance

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    Rihanna, the Bajan billionaire with power and influence, has officially announced that she is the face of Dior J’Adore. Her inaugural campaign launches this September “in a bid to reinvigorate the flagship fragrance range,” according to Business of Fashion. Everyone on her social media profiles is asking for the album, but I think if she is to drop one, it would be a surprise release or when we all least expect it. She has not announced her retirement, so we all have hope.

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  • Ghanaian superstar Black Sherif announces next single ‘Kilos Milos’

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    Earlier today, Ghanaian superstar Black Sherif shared that his new track ‘Kilos Milos’ is underway. According to the post, it comes out sometime tomorrow at midnight, but we are unclear on the timezone.

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  • Introducing L’Alliance New York

    The French Institute Alliance Française, FIAF, has a new name and brand identity, and exciting updates to our language and cultural programmes

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    The French Institute Alliance Française, FIAF, is pleased to announce the launch of a new name and brand identity, along with upcoming arts and cultural programmes and news, including details of the annual Bastille Day celebration. Starting today, FIAF will be known as L’Alliance New York. While our name and look are changing, the core values of our organisation remain steadfast. L’Alliance New York continues to be part of the global Alliance Française network, which comprises over 834 cultural and language centers in 131 countries, and we will maintain and expand upon our tradition of offering top-tier French language classes and artistic programming that reflect the rich diversity of francophone cultures. Since our inception over 125 years ago, our organisation and its audience have evolved significantly. In 2022, L’Alliance New York welcomed a new President, Tatyana Franck, and just last fall named Violaine Huisman as Artistic Director. With the emergence of this new leadership it is time to modernise and realign our mission and vision: to serve as the home of francophone cultures and French language, a beacon from New York to the world.

    L’Alliance New York President Tatyana Franck explains, “Over the past 125 years, our organisation has taught French to hundreds of thousands of students of all ages in New York City, Montclair and online. We’ve welcomed luminaries from the worlds of art, culture, philosophy, literature, and business, presented renowned artworks in our gallery, and shared francophone cinema and theater masterpieces with you in Florence Gould Hall, which today becomes Florence Gould Theater. As we look back at all we’ve accomplished, and all the moments shared with you, the future looks even brighter. Our new name and visual identity symbolise our dedication to innovation, growth, and inclusivity, enabling us to better connect with our community.” Franck continues, “It’s been a thrill to see that our mission and programs resonate with so many. L’Alliance’s ability to serve an ever-growing community is made possible by the generosity of our many supporters. The first phase of a landmark fundraising campaign, ‘L’Alliance 125,’ has raised $9M thanks to the precious support of our renewed Board of Trustees and leadership gifts from The Florence Gould Foundation, and The Stephen and Amandine Freidheim Foundation. We are extremely grateful to those who have given their early support of our new vision for L’Alliance”, says Franck. “

    I look forward to welcoming you to L’Alliance New York at our annual Bastille Day celebration on Sunday, July 14!”

    Along with our new name, we also are launching a brand-new website, which will include a more user-friendly interface, improved class search pages, and a weekly blog with articles on subjects ranging from culture to food to French language tips. We’re also thrilled to share the news that our eigth floor event space, Le Skyroom, has been renovated. Improvements to the space include new French white oak hardwood floors, micro-cement kitchen floors and cork countertops, updated lighting, and newly painted walls including a painted projection wall.

    Continuing our tradition of being NYC’s destination for French cinema, Jake Perlin has joined L’Alliance New York as our new film curator. Over the last twenty years, Perlin has been Associate Film Programmer at BAM and Curator-at-Large at Lincoln Center, before becoming the Founding Artistic Director of Metrograph. He’s also a film distributor (Film Desk, specialising in re-releases by filmmakers), and publisher (Film Desk Books, including Cocteau’s Diary of a Film and Duras/Godard Dialogues). Perlin has a special connection with L’Alliance New York, having co-programmed numerous series with Marie Losier in the early-2000s, and as a longtime collaborator with past curator Delphine Selles-Alvarez. His contributions to the field have been recognised with prestigious honours, including being named Chevalier de l’Ordre des Arts et des Lettres by the French government in 2018. Perlin’s first L’Alliance series of film curation will begin in September 2024 with CinéSalon.

