Nacho’s smile flashes gold as he shifts his weight from one foot to the other, an old habit from days gone by as a high school athlete, and blows into his hands to warm them on this cold, damp Seattle evening.
Dutch lounge producers Adani & Wolf interview with Marjolein Keijser about their 5th studio album “Electric Dandy”.
While watching “Headbangers Ball” on MTV, this band would soon become a favorite. Here’s an interview with lead Alexis Brown of Straight Line Stitch.
On the eve of my birthday’s eve, I decided to see DOM KENNEDY in concert again and I was utterly disappointed.
Our team makes a cameo in Nitty Scott, MC’s “Bullsh*t Rap” music video.
Profoundly influenced by many styles of music and its eras, the huge hybrid sound that uhlife mentions is present in his debut free “(barely)uhlive”.
Is “Good Kid, M.A.A.D City” a classic? I think youth dictates those terms. Classic records always seem to be the ones that impact you the most when you are still malleable. They are records that change the way you think about the possibility of music and the expectations you have for other artists and their endeavors. I’ll leave that decision to kids that have never heard “Illmatic” (an album which as great as it is still has “One Time”, a song skipped by me to this day) and people paid for their opinions on what makes for good music.
Sonnymoon lures you in with vibes of their Homer planet with their electronic / soul sound.
Brooke Candy is a vivacious 23-year-old that hails from the City of Angels with an ‘I-don’t-take-shit-attitude’ and over-the-top ‘I’m-sexy-and-I-know-it style’.
Frank Nitt, new curator of the late great J Dilla’s catalogue, speaks with Emerald about what that new job title entails, label ownership, and “Dilla Day”.