GRUNGECAKE

Category: Films and Movies

  • South Korean actress Kim Sae-ron, 24, has passed away at home in Seongdong-gu, Seoul

    Because of the negative public sentiment around the actress’s name linked to a DUI, Kim Sae-ron couldn’t land new roles, and this seems to be the reason why some news outlets are pointing towards a possible suicide.

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    Kim Sae-ron, an award-winning South Korean actress (24), has died in Seongdong-gu, Seoul, at home. The police say they found no signs of forced entry or criminal activity in a statement to AFP. The authorities have launched an investigation into the unfortunate death. Kim Sae-ron was known for her roles in ‘A Brand New Life’ in 2019 (marking her debut), ‘The Man from Nowhere’, ‘The Neighbor’ and her most recent role in the Netflix original series ‘Bloodhounds’ (2023). According to a report on AllKPop, she planned to return to acting through a theatrical play called ‘Dongchimi’ in 2024 after facing the consequences of a DUI (a 20 million fine won for causing an accident, which converts to $13,800), but she dropped out. At the time, Kim Sae-ron cited health concerns for her departure. Based on a statement from a reported close source, the actress shared that she filmed for a music film called ‘Guitar Man’ in November 2024.

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  • Nelly and Ashanti filming new docu-series, following their marriage and first child together

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    According to a report that aired on Fox 2 St Louis, American superstar entertainer Nelly and famous R&B singer-songwriter Ashanti are allegedly shooting a new one-season docu-series with Peacock after reuniting, marrying and having a baby boy named Kareem Kenkaide Hayes, who was born on July 18, 2024. The show promises to give insight into their lives during their first year of marriage and the birth of their first child. There’s no word yet on when the alleged documentary gets an airdate. The Missouri-bred superstar plans to open a bowling alley in Florissant, also, called, “Dirty Bowling”.

    [youtube=https://www.youtube.com/watch?v=oi5YZAuSd70&h=315]

    The couple dated in 2003, and called it quits in 2013. The 2000s couple reunited in 2023.

    [youtube=https://www.youtube.com/watch?v=O6fDnifSy0w&h=315]

  • Nigerian filmmaker CJ Obasi talks to GRUNGECAKE AFRICA about ‘Mami Wata’, his relationship with cinema, and healing the world

    [/media-credit] CJ Obasi

    CJ Obasi, a visionary Nigerian filmmaker and a dynamic voice in African cinema, has spent his career breaking boundaries and crafting stories that both honour and reimagine the rich tapestry of African folklore. With an unflinching commitment to exploring the mystical and spiritual dimensions of his cultural heritage, Obasi has created films that speak to the depths of ancestral legacy whilst challenging Western expectations of African storytelling. His latest project, ‘Mami Wata’, a stunning monochrome meditation on the myth of the titular water deity, took seven years from conception to its premiere at the prestigious Sundance Film Festival in 2023.

    In ‘Mami Wata’, Obasi employs a distinctive black-and-white aesthetic that, whilst unconventional in contemporary African cinema, he describes as a natural reflection of his early experiences with cinema, which shaped his perception of storytelling. His creative approach echoes his unique perspective on Yoruba and broader African folklore—celebrating traditions whilst also reinterpreting them for global audiences. For Obasi, ‘Mami Wata’ is not merely a cultural artifact but an offering that transcends national and ethnic borders, inviting viewers into the intricate world of West African spirituality.

    [youtube=https://www.youtube.com/watch?v=FPWBaKBYUfw&h=315]

    Beyond ‘Mami Wata’, Obasi’s inspirations span a diverse array of African filmmakers and genres. From the seminal works of Souleymane Cissé to the boundary-pushing artistry of the Surreal16 Collective, a movement he co-founded, Obasi remains a central figure in championing African voices in global cinema. His work, though deeply rooted in his Nigerian identity, has garnered international recognition, leading him to collaborations with Creative Artists Agency (CAA) and positioning him as a cultural ambassador in spaces like the Locarno Film Festival.

    In this interview, Obasi opens up about his journey from a Computer Science student to an acclaimed filmmaker, the challenges of realising his creative vision, and his ongoing mission to produce works that heal and inspire. Through his lens, we gain insight into the inner workings of a filmmaker deeply devoted to his craft and the evolution of African storytelling on the global stage.

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    Richardine: Before you released it, how long would you say it took to create ‘Mami Wata’ from inception to release to the public?

