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Category: News
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Hackers linked to stealing $600K worth of Taylor Swift concert tickets arrested
In a recent crackdown on cybercrime, two individuals from Queens, New York, have been arrested for allegedly orchestrating a scheme that exploited a loophole in StubHub’s system to steal and resell digital tickets for high-profile events, including Taylor Swift’s ‘The Eras Tour’. The operation reportedly netted over $600,000 between June 2022 and July 2023.
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[/media-credit]The alleged scheme
Tyrone Rose, 20, and Shamara P Simmons, 31, are accused of collaborating with associates employed by a third-party contractor for StubHub based in Kingston, Jamaica. These insiders allegedly intercepted legitimate ticket URLs and forwarded them to Rose and Simmons in Queens. The duo would then download these tickets and resell them on StubHub at inflated prices. This method allowed them to bypass standard security measures and profit from events they had not purchased tickets for.
Scope of the fraud
The fraudulent activities encompassed more than nine-hundred digital tickets, with a significant portion targeting Taylor Swift’s ‘The Eras Tour’. Other affected events included concerts by Adele and Ed Sheeran, NBA games, and the US Open Tennis Championships. The scheme compromised approximately 350 StubHub orders, leading to substantial financial losses for both the company and unsuspecting customers.
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Legal proceedings
Both Rose and Simmons have been charged with grand larceny, computer tampering, and conspiracy. If convicted, they could face prison sentences ranging from three to fifteen years. Following their arraignment, they were released without bail and are scheduled to appear in court on March 7.
StubHub’s response
StubHub has been actively cooperating with authorities throughout the investigation. The company has terminated its partnership with the implicated third-party contractor and has implemented enhanced security measures to prevent similar incidents in the future. Affected customers have been contacted and offered refunds or replacement tickets.
Official statements
Queens District Attorney Melinda Katz emphasised the severity of the crime, stating, “According to the charges, these defendants tried to use the popularity of Taylor Swift’s concert tour and other high-profile events to profit at the expense of others.” She highlighted the collaborative efforts between law enforcement and industry partners in uncovering the scheme and bringing the perpetrators to justice.
Ongoing investigation
Authorities are continuing their investigation to identify and apprehend additional co-conspirators involved in the operation. The case underscores the importance of cybersecurity and the need for vigilance among companies and consumers alike to protect against such fraudulent activities.
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Alec Muffet says the United Kingdom secretly sponges encryption advice from government websites
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[/media-credit]According to a report on TechCrunch, the UK government has allegedly removed encryption advice from its government websites without notifying the public. The alleged news comes weeks after “demanding backdoor access to encrypted data stored on Apple’s cloud storage service, iCloud.” A security expert, Alec Muffet, discovered the alleged changes and wrote a blog post on Wednesday to bring light to the UK’s National Cyber Security Centre (NCSC) alleged motions. To learn more about what’s happening in the United Kingdom and Apple challenging the UK’s data access order in the Investigatory Powers Tribunal (IPT), you can visit this link.
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Mike Epps says ‘Last Friday’ is in the works
Bringing an exciting franchise to an end, Mike Epps confirmed through his interview with The Breakfast Club that the final movie from the ‘Friday’ franchise is currently in the works.
Known for his iconic role in the unforgettable ‘Friday After Next’ as Day-Day, the actor said he received a call from Ice Cube. The legendary rapper, actor and filmmaker explained that they finished the deal. As far as the film’s creative direction, Epps told The Breakfast Club that the cast would include the younger generation specifically naming DC Young Fly and wanting Chris Tucker to return as “Smokey” from the original film released in 1995.
Epps shared, “People still love Chris Tucker, he’s still Smokey. He laid it down, he positioned me to do it. So Chris, if you’re listening, we need you, baby boy. Come on back.”
Last year in June, Ice Cube disclosed that he and Warner Bros were finally working thanks to the studio’s new leadership. According to reports, both parties were in a battle over rights and creative control.
