GRUNGECAKE

Category: News

  • Taylor Swift rumoured to feature on Kendrick Lamar’s highly-anticipated next album

    According to the trending news online, Taylor Swift is rumoured to feature on Kendrick Lamar’s forthcoming album. Transparently, we do not have any inside information about what’s been swarming on the internet. If the globally recognised American recording artists do, it would be a reunion (of sorts). If you recall, the pair collaborated in 2014 on the American superstar’s track ‘Bad Blood’ from her incredible album ‘1989’ (originally). Let’s stay tuned to see if the two will release the alleged record or collaborate next year. It would be interesting to see if Kendrick Lamar releases his highly-anticipated album ahead of the Super Bowl or afterward.

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  • Lindsay Lohan shares new details about ‘Freakier Friday’, the sequel to ‘Freaky Friday’

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    Yesterday (November 17), Lindsay Lohan was a guest on The Tonight Show Starring Jimmy Fallon. Although she talked with Jimmy Fallon about other things like her memorable sketch on SNL and her famous secret handshake from The Parent Trap, Lohan discussed reconnecting with Jamie Lee Curtis for the sequel ‘Freakier Friday’ scheduled to release in August 2025.

    “Jamie and I, even at the table read, we were just smiling so big. I don’t think we were acting well because we were so happy. But, the movie is funny. It’s really funny.”

    Lohan also told Fallon that the band her character Anna Coleman fronted in the first film, ‘Pink Slip’, will reunite in ‘Freakier Friday’.

    “I’m telling you, it’s going to be a monster hit. I’m not going to tell you what it’s called because we’re in the middle of making it, but there are some old favourites played in this movie.”

    She continued, “Anna is grown up now. She has a teenage daughter, so there’s a lot going on in that relationship. Although Anna has calmed down a bit since she was a teenager.”

    Watch the clip, from 4:17 to see the American superstar spill the beans.

    [youtube=https://www.youtube.com/watch?v=ZlLJ461Wgn0&h=315]


  • Tyka Nelson, Prince’s sister, cause of death revealed

    She was Prince’s only full sister.

    Based on TMZ’s coverage, Tyka Nelson—sister to the deceased icon Prince—passed away due to congestive heart failure connected to a weakened heart due to substance abuse. According to the death certificate obtained by The Minnesota Department of Health, the primary cause of death is cardiac arrest. She was pronounced dead forty-five minutes later. After announcing her retirement, Nelson was meant to have a farewell concert. However, she fell sick and could not follow through.

    We send our deepest condolences to the family, her two sons and her friends. May Tyka Nelson rest in peace.


  • Watch Jonas Brothers cover One Direction’s ‘Night Changes’ after Liam Payne passing

    On Sunday (November 10) in Highland, California at the Yaamava Resort & Casino, the Jonas Brothers performed One Direction’s ‘Night Changes’ to an emotional crowd as a way of mourning with fans and paying respects to their fellow performers. For the performance, Nick Jonas and Joe Jonas sang the song and Kevin Jonas played on guitar.

    @lollyjean_ They sounded SO DAMN GOOD covering Please, Please, Please. Also, wait for Nick comment at the end. #jonasbrothers #jonasbrothersconcert #nickjonas #joejonas #jonasbrothersfan #pleasepleaseplease #sabrinacarpenter @Nick Jonas @joejonas @Jonas Brothers @Kevin Jonas ♬ original sound – Lolly

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    Liam Payne’s unfortunate passing was ruled an accidental death as “pink cocaine” was in his system. The pop star fell from the balcony of his hotel in Bueno Aires, Argentina at the CasaSur Palermo Hotel. He was thirty-one-years old at his time of death. Our hearts go out to his loved ones, family, and seven-year-old son Bear, whom he shares with his former partner, Cheryl Cole.


  • Megan Fox and Machine Gun Kelly are pregnant with their first baby: See post

    Yesterday, Monday, November 11, bombshell actress Megan Fox announced her pregnancy with famous musician fiancé Machine Gun Kelly. The attractive couple are planning to welcome their first child together. In the post, she used a lyric from her partner’s song ‘Last November’ about the madly-in-love couple’s miscarriage. It will be Fox’s fourth child and her husband-to-be’s second. She has three sons, Noah (12), Bodhi (10), and Journey (8), with her ex-husband Brian Austin Green. Kelly has a daughter named Case, who is 15.