    L’Alliance New York has gone through many changes, evolving with the times and with our expanding audience as the interest and use of the French language increases (French is currently the fifth most widely spoken language in the world and is on track to be the second most spoken language in the world by 2050). In response to the increasing demand to learn French, L’Alliance expanded to Montclair, New Jersey, in 2012. After ten years of success with their French-immersion preschool model at L’Alliance New York’s Manhattan Campus, L’Alliance will open a second preschool this fall in Montclair. At the same time, they will also be introducing classes for children ages 12-24 months. In addition to the expansions in Montclair, starting in September, L’Alliance New York’s Language Center is also expanding its offering by partnering with the Centre National d’Enseignement à Distance (CNED), which will provide children and families the opportunity to formally follow the grade-appropriate French track and validate their language skills with the CNED at the end of each school year. CNED will be a major benefit to the francophone expat community.

    In addition to children and teen classes, we continue to offer camps, special workshops, and international trips. L’Alliance also remains one of the top centres in the United States. for providing official French certification exams (DELF, DALF, TCF, TEF, and DAEFLE), which certify your French proficiency for school records, university applications, career development, immigration purposes, and more. With these new additions, L’Alliance remains committed to offering the best fully immersive French classes taught by native French-speaking instructors, catering to all ages and levels. Our classes are available in-person at our Manhattan and Montclair locations, as well as online, and in private, semi-private, and corporate formats.


  • Nigerian artist Victony shares ‘Stubborn’, the official track list to his debut album

    The debut album is coming this Friday, June 21!

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    Today, Nigerian Afrobeats star Victony shared the official tracklist to his forthcoming debut album ‘Stubborn’. The fourteen tracks are as follows:

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    In addition, on the official dark artwork, the Imo State-bred star artist explicitly thanks his fellow Nigerian artist, recently nominated for a GRAMMY Award, Olamide, for his contribution. We figure as the release nears, we will learn more. Until then, prepare for one of the biggest moments in Afrobeats history. Victony has brought us monster hits like the highly-infectious ‘Soweto’, ‘Anything’, and his title track ‘Stubborn’ with fellow Nigerian superstar Asake. His debut LP features appearances from Shorae Moore, Shallipopi, SAINt JHN, and Teezo Touchdown and lands on Friday, June 21.


  • Hear Ski Mask the Slump God’s sophomore album ’11th Dimension’

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    Today, Ski Mask the Slump God released his highly-anticipated sophomore album ’11th Dimension’. As the press release perfectly describes, “Anchored by his elite top-flight rapping and hazy melodies, the twenty-one-track opus encompasses a myriad of styles, ranging from alternative and heavy metal to Jamaican and island flavours. Teeming with emotion and truth, these elements shock a vibrant and vital vision without comparison to life.”

    About ’11th Dimension’, Ski Mask the Slump God commented, “I never really built a world for a project yet, so I wanted to tie everything in together. To me, ’11th Dimension’ is another astral plane. I make mood-setting music, so every song will give you a different feeling. Nothing is the same. It’s like there are eleven dimensions to this world across 21 songs. You’re going to get every style I’ve done mixed into one. A lot of experiences brought me here. There’s a lot of growing up. Real-life things happened. I dealt with friends passing away. I was also tapping into all of these other sounds. ’11th Dimension’ is a mesh of all that.”

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    It’s been about six years since we received a body of work from the Floridian star, and we’re happy to have him back! Stream the twenty-one-track album below to hear vocals from Atlanta’s legendary rapper and popstar Future, his larger-than-life deceased poster friends XXXTentacion and Juice WRLD, Jamaican superstar Skillibeng, and Corbin. It’s out now through Victor Victor Worldwide/Republic Records.


  • Jon Bon Jovi tells Apple Music about his new album, recovering from vocal surgery, Richie Sambora, and more

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    Jon Bon Jovi sits down with Zane Lowe on Apple Music 1 ahead of the release of his new album ‘Forever’. They talk about his vocal cord surgery, the support he got from Shania Twain during his recovery, and how he would have been at peace if he didn’t get his voice back. He also shares how it felt to hear what Richie Sambora said in the new Bon Jovi documentary, “…there’s no ill will. And I just say, “Cool, if you think forty years later that ‘Runaway’ wasn’t such a good song, that’s cool. You joined my band. It’s cool. I’m not even offended by it.”

    He also talks about knowing that their new single ‘Legendary’ was a hit when they wrote it, and his daughter’s reaction – or lack thereof – to hearing the emotional song he wrote about her, ‘Kiss the Bride’. Then, he talks about his close friendship with Bruce Springsteen, being reunited with his first guitar forty-five years after selling it to a neighbourhood kid, and combatting homelessness through his JBJ Soul Foundation.