[youtube=https://www.youtube.com/watch?v=bE1X0o79GcQ&h=315]
You can watch the interview above to see what the American movie star/comedian has been up to.
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KFC celebrates inspirational African women accelerating action towards equality
International Women’s Day initiative highlights leaders tackling the continent’s gender gap
Progress in closing the gender gap in South Africa and Sub-Saharan Africa has almost halted, leaving millions of women at a disadvantage to men. But female role models across the continent are refusing to admit defeat, dedicating themselves to accelerating progress towards gender equality.
To mark International Women’s Day on March 8 and honour its theme of “Accelerate Action”, KFC Africa has collected the stories of dozens of women who are taking bold steps to advance equality on the continent by educating, empowering and supporting women to achieve more, together, faster.
KFC Africa’s list contains the names of 54 women – one for each year the company has been in Africa – and follows its successful International Women’s Day campaign in 2024 which introduced an inaugural list of 53 “female firsts”. Each of those women had overcome educational, social and financial obstacles to achieve something no woman in their country had done before.
The 2025 list, drawn from each of the 22 Sub-Saharan Africa countries where KFC has restaurants, also has its share of female firsts – people such as Dior Fall Sow, Senegal’s first female prosecutor; Nelly Mutti, the Zambian parliament’s first female speaker; and Adelaide Retselisitsoe Matlanyane, the first woman to lead Lesotho’s central bank.
The list is dominated, however, by younger women who are breaking the mould – particularly in the technology sector – and showing they can do anything they set their mind to, regardless of age or gender.
They include the likes of Christine Ogo, a Cote d’Ivoire physicist who has encouraged thousands of schoolgirls to pursue science, technology, engineering and mathematics; Rachel Sibande, who set up Malawi’s first technology incubator for emerging entrepreneurs and has gone on to teach coding to 92,000 women and children; and Regina Honu, whose Tech Needs Girls movement in Ghana has trained more than 20,000 women and girls to code.
Gender gap
“It’s a powerful list that gives us hope after the World Economic Forum’s Global Gender Gap Report in 2024 showed that progress seems to have ground to a halt,” says Akhona Qengqe, General Manager of KFC Africa.
The report showed that 68.4% of Sub-Saharan Africa’s gender gap had been closed, only marginally higher than 68.2% in 2023. South Africa, whilst being Africa’s highest scorer and ranking 18th out of 146 nations, went backwards, from 78.7% in 2023 to 78.5% a year later.
“The report says that at the current rate of progress, it will be 2158 until the world reaches full gender parity”, says Qengqe. “That’s why we need to accelerate action, particularly in Africa, and why the efforts of the women on the KFC list are worthy of recognition and support.”
In her seven years at KFC – she was as director of Africa franchise development, director of transformation and diversity and chief people officer before taking over as general manager in April 2023 – Qengqe has prioritised female empowerment.
Her initiatives include spearheading KFC Add Hope, a women-led programme that serves free meals to tens of thousands of children at more than 3,000 feeding centres across South Africa.
In 2021, she launched the Women on the Move leadership development programme, which prepares 22 women at KFC for future leadership positions every year, cultivating a pipeline of talent. Within two years, the number of female leaders in the business grew by 14%.
Transforming franchising
Last November she turned her attention to the wider quick service restaurant sector, launching Women in Franchising Africa (Wifa), the first network for current and aspiring female franchisees and franchisors across the continent.
“To say I am passionate about the inclusion of women in growing our economies is an understatement. It is in fact one of my life’s purposes”, she says. “My partners in Wifa intend to transform the participation of women in the franchising sector across African economies.
“We want to educate women on how to run successful franchise businesses, provide networking opportunities for like-minded women, transform the sector by making funding accessible to women, and create mentorship opportunities for all the women in the network.”
KFC Africa Chief People Officer Nolo Thobejane says “Accelerate Action” is a call to look at what has a positive impact on women’s advancement and replicate it.