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    Congratulations to the gorgeous couple—expecting a new bundle of joy.

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  • Wizkid: A Strong Contender for the 67th GRAMMY Awards Nominations

    As the 67th GRAMMY Awards draw closer, there’s increasing speculation that his latest single, ‘Piece of My Heart,’ featuring American artist Brent Faiyaz from his upcoming MORAYO album, could secure a prestigious nomination. Known for his GRAMMY-nominated work and an impressive discography that has shaped the global music landscape, Wizkid’s potential nod at the 67th GRAMMYs would not only affirm his artistry but also further cement Afrobeats’ place on the world stage.

    Wizkid’s GRAMMY Legacy and Past Success

    Wizkid is no stranger to GRAMMY recognition. He earned his first GRAMMY nomination in 2020 for ‘Brown Skin Girl,’  a collaboration with Beyoncé, which won Best Music Video. His acclaimed ‘Made in Lagos’ album also made waves worldwide, generating critical and popular acclaim that significantly boosted Afrobeats on a global scale. For Wizkid, the GRAMMYs have become a significant marker of his career milestones and an international affirmation of his contributions to music. His history with the Recording Academy suggests that ‘Piece of My Heart’ could indeed be a serious contender in several categories.

    The Significance of ‘Piece of My Heart’ as a Single

    Released as a preview of the much-anticipated ‘MORAYO’ album, ‘Piece of My Heart’ has quickly garnered attention for its heartfelt lyrics, smooth beats, and distinctive fusion of Wizkid’s Afrobeats style with elements of R&B and neo-soul, thanks to Brent Faiyaz’s contribution. The song encapsulates themes of love, yearning, and the complexity of relationships, which resonate universally. Its lyrical depth combined with an accessible beat gives ‘Piece of My Heart’ a broad appeal, making it a song that has the potential to connect with GRAMMY voters.

    Collaborating with Brent Faiyaz: A Perfect Blend

    Brent Faiyaz brings his own artistry and unique vocal textures to ‘Piece of My Heart.’ Known for his introspective lyrics and mellow tones, Faiyaz complements Wizkid’s rhythmically driven style, creating a harmony that feels both innovative and seamless. The collaboration is a strategic blend of R&B’s intimacy with Afrobeats’ dynamic energy, potentially appealing to a diverse audience, including GRAMMY voters who appreciate cross-genre innovation. Their partnership elevates the single’s appeal and positions it as a strong candidate for categories such as Best Global Music Performance or Best R&B Performance.

     

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    The Impact of MORAYO Album in the Global Music Scene

    Morayo, Wizkid’s new album, is shaping up to be another remarkable addition to his discography, pushing the boundaries of Afrobeats into new sonic territories. Early reactions to the album indicate a fusion of multiple genres that highlight Wizkid’s versatility. The album, with ‘Piece of My Heart’ as a leading single, may find itself competing in multiple GRAMMY categories, not only for individual tracks but potentially for the entire album.

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    Why ‘Piece of My Heart’ Stands Out for the GRAMMYs

    ‘Piece of My Heart’ distinguishes itself with its sophisticated production, skillful instrumentation, and emotive lyrics. The song’s depth and relatability speak to the universal theme of love’s complexities, a factor that often resonates with the GRAMMY audience. Produced with a meticulous blend of contemporary sounds and African rhythms, the song demonstrates Wizkid’s ability to innovate while staying true to his roots. This balance of innovation and authenticity aligns well with GRAMMY standards, making ‘Piece of My Heart’ a fitting candidate for recognition.

    Afrobeats’ Growing Presence on the GRAMMY Stage

    The rise of Afrobeats over recent years is a testament to the genre’s global appeal, with artists like Burna Boy, Davido, and Tems making waves internationally. This growing acceptance has paved the way for Afrobeats to be acknowledged in the world’s top music awards. Wizkid, as one of the genre’s most celebrated ambassadors, has been instrumental in building this momentum. A GRAMMY nomination for ‘Piece of My Heart’ would not only be a personal achievement but a victory for Afrobeats as a genre, representing its evolution and increasing influence on global music.