    CJ Obasi: I received the vision in February 2016, and we premiered the film at Sundance in 2023. That’s seven years in the making.

    [youtube=https://www.youtube.com/watch?v=hDInqRafFlk&h=315]

    Richardine: Were there any ideas meant to be part of the story that didn’t make it into the final script?

    CJ Obasi: Ideas, not exactly. I think the ideas I had for the film were fully realised. But loads of scenes were taken out in the edit.

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    Richardine: What made you go with black-and-white?

    CJ Obasi: The black and white wasn’t a choice. This was how I received the film. Actually, seeing the film in colour was the real challenge. Through the years, I would later realise that it had a lot to do with my childhood and the relationship I had with cinema growing up, watching films on our black and white TV, and the connection I forged with stories through that aesthetic.

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    Richardine: For audiences who aren’t familiar with Yoruba deities or African folklore, how would you explain the term “mami wata”? Could one liken it to Oṣun or The Little Mermaid?

    CJ Obasi: ‘Mami Wata’ is only connected with Oṣun as far as they are both Mermaid deities. But ‘Mami Wata’ is rooted in both Anglophone and Francophone West African cultures while also transcending West Africa. And it’s not specific to any particular ethnic group, the way Oṣun is specific to the Yoruba. And where The Little Mermaid is just a cartoon or movie, ‘Mami Wata’ is real to millions of adherents in West, Central and Southern Africa, and beyond – in the Americas.

    Richardine: Aside from ‘Mami Wata’, what else should we check out? Share a brief synopsis. What are they about?

    CJ Obasi: Check out ‘Yeelen’ (1987) by Souleymane Cissé – If I had one singular inspiration for ‘Mami Wata’ (even though it’s a different film) or for cinema in general, it would be this film. It’s a film I keep going back to for its singular vision, and its homage to West African storytelling, and just how Cissé was able to seamlessly imbibe that folklore poetry into the visual medium of cinema.

    [youtube=https://www.youtube.com/watch?v=GRlNG9lJ6rs&h=315]

    Richardine: Are you friendly with other African filmmakers? If so, who should we support and why? Which films should we watch?

    CJ Obasi: I’m friendly with anyone who makes films. Especially if they make it from a place of love and ambition. First, I would say – support my comrades of the Surreal16 Collective – Abba T Makama and Michael Omonua, for braving through what they brave through, especially in an increasingly hostile environment where singular voices are hardly rewarded. I’m quite close to Rungano Nyoni, and I think she’s a genius filmmaker, and I hope she gets her flowers soon in world cinema. Look out for her ‘A24’ film, ‘On Becoming a Guinea Fowl’. Sean Baker is a true champion of indie cinema, not just in words, but in action. He’s been a great supporter of several filmmakers like myself and he deserves all the flowers he’s getting right now. Everyone should go see his Palme D’Or winning film, ‘Anora’. There are several other filmmakers doing great work. I obviously can’t mention all, but I was a jury member at the just concluded Locarno Film Festival, and the work there was beyond inspiring, such as – ‘Hanami’ by Denise Fernandes, ‘Kouté Vwa’ by Maxime Jean-Baptise, ‘Invention’ by Courtney Stephens, and ‘Holy Electricity’ by Tato Kotetishvili. Those are the ones I can think of right now. They gave me itchy fingers and made me want to go make something.

    Richardine: What else are you working on that you can talk about?

    CJ Obasi: I’m working on loads of things. But on the front of my slate is the feature titled ‘La Pyramide: A Celebration of Dark Bodies’ – its a mystical Diaspora cinema voyage that takes places in Salvador, Brazil, New Orleans, Louisiana and Senegal. Right now, we are in the casting and funding stage of the process.

    Richardine: Interestingly, you created comic books as a child. Do you think your imagination was stronger back then, or has it transferred to your films?

    CJ Obasi: I had a stronger imagination as a child for sure. I literally used to be able to check out of “Earth”, so to speak and find myself somewhere else. With adulthood comes bills and responsibilities, so you start to lose that ability, which is a tragedy really. But yes, in a lot of ways film helped me reclaim some of that “magic”.

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    Richardine: You hold a degree in Computer Science from the University of Nigeria (UNN). How easy was it to tell your peers that you were leaving that behind to follow your passion as a filmmaker?

    CJ Obasi: (Laughs) It wasn’t difficult at all. If you interview anyone I went to school with, they would probably tell you I was insufferable. All I ever talked about was films and being a filmmaker.