“This is a journey we need to embark on together as we learn from each other. I cannot stress enough the importance of forming alliances and partnerships to amplify impact. By working together, organisations and individuals can share resources, knowledge, and support to create a more inclusive and equitable environment for women.”
“At KFC, we have implemented some programmes which have yielded great results – such as the Women on the Move Leadership programme to ensure the pipeline of leaders, developing them with quality education and training through initiatives like our Streetwise Academy and then providing career support into positions of leadership.”
“Other successful initiatives organisations can implement include designing and building infrastructure that meets the needs of women and girls, involving them in sustainable agriculture, and elevating their participation and achievement in sport, as we do with KFC Mini Cricket.”
“There’s a lot we can do as individuals, too – we can call out stereotypes, challenge discrimination, question bias and celebrate women’s success. Everyone everywhere can Accelerate Action.”
Qengqe says the new list of 54 names brings to 107 the number of inspirational African women KFC has honoured and recognised in the past two years. “We know this is the tip of a wonderful iceberg, and we welcome nominations of other women who are Accelerating Action in Africa.”
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President Donald Trump’s death penalty proposal for drug dealers sparks controversy
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[/media-credit]President Donald Trump has reignited discussions on capital punishment by proposing the death penalty for drug dealers, a stance he describes as “very humane” to deter drug-related crimes. This proposal aligns with his broader agenda, known as Agenda 47, which outlines various policy initiatives for his potential return to the White House.
Historical context
Trump’s advocacy for capital punishment in drug-related offenses is not new. In 2018, during a speech in New Hampshire, he officially proposed the death penalty for certain drug dealers as part of his administration’s efforts to combat the opioid crisis. This initiative was part of a broader strategy to address the surge in overdose deaths, which had reached alarming rates at the time.
Recent developments
In a recent rally in Nevada, Trump brought attention to the issue by highlighting the tragic death of Marine veteran Nicholas Quets, who was killed in Mexico by individuals reportedly linked to a drug cartel. Trump vowed to address such incidents by implementing stricter measures against drug smugglers and human traffickers, including the death penalty.
Executive actions
Building on his previous stance, Trump signed an executive order directing the Attorney General to assist states in obtaining lethal injection drugs, aiming to facilitate the enforcement of capital punishment. This move seeks to restart federal executions after a moratorium imposed in 2021.
Public health expert criticisms
Public health experts have criticised Trump’s proposal, arguing that it may not effectively deter drug trafficking and could divert attention from more comprehensive approaches to addressing substance abuse and its root causes.
Conclusion
Trump’s renewed call for the death penalty for drug dealers has sparked a complex debate that touches on criminal justice, public health, and ethical considerations. As discussions continue, it remains to be seen how this proposal will influence policy decisions and public opinion in the lead-up to the next presidential election.
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Massively decreased stream count adjustments on Spotify cause fan uproar
Spotify, the world’s leading music streaming platform, has recently come under fire from both artists and fans due to adjustments in its streaming algorithms and policies. These changes have sparked widespread discussions about the platform’s influence on music consumption and the livelihoods of artists.
Algorithmic changes and artist concerns
One significant issue that has emerged is the alteration of the “Fans Also Like” feature. This feature, which suggests artists similar to the one a user is currently viewing, has reportedly undergone updates that have led to inaccurate associations. For instance, a melodic Techno artist found their profile linked to Rap and Country artists, genres that do not align with their musical style. This misalignment has raised concerns amoung artists about the efficacy of Spotify’s algorithms in accurately representing their music and connecting them with the appropriate audience.
Additionally, there have been broader criticisms of Spotify’s recommendation algorithms. Some users feel that the platform’s focus on repetitive exposure to previously played tracks limits the discovery of new music, thereby reducing the overall user experience. This approach has been described as “simple-minded”, with claims that it prioritises user engagement metrics over genuine music discovery.