    ‘Piece of My Heart’ in the Context of Modern Afrobeats

    With its compelling rhythm and distinct sound, ‘Piece of My Heart’ represents the modern face of Afrobeats. The track incorporates a refined Afrobeats style that is both rich in traditional elements and accessible to international listeners. By marrying Afrocentric melodies with mainstream appeal, Wizkid and Faiyaz have created a song that captures the heart of contemporary African music, making it a viable contender for Best Global Music Performance.

    Critical Reception of ‘Piece of My Heart’ and MORAYO

    Since its release, ‘Piece of My Heart’ has received overwhelmingly positive feedback from fans and critics alike. Wizkid and Brent Faiyaz’s ‘Piece of My Heart’ broke the all-time record for most single-day streams for any song in Spotify Nigeria history (1.016 million). Many have praised its polished production, powerful lyrics, and the seamless chemistry between Wizkid and Faiyaz. Such acclaim increases the track’s visibility and chances for GRAMMY consideration, as positive critical reception often influences the Recording Academy’s decisions.

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    Potential GRAMMY Categories for ‘Piece of My Heart’

    The song’s unique attributes position it well for several GRAMMY categories, including:

    – Best Global Music Performance: Recognizing its powerful blend of African and R&B influences.

    – Best African Music Performance: Wizkid’s discography has earned him a spot as a top contender.

    – Record of the Year or Song of the Year: Considering its popularity and crossover appeal.
    – Best Pop Duo/Group Performance: Recognizing the collaboration between Wizkid and Brent Faiyaz.

    Each of these categories aligns with the song’s qualities and reflects the growing acceptance of Afrocentric music on the global stage.

    As a pioneer in globalizing Afrobeats, Wizkid’s success story has inspired countless artists from Africa and beyond to explore international collaborations. His influence has encouraged a new generation of musicians to push creative boundaries and bring African music to new audiences.

    Challenges in Securing a GRAMMY Nomination:

    While ‘Piece of My Heart’ has considerable strengths, it will face competition from numerous entries across different genres. Additionally, Afrobeats, though popular, is still emerging on the GRAMMY radar. These factors present potential challenges but make a GRAMMY win all the more meaningful.

    As anticipation builds for the 67th GRAMMY Awards, ‘Piece of My Heart’ emerges as a strong candidate for nomination. With its unique fusion of Afrobeats and R&B, universal themes, and an inspiring collaboration, Wizkid’s latest single is more than just a song—it’s a testament to the global influence of African music. Wizkid’s journey to the GRAMMYs is a story of cultural fusion, resilience, and innovation, qualities that make ‘Piece of My Heart’ a track deserving of GRAMMY recognition.

     

    FAQs

    1. Has Wizkid won a GRAMMY before?
    Yes, Wizkid won a GRAMMY in 2020 for his work on ‘Brown Skin Girl’ with Beyoncé.

    2. What genre does ‘Piece of My Heart’ fall under?
    The song blends Afrobeats with R&B, combining elements of both genres for a distinctive sound.

    3. Who is Brent Faiyaz, and what is his role in the song?
    Brent Faiyaz is an American R&B artist known for his soulful music, and he adds a unique vocal texture to ‘Piece of My Heart.’

    4. What makes MORAYO a standout album?
    MORAYO is a genre-blending album that showcases Wizkid’s versatility and captures a modern fusion of African and Western sounds.

    5. How does ‘Piece of My Heart’ reflect Wizkid’s growth as an artist?
    The song reflects his growth by combining deep lyrical themes with a polished, international sound, showcasing Wizkid’s development and innovation.

     

  • African artists likely to be nominated at the 67th GRAMMY Awards

    With the vibrant sounds of Afrobeat, Amapiano, and Afropop captivating global audiences, African artists have risen to unprecedented heights in 2024. The 67th GRAMMY Awards are just around the corner, and a stellar lineup of African talent is in contention for the prestigious nominations. Music composer, GRAMMY member Manny King John highlights his top picks for the 67th GRAMMY Awards to be announced on the 8th of November, 2024. Here’s a look at the African artists who have made waves this year and are most likely to snag a nomination at the upcoming GRAMMYs.

    1. Burna Boy

    Burna Boy has continued his global ascent in 2024, building on his previous GRAMMY wins and nominations. Known for his seamless blend of Afrobeat, dancehall, and hip-hop, Burna’s recent work has demonstrated his versatility and lyrical prowess. This year, he has pushed the boundaries of African music, with compelling storytelling and beats that resonate worldwide. His standout performances and collaborative projects have further cemented his place in the global music scene, making him a strong contender once again.