    Richardine: After ‘Ojuju’, the film you made with zero budget propelled you into an incredible space as a professional director represented by CAA. Take us through that journey. Did CAA discover or approach you through your work?

    CJ Obasi: Yes. CAA discovered and approached me through my work. ‘Ojuju’ specifically. And the first deal CAA handled for me was an option and acquisition deal for the series adaption of ‘Ojuju’ with one of the major studios.

    [youtube=https://www.youtube.com/watch?v=w04umSkXvNo&h=315]

    Richardine: If CJ could do one thing that he hasn’t been able to do yet, what would it be?

    CJ Obasi: Make a film that heals the world. Or one that starts that process of healing. Something idealistic – because we’ve all become too cynical in this world, and it’s not doing us any favours.

  • ‘Missing From Fire Trail Road’ highlights missing Indigenous women in North America: Watch the trailer

    “Complex tribal jurisdictional issues have turned reservations into lawless zones and hunting grounds for predators.”

    A two-minute trailer for ‘Missing from Fire Trail Road’ explains the bone-schilling disappearance of Mary Ellen Johnson-Davis, who has been missing for more than two years. In its opening, the story unravels with her sisters and other tribal members disclosing what may have happened to her. According to the police officer shown in the trailer, the film crew drove up a road where they believe the victim was seen last. It happens to be near a Native-American reservation (Tulalip).

    Further into the narrative, we learn that Johnson-Davis was married, and her relationship with her husband was sketchy and rocky. For example, her marital partner allegedly took all of her money, left her with nothing and vanished. Like, that’s a fire-engine-red red flag. It gets even scarier. We learn about how many Indigenous women are trafficked across state lines — moved, murdered, and their bodies dumped or buried. It gets worse. Due to tribal jurisdiction laws, they do not possess criminal jurisdiction over non-natives. Therefore, non-natives can go scot-free even if suspected of committing a crime against Native women. The crimes go unsolved.

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    But as the film’s text offers: this crisis has historical roots and emanates from the genocide created by institutional policies to eradicate an entire culture. This film sheds light on the weight of generational trauma and discrimination that indigenous women continue to face.

    Watch the riveting trailer to learn more about her life, human trafficking, and the fight for visibility and human rights for Indigenous women. The investigation is at a standstill, unfortunately.

    [youtube=https://www.youtube.com/watch?v=1gr_t4glsRw&h=315]

  • Watch Shyne explain how he was “set up to be the fall guy” after 1999 nightclub shooting in new documentary trailer

    This week amid all the endless accusations against Sean Combs, also widely known as “Diddy”, Moses “Shyne” Barrow appears in Hulu’s documentary trailer to share his side of the story. In the official two-minute thirty-second trailer, the former Bad Boy Records artist and politician recounts the night his life changed forever. He was convicted of first-degree assault, which left three people injured. His former label CEO, Combs was charged with felony. Subsequently, Barrow served ten years in prison and was deported back to his home country, Belize.

    Last year, the two appeared onstage together before the Belizean rapper performed his hit records ‘Bonnie & Shyne’ and ‘Bad Boyz’ in London, England at a charity event. Sean ‘Diddy’ Combs introduced him. If you’re asking yourself, “Why would Shyne continue to be seen or align himself with the main he claims set up him?” He has said that it was solely for the benefit of his country.

    “He was in the position at that time to give scholarships and maybe to invest. I would not deny attempting to bring the investment to Belize and bring the contributions to education.”

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    That’s good for Shyne because I can’t say that I know many people who would be so forgiving and selfless. I am glad he is his country’s Music and Goodwill Ambassador for that reason! He is Leader of the Opposition in the Belize House of Representatives.

    It will be available for streaming exclusively on Hulu on November 18. Watch the official documentary trailer for ‘The Honorable Shyne’ below.

    [youtube=https://www.youtube.com/watch?v=qxsR-e09OFE&h=315]

  • Watch the ‘Winner’ trailer, a comedy about attacks on North America

    In the official trailer to the movie ‘Winner’ directed by Susanna Fogel, a young American child, oddly named Reality Winner (portrayed by Emilia Jones), watches the unfortunate attack on the Twin Towers in New York City on television with her family. Shortly after the opening frame, she’s seen outside in her backyard with her father — aiming and shooting her target with a light pink rifle. To which, she narrates and says, “To some folks, trying to see both sides of a conflict is “un-American… I’m as American as it gets.” According to the movie description, she is a “brilliant young misfit from a Texas border town who loves her pink gun almost as much as helping others. After teaching herself Arabic in high school so she can be of service in the Middle East, Reality is recruited by the Air Force but quickly becomes disillusioned when she finds her morals challenged. After transitioning to a money gig as an NSA contractor, Reality stumbles upon government secrets regarding Russia’s election hacking during the 2016 Presidential campaign. Does she expose the truth or keep quiet? Ultimately, she decides to leak the truth leading to her trial and historic sentencing for espionage.”