Artificial streaming and platform policies
Spotify has also been addressing the issue of artificial streaming—instances where streams are generated through non-organic means, such as bots or coordinated fan activities aimed at inflating play counts. The platform has clarified its stance, urging artists to discourage fans from engaging in inauthentic streaming practices. Spotify’s policies emphasise that whilst encouraging fans to listen is acceptable, orchestrating efforts to manipulate stream counts violates their guidelines. Consequences for such actions include the withholding of royalties and adjustments to public metrics to reflect genuine engagement.
Impact on artists and the music industry
These developments have intensified the ongoing debate about Spotify’s role in the music industry. A recent exposé, “Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist” by Liz Pelly, delves into how the platform’s dominance has reshaped listening habits and affected artists’ earnings. The book highlights concerns that Spotify’s algorithm-driven playlists may favor certain types of music, potentially marginalising genres that don’t align with the platform’s data-driven strategies.
Moreover, high-profile disputes have brought attention to Spotify’s internal practices. For example, Drake’s allegations that Spotify conspired to inflate streams of Kendrick Lamar’s track ‘Not Like Us’ were met with firm denial from the company. Spotify’s legal representatives dismissed these claims as legally inadequate, reinforcing the platform’s commitment to combating artificial streaming and maintaining fair play counts.
Conclusion
Spotify’s recent stream adjustments have ignited discussions about the platform’s influence over music consumption and its responsibility toward artists. As the company continues to refine its algorithms and policies, the balance between technological optimisation and the diverse needs of the music community remains a critical focal point.
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Jamaican Dancehall icon Sean Paul’s ‘Temperature’ joins Spotify’s Billions Club
His 2005 chart-topping hit becomes his second track to surpass one billion plays on the streaming platform
Dancehall superstar Sean Paul has reached another historic milestone as his 2005 smash ‘Temperature’ surpassed one billion streams on Spotify. The achievement makes it his second track to enter the streaming platform’s prestigious Billions Club, following ‘No Lie’ featuring Dua Lipa.
This milestone arrives as ‘The Trinity’—the album that birthed ‘Temperature’—celebrates its twentieth anniversary this year. Released by VP Records/Atlantic Records, the GRAMMY-nominated, multi-platinum project featured hits like ‘We Be Burnin’’ and ‘Give It Up to Me’, cementing Sean Paul’s dominance in the mid-2000s and becoming one of the best-selling Dancehall albums of all time.
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“Love to know that 20 years later, ‘Temperature’ still strong and potent and providing the service of making people feel good—that is what make me feel good”, says Sean Paul. “Big up to everyone involved, and may the music live on.”
With this achievement, Sean Paul joins Bob Marley and The Wailers as one of the only Reggae/Dancehall artists to have multiple songs in Spotify’s Billions Club, an elite list of fewer than one-thousand songs to ever reach the milestone.
Originally topping the Billboard Hot 100, ‘Temperature’ became the most popular song in America when it hit #1, marking Sean Paul’s third United Starts chart-topper after Beyoncé’s ‘Baby Boy’ and ‘Get Busy’. Produced by Rohan ‘Snowcone’ Fuller on the ‘Applause’ Riddim, the song remains a cultural touchstone, resonating with millions two decades after its release.
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BANKS sits down with Zach Sang ahead of new album ‘Off With Her Head’
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[/media-credit]BANKS sits down with the Zach Sang Show on Amazon ahead of the release of her new album ‘Off With Her Head’. She talks about writing about her boyfriends ex on ‘I Hate Your Ex-Girlfriend’ featuring Doechii, the meaning behind the album title, and how she feels about moving out of Los Angeles.