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    2. Davido – ‘Joy’ ft. Angelique Kidjo

    Davido has had an unforgettable run this year, particularly with his track ‘Joy,’ featuring the iconic Angelique Kidjo. The song combines Afrobeat rhythms with rich, melodic vocals, creating a track that resonates deeply with fans around the globe. Davido’s dedication to his craft, coupled with his ability to collaborate with international icons, has solidified his place as one of Africa’s top musical exports. ‘Joy’ is not just a hit; it’s a cultural phenomenon that speaks to Davido’s talent and influence.

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    3. Tyla – ‘Jump’ ft. Gunna & Skillibeng / ‘One Call’ ft. Omah Lay & Spinall

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    South African sensation and Grammy winner Tyla has captured the music industry’s attention with her debut album and she is here to stay. With two global hits, ‘Water’ and ‘Jump’, Tyla has made her name and presence profound. Known for her unique voice and infectious energy, Tyla has seamlessly blended Afrobeat with elements of Amapiano, R&B, and dancehall. Her collaborations with renowned artists Gunna, Skillibeng, and Omah Lay have showcased her versatility and placed her at the forefront of African pop music. Both songs have charted internationally, proving Tyla’s star power and making her a likely contender for this year’s GRAMMY nod.

    4. Rema

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    The Rave-Lord could have taken the glory last year if his chart-topping hit with Selena Gomez was released within the eligibility period, but notwithstanding, Rema has been on an unstoppable journey, having released his second album ‘HEIS’, he is consistently breaking records with his catchy Afrobeats tunes and collaborations. Known for his youthful energy and genre-blending style, Rema’s music appeals to both African and international audiences. His distinctive sound, which fuses traditional African rhythms with trap and pop elements, has positioned him as one of Africa’s brightest stars. With hits that have dominated airwaves and streaming platforms, Rema’s potential for GRAMMY recognition is undeniable.

    5. Asake – ‘MMS’ ft. Wizkid/ ‘Active’ ft. Travis Scott

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    Asake has taken the Afrobeat world by storm in 2024, particularly with his hit ‘MMS’ featuring Wizkid. Asake’s unique approach to Afrobeat, infused with street-hop vibes and a catchy chorus, has made him a standout artist this year. His collaboration with Wizkid has further elevated his profile, showcasing his ability to create memorable music that resonates across diverse audiences. Asake’s star is on the rise, and ‘MMS’ has all the ingredients of a GRAMMY-worthy hit. Asake might snag a nod with ‘ACTIVE’, which is undeniably one of the hardest song released in 2024. I do not want to write too much about this song personally because I might be biased, but this feature marks Travis’s first and major feature/collaboration with a Nigerian artist who lives on the continent. That being said this is a big win for Asake and African music as a collective.

    6. Tems

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    Tems has become a household name worldwide, thanks to her soulful voice and powerful lyrics. Known for her emotive delivery and captivating performances, Tems has continued to build on her success in 2024. Her ability to connect with listeners on a deep level, coupled with her genre-defying music, makes her a favorite for the upcoming GRAMMYs. Her unique style has not only garnered a massive fan base but has also solidified her status as a leading figure in contemporary African music.

    7. Diamond Platnumz

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    Tanzanian superstar Diamond Platnumz has enjoyed a remarkable year, expanding his reach beyond East Africa and gaining traction in international markets. Known for his Bongo Flava style, Diamond has demonstrated versatility by embracing diverse genres and collaborating with international artists. His dynamic performances and ability to blend traditional and modern sounds have made him a top contender for GRAMMY recognition, representing East Africa’s vibrant music scene on the global stage.

    8. TitoM & Yuppe – ‘Tshwala Bam’

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    Emerging duo Tito & Yuppe have made waves with their track ‘Tshwala Bam,’ a song that perfectly captures the essence of Amapiano and its infectious beats. The duo’s creativity and chemistry have led to a fresh sound that has taken the music world by storm. With ‘Tshwala Bam,’ Tito & Yuppe have not only showcased their artistic prowess but have also put Amapiano in the spotlight, making them strong contenders for GRAMMY nominations in 2024.