    The intriguing title is over an hour (103 minutes) and is not rated. The title comes out on September 13, 2024 — in select theatres and on-demand.

    [youtube=https://www.youtube.com/watch?v=z4ANvRkU3Fk&h=315]

  • ‘Your Monster’: “A romantic-comedy-horror film about falling in love with your inner rage” (See official teaser poster)

    In the Caroline Lindy-directed movie, Laura Franco (Melissa Barrera) gets dumped by her boyfriend (Edmund Donovan). Bringing their long-term relationship to an end whilst she was recovering from surgery at her family’s home, he added insult to injury by going forward with a musical they developed together. It’s not all lost, though. She got something out of it — a new fuzzy “monster” friend (Tommy Dewey) living in her closet who encouraged her to follow her dreams, open her heart and fall in love with her inner rage.

    The movie stars Melissa Barrera, Tommy Dewey, Edmund Donovan, Kayla Foster, and Meghann Fahy. Kayla Foster, Shannon Reilly. Melanie Donkers, Kira Carstensen, and Caroline Lindy produced the film.

    Please see the official teaser poster in all its glory below. It is creative. Isn’t it? It will be in theatres only on October 25, 2024.

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  • Interview: Actor Michael Sirow talks about his role as Tate in Lionsgate’s new action/thriller ‘Boneyard’ movie, working with the star-studded cast, and more

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    Yesterday evening, I had the honour and privilege of interviewing movie actor Michael Sirow, the spirited man portraying Tate in Lionsgate’s ‘Boneyard’. It draws inspiration from a true crime story involving the skeletal remains of eleven women and girls discovered in the New Mexico desert. The direction follows Police Chief Carter, portrayed by Curtis “50 Cent” Jackson, Detective Ortega (Brian Van Holt) and Agent Petrovick (Mel Gibson). If you aren’t familiar with the storyline, watch the not-yet-rated trailer below to see a multi-agency effort to identify and apprehend the killer.

    [youtube=https://www.youtube.com/watch?v=GS5OoPsRkKs&h=315]

    During our chat, Michael Sirow shared what it was like to work with such a legendary cast, the script, what made him take the role, where they shot the movie, and a bit about his work as a producer. Here it is.

    GRUNGECAKE: When did you know you were going to take this role?

    Michael Sirow: Right when I read… Well, I read it. I read the script. And then I reread it very quickly, again, for the reason that there was a separate draft and a later draft, which had been done right then. So I read that one after. So, the second time I read—because I read it twice in a row. So I just was like, “Yes, I want to do this!”

    GRUNGECAKE: Was there anything specific about [the script] that spoke to you?

    Michael Sirow: I, the character had a lot of scenes with girls. So… I’m being stumped. Okay… (He laughs)

    GRUNGECAKE: (Then, I laughed, and I laughed really hard.)

    Michael Sirow: I’m joking. (He laughed) And I get to, I get to say some… I get to behave naughty. I get to be very… and I don’t get to… I don’t get to get away with that at home. I get in a lot of trouble, so… (He laughs)

    GRUNGECAKE: Got you.

    Michael Sirow: So no, no, look… I think that and I like this question because it’s something that I felt would make me uncomfortable to do and say and perform certain things.

    GRUNGECAKE: Okay. (Nodding)

    Michael Sirow: And so in on a serious note, and just like, you know, if I didn’t feel like this was a character where it was just a one dimensional—you get up there and you just say a bunch of stuff and look really, you know, act really nasty. It’s just there’s more more to this guy, I thought, then that.

    GRUNGECAKE: Definitely! He had some some depth to him.

    Michael Sirow: Yeah, [it] was fun, so…

    GRUNGECAKE: Yes, indeed. How was it working with your cast members? And do you have any teaching moments from working with the cast?

