Peter Hadar singing at Marf Music

Blurb from YAMS:

Yesterday, Wednesday July 28, 2010, GrungeCake Magazine presented Burlesque Yes! to the New York City music scene. Burlesques Yes! consists of a sensual live show with Peter Hadar & Long Kiss In Public, a burlesque photo booth shoot, and the sweet sweet flavours of Bite Me!’s sample cheesecake. We are thinking about having another. Will you attend? Enjoy the slideshow below and become a contact. If you’ve missed the promo video for Peter Hadar‘s previous show, kindly watch video below.

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Members Only: A GrungeCake Party

On Monday, June 28, 2010, GrungeCake Magazine debuted its artists for its new venture, GrungeCake Records. With our special guest performer, Dai Burger and special guest host, Peter Hadar, the Members Only party was hot, smooth, raw, and uncut. We encourage you to sign into your Yahoo account to see photos from the beginning, leading up to the show. We would like to take the time out to thank everyone who attended our Members Only party.

For more photographs from this event, kindly visit our Facebook and like it. Feel free to become a contact via our Flickr. Thanks.

Photos: YAMS, A. Phillips

Blurb from YAMS:

Invited by Ibrahim Ahmed III, GrungeCake Magazine visited Rupert Ravens Contemporary on Market Street in Newark, New Jersey for a 24 solo artists project. We watched Ahmed introduce and speak about his artwork, met and learned about new artists, and enjoyed our commute on the NJ Transit. For some of the cool pieces on display, kindly scroll. We will like to take the time to thank Rupert Ravens Contemporary for linking a GrungeCake article on their website. Thank you loads!

This exhibition explores next art as conduit, vessel. These items of depth transport and continue to deliver the goods beyond first glance. In ship to shore communication, a message floats from the mother ship out to a new land, new recipients. Here a circulatory system is launched, imploding the deflective icy surface of contemporary art’s banality. Sentient synapses fire up the biological percolation that underlies perception. Likewise, these artworks spawn a regenerative reciprocation between object and perceiver.

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