    9. Omah Lay – ‘Moving’

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    Omah Lay’s ‘Moving’ is another song that’s captured global attention this year. Known for his emotive voice and smooth delivery, Omah Lay has consistently released songs that resonate with listeners across continents. ‘Moving’ stands out with its captivating lyrics and mesmerizing beat, establishing Omah Lay as one of the most influential voices in African music. His ability to connect with audiences and his steady rise in popularity make him a prime candidate for a GRAMMY nomination.

    10. Chris Brown – ‘HMM’ ft. Davido

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    Chris Brown’s collaboration with Davido on ‘HMM’ has blended R&B with Afrobeat in a way that has captivated fans around the world. Although Chris Brown is not African, his ongoing collaboration with African artists has helped bridge cultural divides and bring Afrobeat into mainstream R&B and pop. ‘HMM’ is a standout track that celebrates this fusion of sounds, making Chris Brown a potential nominee in categories that recognize global collaborations and genre-blending music.

    Conclusion

    As the 67th GRAMMY Awards approach, the world watches to see which African artists will make the nomination list. Each of these artists has made significant contributions to music this year, and their work is a testament to the creativity, diversity, and talent that African music brings to the global stage. From genre-defining hits to cross-continental collaborations, these artists continue to break boundaries, proving that African music is here to stay.

  • Cleo Sol tells Apple Music about her collaboration with Flo, how pregnancy impacted her creative process, and ‘Fear When You Fly’

    Cleo Sol sits down with Apple Music’s Zane Lowe to dive into the impact her music has had on listeners around the world. Throughout the conversation, Cleo takes listeners on a journey through her last three album releases, talks about her life-changing collaboration with Flo and how pregnancy impacted her creative process. To close out the conversation, Cleo teases new music in over a year and gives Zane a sneak peek of her new song, ‘Fear When You Fly’.


    Video | Cleo Sol tells Apple Music about her collaboration with Flo, how pregnancy impacted her creative process, and teases a new song, ‘Fear When You Fly’

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    Cleo Sol tells Apple Music about letting her music be a vessel of listener’s emotions

    Cleo Sol: That’s good to hear because that was the goal. That was honestly the goal. It was like you have your life and you have this gift. You don’t know if it’s something that people want to hear. You don’t know if your stories are things that people want to hear, but you do it anyway, and people are listening and it’s nice. People send me nice messages and sometimes I can’t read them. It’s so much, it can be quite heavy and I’m like, “Whoa, you listen to my music through that?” And I’m like, okay, that’s what God has given me this gift for, and I just pray. Every day I wake up, I’m like, “I just pray you use me for the day.” That’s the most important thing.

    Zane Lowe: Yeah, it’s clear to me you understand the importance of letting go and allowing yourself to be a vessel.

    Cleo Sol: Yeah. It’s the most important thing. I’ve done, like go to studio, “Yeah, I know what I’m doing,” and nothing comes out. And then you’re like, “Oh wow, I’m really shit. Wow, what happened?” Yeah, I can sing. I know I can sing, but there’s more to it than just having a nice voice. There’s the stories, there’s the intention, not overdoing it. I don’t like the too perfect thing. I don’t know what it is. I know it’s God, so I try and keep my vessel clear and clean and try not to let too much distractions get in the way.

    Cleo Sol tells Apple Music about her partnership with Flo

    So important, the most life-changing thing. I think we both had been through so much stuff when we met each other, we were just like, no one’s backing us. No one was waiting for music. There was no nothing. I had one team member at the time who wasn’t answering my emails, and I love her to this day, we still communicate, but at the time, it fades out and there’s nothing going on and I wasn’t really doing much. He had come back from America, it didn’t work out there, and we met and the first thing he said, I was like, “I don’t want auto-tune on my voice.” We linked up through our managers who we don’t have now, but that’s why I’m saying it’s a blessing in disguise. And he was like, “I don’t use auto-tune.” And I was like, “Whoa, this is great.” He was like, “You don’t need auto-tune.” And I was like, “I know, but this is the thing I battle with with people.”

    Cleo Sol tells Apple Music about releasing her albums ‘Heaven’ and ‘Gold’ back-to-back

    Cleo Sol: But the ‘Gold’ album, it was a long time coming, and it was one, it was like what are we doing this for? And it ended up being every song was the relationship with God and giving thanks, and the relationship that was built and is vulnerable. I didn’t know if I ever wanted to release that album because it was so heart-opening.