    Video | Bon Jovi: New album ‘Forever’, filming a documentary, and recovering from vocal surgery

    [youtube=https://www.youtube.com/watch?v=2P7lIanHhhI&h=315]


    Jon Bon Jovi tells Apple Music how it felt hearing Richie Sambora’s perspective in the Bon Jovi documentary

    Well, one of the beautiful things that Gotham Chopra did with this film was he captured everyone’s truth. I’m not the producer of the film. I didn’t cut the final cut of this film. I didn’t want a vanity piece. I didn’t want a puff piece. He did two things. When I’d asked, I said, “Hey, man, I got a great idea. We should all get in the room together and talk.” And he yessed me to death until it was finished. And I went, “Oh, I see why you didn’t do it.” Because, although there will be things in this film that I don’t necessarily agree with, I’m not going to sit here and rebut them, because that’s your truth. And not just Rich, but David, or Tico, or Hugh, or Phil X, or Shanks, or anyone else that was involved in the film, including me. It’s not my perspective. It’s our perspective. It’s our story. Richie had more than one sit-down interview. He had months to submit his thoughts with Gotham and the editing team, and I know that for a fact because they told me. So, there’s no ill will. And I just say, “Cool, if you think 40 years later that “Runaway” wasn’t such a good song, that’s cool. You joined my band. It’s cool. I’m not even offended by it.” I was like, “Yeah, I know.” It’s all good. How many times did you hear John Lennon was dissing “Silly Love Songs” after the fact?

    Jon Bon Jovi tells Apple Music whether or not he wishes Richie Sambora could be a part of the new album and hit song ‘Legendary’

    Zane Lowe: When you write a song about ‘Legendary’, and this is a band effort, the band today, you’re in the studio, you’re figuring it out, I got to ask, there must be a little moment of you, as great as it is, and as much as you love it, that just wishes that Richie could have had that experience on this song, because-

    Jon Bon Jovi: Oh, yeah, sure. I mean, he was there for three quarters of the dream. But, like I’ve said 1000 times now, being in a rock band is not a life sentence. He had issues, substance abuse issues, emotional issues. He wanted to be a parent that stayed home. We love him regardless. And then, he quit. Why would Tico, or David, or Hugh, or myself ever want to be unemployed? No. So, he was unable to go next step with us. I love you, but I got a show tonight. I got a record to make.

    Jon Bon Jovi talks to Apple Music about his daughter’s reaction – or lack thereof – to the song he wrote about her, ‘Kiss the Bride’

    Zane Lowe: ‘Kiss the Bride’, I think, this is one of the hardest songs, subject-wise, to be able to write for a lot of different reasons. As a lifelong fan of music, someone who studied it and talked thousands of people about it, about all kinds of subject matter, matters of the heart, pure, uninterrupted, right, unaffected, pure, clear water out the tap, super hard to write about.

    Jon Bon Jovi: I agree. But when you have something that’s… It’s not just oh, one night, and then I fell in love with this girl. This is your baby. This is the baby that came first in our family, into the band. And then, I write, ‘I Got the Girl’ about her when she’s five and now she’s 30, and you’re writing this song to walk her down the aisle. I’m crying writing it, and I’m crying singing it in the studio. She was the last person in America to hear the song. I just gave it to her last week. She saw me on Good Morning America and said, “Okay, I’m ready to hear it.” This is just a week ago, or two weeks ago now.

    Zane Lowe: But I got to ask you, man, because it’s the first time I’ve ever spoken to anyone who’s written a song like this, and waited this long to play it to the person it’s about, an integral moment as a parent to a parent without betraying any trust, can you please try to describe in words that are appropriate, how it was when you played the song for your daughter?

    Jon Bon Jovi: I’ll tell you the truth, I had to send it to her, because I was on the move and I have not heard a response. How about that? I have not gotten a response.

    Zane Lowe: Wow. It’s deep. It’s deep for her.

    Jon Bon Jovi: Yeah. And her two brothers are getting married before her, so she’s just in her own little world right now. So, it’s cuckoo. I have not gotten a response from Steph. Steph, call your daddy.

    Jon Bon Jovi talks to Apple Music about receiving support from Shania Twain during his vocal cord surgery recovery

    Jon Bon Jovi: The recording was hard work. But as I sit here today, which is now six, seven months ago when I was doing the vocals, I’m so happy. After Monday’s rehearsal, after Tuesday’s rehearsal, after getting on the plane, after waking up this morning and go, “Holy Christ, I absolutely can go hit the high notes tonight. No problem.” So, it’s starting to come into its own. Look, I’ve been honest about this whole process. It has sucked. There’s not a lot of people that have had this surgery.

    Zane Lowe: And it’s a replacement surgery effectively.