    Michael Sirow: Oh, boy, um, first of all, they were some of the best I’ve ever encountered. If not, like top top tier, like it was just just the overall experience. Not because you know, Curtis (Curtis “50 Cent” Jackson”) is who Curtis, and Mel (Mel Gibson) is Mel, or Brian and Nora, are who are who they are, but they were just so… and that’s the thing I really have been stressing on a lot of today is just they’re, they’re so easy going and down to earth. And when you’re there past the first couple hours and you realising “Okay, they’re great conversationalist,” you know, like, it just you’re talking about everything else, but the work while you’re waiting around, because there’s so much waiting around.

    GRUNGECAKE: Got you.

    Michael Sirow: But then, when we start getting into it, it’s just like, “Okay, well, let’s just do what we know how to do.” And then, there’s always a little extra coddling to Michael because I need the hand holding. (He smiled and I laughed.) It was… listen, the rehearsals were you know, it was like Summer camp. This to me was what I identify as just really loving what you do. It’s just the perfect version of that because you do… I didn’t want it to… I didn’t want to wrap. I wanted to keep going. I could have shot another three weeks. The only thing I would have changed was I mean, you can’t really do anything about it, but the scorching desert heat is something that…

    GRUNGECAKE: Okay (nodding and smiling).

    Michael Sirow: We shot it in Vegas, so it was no joke over there.

    GRUNGECAKE: Yeah, it’s not a game. I was living over there for three years, so I know what you mean. Okay.

    Michael Sirow: Yeah.

    GRUNGECAKE: Because of that heat, were there any scenes that you found difficult to shoot?

    Michael Sirow: Um, man, we… the raid. There was a raid that we shot. We jumped out of a van and I… may call you Richardine? Right, that’s your name?

    GRUNGECAKE: Yeah.

    Michael Sirow: Richardine…

    GRUNGECAKE: Yeah…

    Michael Sirow: The amount of sweat the amount of faints that just the overall (I laugh) but it was great though. It was like, “Why does this turn me on?” (I laughed) You know, it was kind of like one of those things where it was like we were really enjoying it because we really getting into it.

    GRUNGECAKE: Yeah.

    Michael Sirow: But we were disgusting because we’re so filthy (We laugh). And I, you seen the film so you know what scene I’m talking about.

    GRUNGECAKE: Yes.

    Michael Sirow: That day in particular, people were dropping. I’m not ashamed to say it but it was like we were dropping. No, not in the way where we were fainting, but it was so hot. Like, they just when we would finish, you know, an 18 pack of water. So, the poor PAs would go and they’d come back and it was it was a lot. It was a lot, you know, but you feel like “Well, I don’t have to go to you know any gym for the for the next two months or anything.” (I laugh) It’s really just, sweating out all my body weight.

    GRUNGECAKE: You got your cardio in and everything thing else.

    Michael Sirow: Oh my God! Yeah, yeah, but it was… in that van before we got out that was, you know, it’s like, okay, you know, [sound’s people] “We’re rolling! “Oh, wait! Hold on, hold on!” You know, and it’s like, “No, no, we’re gonna die! Someone’s gonna die!” And so, and I felt bad because those guys… those guys because I had short sleeves on I think.

    GRUNGECAKE: Okay.

    Michael Sirow: But those guys were all in SWAT gear. So I was just like, “Somebody’s going to pass out and we’re going to have to get an IV into into somebody with a bag of sodium sodium chloride. But it was yeah, it was very fulfilling. It was just a great time, you know?

    GRUNGECAKE: So, it says in your bio, that you worked as a producer, also…

    Michael Sirow: Yeah, I started getting into that. And, you know, what’s interesting is like, I got some… An actor friend of mine years ago, was sort of like, “Look, you know, these days of waiting by the phone, you know, going very, just, you go in, you go home, you go and you go home, you know, as far as just auditioning, and then you leave it at the door. And that’s that, and you’re waiting for a phone call.” He’s like, “Those kinds of, you know, those days are coming to a close. And, you know, everyone’s out there trying to create their own opportunities.

    GRUNGECAKE: Yes.

    Michael Sirow: And he was right! He was right. And this was a person of note, and he’s someone that someone’s… you know, everyone’s very familiar with, but he’s like, “Look, I got a lot of my own shit that I’m, you know, I’m passionate about and this and this.” And I said to him, “Yeah, but, you know, you’re you!” (He laughs). So, and I appreciate… but he’s like, “Look, look, it starts off with, you know, the producing, which is a whole separate conversation entirely. But producing can just be is something like where you’re going and just as simple as making an introduction between two sides. It’s, it’s, you know, but then you have, you know, all the other mechanics that come with it, which, you know, that’s for… That’s for smart people. (He jokes and I laugh).