    Zane Lowe: It came out literally two weeks after ‘Heaven.’

    Cleo Sol: Yeah.

    Zane Lowe: Was that part of the reason why it came out so quickly, was because you came to that conclusion within that two weeks to release the album?

    Cleo Sol: To be fair, it was off the cuff. So it was like I wanted to put music out and ‘Heaven’ was a mix of stuff we had which I loved which we had compiled together, and then ‘Gold’ was a finished product. But I was like, we can’t just leave ‘Heaven.’ Heaven’s not to be left. Heaven’s to be loved and given, because otherwise we call them hard drive classics. They just stay in the studio forever.

    Cleo Sol tells Apple Music about her emotional connection to her song ‘Lost Angel’

    Zane Lowe: Is there a song that you’ve recorded in here that was particularly, I know they all are, or one or two that were really touching for you that you really felt, experience emotion in a different way?

    Cleo Sol: I think the songs from ‘Gold,’ I think “Lost Angel,” “In Your Own Home.” It’s about being safe, trusting. I feel like I’m going to have a little moment, but my cousin passed away last year and they played “Lost Angel,” but I didn’t end up going because I was doing the Sault gig. But for it to be used, he actually had messaged this to me before he passed away. He had messaged that was his favourite song off the album, so when I hear it, I think of him but in a beautiful way. I just know it’s bigger than me and I think that’s why I get emotional sometimes, because it’s overwhelming. I know that it’s like I’m just being used as a vessel.

    Cleo Sol tells Apple Music about creating her album ‘Mother’

    Zane Lowe: And being a parent and creating an album like ‘Mother,’ when I listen to that now, it sounds to me like someone who’s discovered motherhood but needs to acknowledge and address some of the failings or areas in life as a child that you experienced in order to be the best parent you can be. Is that what that album represents?

    Cleo Sol: Yeah, definitely. And I think both my parents, we’re all humans, so becoming a parent, my parents were 25, 26 when they became parents. You have to understand, they wanted to be musicians. They didn’t know what they were doing. They were in love, it was fast love. They had a child. They didn’t end up staying together, so yeah, it was up and down. I think when I had made that album, it was so fresh being a mother, and what I would do differently and what I feel like my dad should have done differently. Now, I’ve come to a state of, like I was saying earlier, grace and understanding, that I have an understanding how hard to be a parent is.

    Zane Lowe: You have the experience.

    Cleo Sol: I have the experience, so I want to give them love. If anything, I have so much love for parents because it’s not easy, and just respect to everyone trying and just showing up in the way that they know. To be honest with you, like I was saying, there wasn’t a lot of communication in my home in terms of what’s going on. Parents going through things, my mom passed away, my mum’s dad passed away, passing aways in the family, friends, the communication is just like, “That person’s gone to heaven.” There’s not a conversation about death, about grieving. Just anything. Emotions, if you’re having a bad day. Most of the time when a parent’s going nuts at a child, it’s usually not the child’s fault. They’re probably dealing with something, and having that understanding now, oh, they were just young people trying to figure it out, and feeling that album out through that.

    Cleo Sol tells Apple Music about how her pregnancy impacted her creative process

    Cleo Sol: I think the whole of the pregnancy, I was really feeling creative but not really actualizing it, always listening and making music but not creating something of substance sometimes. I think it’s important to live life. As a creative, it’s important to live life, feel life out. That’s how I personally grow. So then when it came to ‘Mother,’ it was like, oh, I’m a whole different person now. Even one hour after I become a mom, I’m a whole different person now, because now it’s not about me.

    Zane Lowe: Did you feel when you began to sing the songs, did it feel different the way you were approaching your music as well?

    Cleo Sol: Yeah, and I think what people don’t tell you is when you become a parent, your relationships with every single other person changes as well, so that was overnight. My family, the relationships changed, my friends, and then you start to think time is so important, so why am I meeting you? I know that sounds mad, but I don’t have time to spare because I have a child who needs me, so we have to give something to each other when we are meeting each other. And I had to set new boundaries in place. That was interesting, and it was a lot with family you have to set boundaries in place.