    Jon Bon Jovi: It’s an enhanced implant. What it is, it’s a plastic implant outside of the vocal cords on what’s called the vocal folds, which are the muscles that move your cords together. Wild. I am the Bionic Man. But I went to see the surgeon and he said, “Look, you’re still getting better all the time. You got to be patient.” And he didn’t give me any patience in the surgery. But Shania Twain went through this same thing and she said, “You just got to be patient.” And, she’s having the best time of her life right now. Same doctor, same everything, just her and I.

    Jon Bon Jovi tells Apple Music he would have been at peace with his career ending if his vocal cords didn’t recover

    Jon Bon Jovi: And here’s the truth, because I’ve figured this all by now, I’ve gone through it. I haven’t had to mourn the loss, because I haven’t given up yet, and the procedure is successful, and it’s proceeding, and it’s getting better all the time. So, I didn’t have to get to that place, like an athlete who throws that last touchdown and he can never go and play in the Superbowl again because now he’s done, right? I don’t have to deal with that. But the family were very supportive. And I was really, I swear to God, and I stand by it still, if I couldn’t do it at the level that I’d grown accustomed, I am not identified by what I’ve done in my life. I’ve already done that. I’m good with that. I don’t need-

    Zane Lowe: You would’ve been at peace with that.

    Jon Bon Jovi: I’m totally at peace with that. If I still can’t tour, I’m good. I’m good. I’ve made 18 albums. I’ve conquered the mountain. I’m good. We’re not dying of cancer here. I’m an entertainer. I get to do this by the grace of God, and because people care enough to listen to it. But big picture I’m healthy.

    Jon Bon Jovi talks to Apple Music about knowing ‘Legendary’ was a hit when they wrote it

    Jon Bon Jovi: Yesterday, as we were rehearsing and we’re playing “Legendary” now, just banging it out every time we get together. I can’t help but smile halfway through calling out, I don’t know, twenty-some odd songs a day. And I jokingly looked at my own band. I go, “Okay, time for a hit.” And then, I just laugh and they’re all like, “You’re such an ass.” I go, “Yeah, I know.” Because it feels so good to know, “Holy Christ, we wrote another hit.”How do you like that? Because you don’t know. Every time you write a song, you think it’s the best thing you ever wrote. And then, you play it, and then it works. There’s been a lot that we’ve thought were those songs and that didn’t work. I can remember a record the last… There was a song called “Because We Can.” A wonderful song on the last record that Richie played on. And I said, “Man, that’s a smash. I know it’s a smash. It feels great. I can’t wait to play it.” Got in front of that stadium crowd and it didn’t quite work. And I was like, “I don’t know what was wrong because I love it, but it didn’t work.” With “Legendary,” you just know the minute you put it on, “Oh man, we wrote a smash.”

    Jon Bon Jovi talks to Apple Music about being reunited with his first guitar after selling it to a neighbour 45 years ago

    It is a cute story. I had sold my very first guitar, it was a Univox, Sunburst, Strat looking guitar, $100 Japanese guitar. And I loved the guitar when I was a kid, but you aspire to have a Gibson or a Fender. I’d sold it to a neighborhood kid for $100, because a Telecaster cost $389. And I thought, “Okay, I got a 100. I can save up and sold it to a local kid.” And, 45 years later, I am at the Soul Kitchen, and one of the volunteers said, “I know the guy you sold it to.” Now I do remember the kid I sold it to, because he was a neighbourhood kid, and he had grown up in the neighbourhood, stayed in the neighbourhood, became a policeman in the neighbourhood, and was now moving away. And she said, “He would be willing to get it back to you.” And I said, “I’d be willing to pay for it. I’d love to buy it back.” Very simple agreement, very simple arrangement. He said, “Would you meet my kids?” I said, “Absolutely.” I said, “I’ll give you another guitar. Could I buy that back?” He was great and gracious. He brought it to me. I swear, this is my embellishment that the five strings that are left on it was the way I sold it to him. And I believe that those dots that I see on it are sweat from when I was playing in the bar. Because it came back looking like that. And I don’t think he ever touched it. In the cardboard case, he gave it to me. And I put it in the car, and I took it home that day, and I was so excited. I pulled it out and laid it on my lap, and I just started playing, just with the five strings.

    Zane Lowe: How did it feel?

    Jon Bon Jovi: Like magic? Because I couldn’t help but just saying, “I got my hands around her neck.” And writing a song. And saying, “I’m in love with my first guitar.” And it just took me back to being… Well before the expressway even, my very, very first band, singing Old Kiss Records in my folks’ backyard. I’m 17-years-old, I’m a rock and roll star. And, just reminiscing and writing that song. It’s magical. Yeah, it’s really cute. And a happy ending to a story.