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BANKS talks about how her new album’s title ‘Off With Her Head’ is not that serious…
“It sounds really heavy and dark, obviously, but it’s actually a really positive sentiment. It kind of means a few things. Number one, living in the past, going over things from the past, rehashing things in your head. Sometimes it’s really hard to just like, shut that down. Even negative voices. It’s really hard to think your way out of those. You can’t think your way around negative, toxic cycles in your head. You have to just cut it off. Off. And so for me, like, Off With Her Head is kind of just like something’s head is severed. If you cut it off, you can’t think anymore. So for me, that was something I kind of said to myself if I’m trying to overcome some sort of negative thought process, just “off with their head,” like, cut it off. And then it also means, like, get out of your head and into your body…..A lot of it is about just being present. And it’s really joyful. And I think that you can’t be present and joyful unless you get out of your head, because you’re just not there if you if you’re living in here.”
BANKS talks about writing ‘I Hate Your Ex-Girlfriend’ about her boyfriend’s ex
“That song started from kind of a joke. We were in the studio, and we were just telling horror stories about just experiences with our exes’ exes, and there were some people with some horror stories. We were all just cracking up at the demented shit we’ve all been through. And we all just, like, took turns with the mic, and somebody like, thought of a really sick bass riff, and I don’t know, sometimes the best hooks are so straightforward and in your face. And I just was like, “I hate your ex girlfriend.” And then we were all like, “that’s kind of a fire hook.” It’s just like, in your face. It’s kind of like that Big Sean song, like, “I don’t fuck with you.” Like, I love that song because it’s like, people say that, like, “I just don’t fuck with you.” It’s nice when there’s a song that’s so simple. A lot of my lyrics are so metaphorical and again, like, I’m not thinking when I’m writing, so maybe after the fact, I’m like, “Oh, wow. Like, that is exactly what I meant.” But for songs like, “I Hate Your Ex,” it can be really fun just to be, like, really cunty.”
BANKS talks about how ‘Make It Up’ (featuring Sampha) was originally started in 2013
‘Make It Up’ with Sampha and Lil Silva started in 2013. I have photos of being in the studio while making that song in 2013 and then we just didn’t finish it. And then when Silva and I reconnected, I was like, “We need to finish this.” It’s cool too, because we wrote the lyrics of that in like 2013. We wrote the chorus and the first verse and the lyrics of the chorus are “Making up for lost time. Make it up with me. We didn’t quite make it last time, but this time, you and me”, and then we didn’t finish it, and then we came back we’re like, whoa. This is about us, it’s saying what has happened, you know. So, that was really cool.”
BANKS talks moving out of Los Angeles and getting engaged
But the culture in Los Angeles is pretty intense. You know, when you’re young and you grew up here, most people who I meet haven’t grown up here, but like when you grow up here, you don’t notice all that stuff. You’re playing soccer, you’re going to your friend’s house, you’re having sleepovers, you know, your mom’s picking you up from school. And I grew up in the valley too. It’s like, a little bit more suburban. But I think just being in this business and living in Los Angeles, and then when you’re in this business, the culture you experience within Los Angeles is a lot of, like, money, looks and fame. That’s like, you know, when you walk in a restaurant, everyone’s like, “Who’s that?” Like, turning their head to see, like, who’s there, you know? And I just got really drained of that and uninspired. That was the main thing. I felt really uninspired by it. I started feeling like I didn’t want to go places, because I felt that energy so much. It’s like when you’re when you’re sensitive to something, it’s like an open wound, and then any little piece of salt that you put in it is like out, whereas, like, if you’re not as sensitive to it. You can go to those places and not notice everyone looking at you, or whatever, you know. But I got to that place where I was just feeling really isolated and not wanting to do anything.
And now I live in Seattle. I really love it. I got engaged and he is from Seattle. And you know, the first few years we were together, we lived in Los Angeles together, but we would go to Seattle. So this was the first time that I was in another place, and I, like, really experienced what it was like to actually live there. Like, where would I go to the market, you know, what would our coffee spot be like, whatever. And I just found myself, every time I was there for like, two weeks or more, I would feel like, just calmer, like I felt like my nervous system was healthier and like I wasn’t like, like in my body didn’t have as much like, inflammation or something like, I just feel like I was less stressed and I was happier. I just felt like, happier. So, then I was like, let’s get out of here. Let’s go move there. And it’s been like, just, I’m so happy that I did it.