    Cleo Sol debuts a new song, ‘Fear When You Fly’, for Apple Music

    Zane Lowe: Are you making new music?

    Cleo Sol: I am. I want to play you something too. Yeah, I am. I’m always making new music. To put it out, that’s another story. This stuff I do want to put out, so building it, in the process of building it. So yeah, I don’t know how we can play it to you.

    Zane Lowe: Yeah.

    Cleo Sol: Can we play it now?

    Zane Lowe: Yeah.

    Cleo Sol: Hey.

    Zane Lowe: Amazing. Oh my God, this is epic.

    Cleo Sol: It’s called ‘Fear When You Fly’.


  • Wale announces “Gifted Week” in Washington, DC

    At the beginning of the month, Wale announced “Gifted Week”, a week-long community event series celebrating DMV culture from November 10-17. The week comes at the end of his thirty-two-city ‘Every Blue Moon Tour’, in the lead up to his sold out show at the MGM in Maryland on Nov 15, 2024. Last November, Wale played a tenth anniversary show for his album ‘The Gifted’ at the world renowned Kennedy Center in the city, where he received a proclamation from DC Mayor Muriel Bowser designating November 10 as “Wale Day” in DC. For this upcoming Wale Day, alongside his hometown show, Wale “wanted to do something special for home, to unite the next generation of artists and athletes.”

    The week will include a Sneaker Design Workshop in partnership with Nike, a Youth Football Clinic in partnership with the Washington Commanders, a poetry jam and open mic night, a panel on the intersection of music and sports, and other events throughout the DC metro area. The week also coincides with DC’s Gogo Appreciation Week, an acknowledgement of the area’s hometown genre and effort to keep its musical community alive. “Gifted Week” is sponsoured by EQT, Nike, the Washington Commanders, DC OCTFME, DC Commission on Arts & Humanities, Monumental Sports, and more.

    Tickets: All events during “Gifted Week” are free and open to the public on a first come, first serve basis.


    ADVERTISEMENT

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    Schedule

    Nov 10 – Wale Day / Commanders Game vs. Pittsburgh Steelers, @ Northwest Stadium
    Nov 11 – Sneaker Design Workshop with Nike
    Nov 12 – Youth Football Clinic with Washington Commanders
    Nov 13 – DC Poetry Jam + Open Mic @ Culture DC
    Nov 14 – Intersection of Music and Sports Panel @ The Gathering Spot DC
    Nov 15 – Wale Live @ The Theater at MGM, Fort Washington, MD
    Nov 16 – MGM Afterparty @ Felt Lounge, Fort Washington, MD
    Nov 17 – Washington Wizards vs. Detroit Pistons @ Capital One Arena


  • ‘Missing From Fire Trail Road’ highlights missing Indigenous women in North America: Watch the trailer

    “Complex tribal jurisdictional issues have turned reservations into lawless zones and hunting grounds for predators.”

    A two-minute trailer for ‘Missing from Fire Trail Road’ explains the bone-schilling disappearance of Mary Ellen Johnson-Davis, who has been missing for more than two years. In its opening, the story unravels with her sisters and other tribal members disclosing what may have happened to her. According to the police officer shown in the trailer, the film crew drove up a road where they believe the victim was seen last. It happens to be near a Native-American reservation (Tulalip).

    Further into the narrative, we learn that Johnson-Davis was married, and her relationship with her husband was sketchy and rocky. For example, her marital partner allegedly took all of her money, left her with nothing and vanished. Like, that’s a fire-engine-red red flag. It gets even scarier. We learn about how many Indigenous women are trafficked across state lines — moved, murdered, and their bodies dumped or buried. It gets worse. Due to tribal jurisdiction laws, they do not possess criminal jurisdiction over non-natives. Therefore, non-natives can go scot-free even if suspected of committing a crime against Native women. The crimes go unsolved.

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    But as the film’s text offers: this crisis has historical roots and emanates from the genocide created by institutional policies to eradicate an entire culture. This film sheds light on the weight of generational trauma and discrimination that indigenous women continue to face.

    Watch the riveting trailer to learn more about her life, human trafficking, and the fight for visibility and human rights for Indigenous women. The investigation is at a standstill, unfortunately.

    [youtube=https://www.youtube.com/watch?v=1gr_t4glsRw&h=315]