    Jon Bon Jovi talks to Apple Music about addressing homelessness through his JBJ Soul Foundation and the origins of Soul Kitchens

    Jon Bon Jovi: But in 2008, when the economic downturn happened, Dorothea was watching the news one night and said, “I’ve got an idea for all the people who you’ve housed. We need to feed.” And she stream of consciousness came up with the Soul Kitchens. And, the conversation there is to empower people. You have them volunteer, but if you or I want to effect change directly, you come and you leave a suggested donation. And, that pays not only for your meal, but for someone else who are in need. And you would never know the difference between someone in need and someone who’s paying. It’s pay it forward. There’s no prices on the menu. You volunteer, you’re empowered, you come in-

    Zane Lowe: Oh, it’s great. You know why? Because the feeling you get from helping, you’re giving to others. It’s-

    Jon Bon Jovi: … Magical. And then, folks who want to but are fearful of the unknown… I want everybody that’s listening to close their eyes and imagine a cute bistro in your neighborhood, a beautiful bistro with silverware, and plates, and tablecloths. That’s what the Soul Kitchen looks like. But if you were to come there, and I told you the model, you wouldn’t believe how many people stayed away. And, would say to me, “Well, there’s no booze there.” No, it’s not about booze. It’s about feeding people who are hungry. “I don’t want to sit next to somebody who might be homeless.” “Oh, really? What are you going to get? Cooties?” Or people that would say, “I’ll write you a check. I’ll give you anything you want.” I said, “I don’t want your money.”

    Zane Lowe: That fear isn’t about the cooties. That fear is about facing your own inability to recognise pain in others.

    Jon Bon Jovi: Because we as a culture are so caught up in our own BS, how many times, and everyone’s guilty of this, you’ve walked by the homeless guy on the street because you didn’t take the time to ask him what he needed, or just a simple, “Hello.” There’s all this stuff that you learn with time and effort. But, the situation at the [Soul] Kitchens is that we’re feeding people one at a time, one soul at a time, as we always say. And, yesterday, for instance, Dorothea led a march with 500 local volunteers who were marching the streets of Red Bank to let the word be out there further that we’re alive and well. And, unfortunately, we’re not going out of business, as we always say. We’re not going out of business because the need is there. There are a lot of people whose hearts are in the right place that are stuck inside the building and not on the street. And affecting change directly takes being on the street. I’ll give you a great example. There are currently homeless issues all across America. We can agree on that. No matter what side of the aisle you’re on, you’re seeing it in the big cities in America. From what I’ve read recently, there are only approximately 600,000 people on the streets of America. We’re a country of 300 million. How hard is that to figure out the mental illness and the housing aspects of this? We can do this. We can do this. We can do this. It’s going to save your emergency rooms, and the ambulances, and the insurance companies. It’s very easy. Well, it’s not easy. It’s difficult to do. We can do it….. Yeah, maybe just realise, it’s not a pill. We don’t need a pill. We don’t need a scientist to find the cure. This one’s doable.

    Jon Bon Jovi talks to Apple Music about his friendship with Bruce Springsteen and the support he got at MusiCares

    Zane Lowe: What’s been the most important thing about that single friendship for you and all of this ride?

    Jon Bon Jovi: Well, he was Mount Rushmore in New Jersey, first and foremost, right? He was writing stories about the people in our backyards. And, he made the impossible possible for all the next generation that followed. I just happened to be the lucky one that sold as many records, right? So, there’s 50 more of me in New Jersey that just didn’t get as successful, right? So, I get to be that little brother now. But the last thing that a man wants to do is try to be somebody else. You got to become your own man if you’re going to be around for this long. But lessons learned came with time. Lessons learned came with experience. So that now when he and I get together, the conversation’s a whole different level. It’s not about, “Oh, how did you get that kick drum sound?” No, no, no. We’re taking these long drives to talk about philosophical family, leaders of men conversations that only two old friends can have together. But, yeah, his coming out when… I had no idea, but his mom had passed and he was literally on the plane, because he wasn’t going to disappoint me, and not show up, and be there for me on the MusiCares event. And he and, of course, Sir Paul, I mean, I’m the luckiest human being in the world.

    Zane Lowe: Yeah, I mean, you say you weren’t present enough at the time. And, why would anyone young enough have the presence of mind to realise you’re manifesting something. But, you got your hero down the street, and you got your hero across the ocean. And both of them together help you find your own voice. And then you get to be celebrated for that voice at a time when your voice is yours again. And they’re both there.

    Jon Bon Jovi: It does not get better than that. It just doesn’t get better than that. It’s a humble grateful me that goes forth. Humble, grateful.