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Grand Marnier and GRAMMY award-winning Future join forces for new series of video vignettes
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[/media-credit]Today, Grand Marnier announced the next iteration of its multi-year partnership with GRAMMY-winning Hip-Hop artist and cultural innovator Future. The partnership’s newest element involves the release of original video vignettes, the latest expression of the brand’s ‘Remix Your Legacy, Make It Grand’ campaign, designed to inspire fans to remix their own legacies by breaking the codes of tradition and evolving culture.
The series of vignettes illustrates how Future and Grand Marnier share a vision of reimagining classics. As Future brings his signature style to each scene, Grand Marnier appears as a symbol of excellence, crafted differently in each setting while staying true to its innovative heritage.
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[/media-credit]Additionally, the production of the video vignettes highlights the talents of emerging Black creatives who are elevating creative marketing, including Mahaneela, the director; Shaniqwa Jarvis, the photographer; and Miles DeSouza, the creative director (Team Epiphany).
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Legendary R&B/Soul singer Roberta Flack known for ‘Killing Me Softly With His Song’, 88, passes away
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[/media-credit]Roberta Flack, the GRAMMY-winning singer and pianist renowned for her soulful and introspective style, passed away on February 24, 2025, at the age of eighty-eight. She died peacefully at her home, surrounded by family, as confirmed by her publicist, Elaine Schock. In 2022, Flack announced her diagnosis of Amyotrophic Lateral Sclerosis (ALS), commonly known as Lou Gehrig’s disease, which had rendered her unable to sing.
Born Roberta Cleopatra Flack on February 10, 1937, in Black Mountain, North Carolina, she was raised in Arlington, Virginia. A musical prodigy, Flack received a full scholarship to Howard University at the age of fifteen, where she honed her skills as a classically trained pianist. Her career took a significant turn in the late 1960s when Jazz musician Les McCann discovered her performing at a Washington, DC nightclub.
Flack’s breakthrough came when Clint Eastwood selected her rendition of ‘The First Time Ever I Saw Your Face’ for his 1971 film ‘Play Misty for Me’. The song’s success propelled it to the top of the Billboard Pop chart in 1972 and earned Flack a GRAMMY Award for Record of the Year. She achieved the same accolade the following year with ‘Killing Me Softly with His Song’, making her the first artist to win consecutive GRAMMYs for Record of the Year.
Throughout the 1970s, Flack’s soulful voice and emotive performances solidified her status as a leading figure in the music industry. Her collaborations with fellow Howard University alumnus Donny Hathaway produced memorable duets such as ‘Whereis the Love’ and ‘The Closer I Get to You’. Despite personal tragedies, including Hathaway’s untimely death in 1979, Flack continued to create music that resonated with audiences worldwide.
Beyond her musical achievements, Flack was a dedicated educator and philanthropist. She established the Roberta Flack School of Music in the Bronx, providing free music education to underprivileged students. Her commitment to nurturing young talent and advocating for artists’ rights left an indelible mark on the community. Flack’s influence extended beyond her own recordings. In the mid-1990s, the Hip-Hop group Fugees reimagined ‘Killing Me Softly’, introducing her timeless sound to a new generation and earning a GRAMMY Award for their rendition. Flack’s ability to bridge musical genres and generations underscored her versatility and enduring appeal.
In 2020, she was honoured with a GRAMMY Lifetime Achievement Award, recognising her significant contributions to the music industry. Her legacy is characterised by a series of accolades, including multiple GRAMMY Awards and a lasting impact on both fans and fellow musicians. Roberta Flack’s profound artistry and dedication to her craft have left an enduring legacy in the world of music. Her soulful melodies and heartfelt lyrics continue to inspire and resonate, ensuring that her voice will be cherished for generations to come.