    GRUNGECAKE: What’s the name of your production company?

    Michael Sirow: Oh, I don’t… I don’t it… That’s just me. That’s just…

    GRUNGECAKE Oh, that’s just you!

    Michael Sirow: Yeah, yeah. I just go where I’m told… You know, just… I show up!

    GRUNGECAKE: Good, good. Okay, my last one for you. Because it says online that your birthday is November 15th. Is that accurate?

    Michael Sirow: It is! It is.

    GRUNGECAKE: That’s my birthday, so that’s… crazy!

    Michael Sirow: No, it’s not!

    GRUNGECAKE: Yeah!

    Michael Sirow: That’s why this has been my favorite interview so far! I knew there was a reason that you didn’t… And listen, I felt so bad because I had to punt all the the calls from from last week to this week. But I… there’s a reason you kept me. You didn’t you didn’t throw me out. So I wouldn’t have known! Are you going to do anything special for this birthday?

    GRUNGECAKE: Yeah, I might be in Cape Town (South Africa) this year.

    Michael Sirow Oh my God. That’s crazy!

    Michael Sirow: That’s why this has been my favourite interview so far! I knew there was a reason that you didn’t. And listen, I felt so bad because I had to punt all the the calls from from last week to this week. But there’s a reason you kept me you didn’t you didn’t throw me out. So, I wouldn’t have known so there’s that’s crazy special. Are you going to do anything special for this birthday? Yeah, I might be in Cape Town this year.

    Michael Sirow: Oh my God. That’s crazy!

    Michael Sirow, the New York City-born actor, whom I awesomely share a birthday (November 15), was one of the best interviews I had in a very long time. He was funny, cool and welcoming. The chilling action/thriller is available on-demand nationwide and will be in theatres in the United States on July 5. If you’re into this genre of film/movie, check it out with a friend or many. Let’s discuss how you feel about it in the comments.

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  • A movie for the ears: Watch Misha Crosby and John Mawson’s official trailer for ‘Unsinkable’

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    Today, Misha Crosby (American Horror Story, The Lying Game) and John Mawson (Outlander, Never Have I Done) announced their new immersive eleven-part audio movie series ‘Unsinkable’. According to the press release, the film tells “the story of the British tanker, the San Demetrio, one of the most extraordinary tales of heroism, fortitude, and seamanship of WW2. When the ship is attacked thousands of miles from home in enemy-infested seas, a raw young officer and a handful of desperate seamen fight to survive both against the elements and themselves.”

    As loosely described, “the eleven-part series [oozes] action, drama, romance, comedy, and gripping tension that brings this epic event to life. It is not a radio play, audiobook, docu-drama, or an ordinary podcast. There is no narration. This wholly immersive original audio movie series embraces the production style and values of cinematic feature films by creating an immersive narrative blockbuster experience through sound design and original orchestral score. The sound design has been led by Jimmy Boyle and his team (Band of Brothers, Casino Royale, Wonder Woman 1984, Harry Potter) and delivered in Dolby Atmos, mixed by Academy Award® winner Ben Wilkins (Whiplash).”

    Check out the trailer to learn more about the innovative movie (for your ears) about an unsinkable ship, sixteen men, a thousand miles of ocean, and British seamanship. It’s three minutes and forty-three seconds, comes out on July 10, and is available in Dolby Atmos.

    [youtube=https://www.youtube.com/watch?v=5MCy9n5PdjE&h=315]

  • Brian Van Holt, Curtis “50 Cent” Jackson and Mel Gibson to star in Hollywood thriller ‘Boneyard’: Watch the trailer

    The chilling thriller will be released on video on demand nationwide on July 2 and hit theatres in the United States on July 5.

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    This week, a Lionsgate representative contacted and shared the updated official poster. Based on a true story, the true crime story follows Police Chief Carter (Curtis “50 Cent” Jackson), Detective Ortega (Brian Van Holt) and Agent Petrovick (Mel Gibson) in a multi-agency effort to identify and apprehend the killer. As their agendas and methods clash, a tangled web of intrigue casts suspicion in all directions. The skeletal remains of eleven women and girls were found in the New Mexico desert, launching the investigation.

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    Watch the trailer from the movie filmed by Asif Akbar and produced by Colin Bates.

    [youtube=https://www.youtube.com/watch?v=GS5OoPsRkKs&h=315]